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πŸ”— Arabic Wikipedia Blackout

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πŸ”— Solomon Shereshevsky

πŸ”— Biography πŸ”— Russia πŸ”— Russia/mass media in Russia πŸ”— Psychology πŸ”— Russia/science and education in Russia

Solomon Veniaminovich Shereshevsky (Russian: Π‘ΠΎΠ»ΠΎΠΌΠΎΠ½ Π’Π΅Π½ΠΈΠ°ΠΌΠΈΠ½ΠΎΠ²ΠΈΡ‡ Π¨Π΅Ρ€Π΅ΡˆΠ΅Π²ΡΠΊΠΈΠΉ; 1886 – 1 May 1958), also known simply as 'Π¨' ('Sh'), 'S.', or Luria's S, was a Soviet journalist and mnemonist active in the 1920s. He was the subject of Alexander Luria's case study The Mind of a Mnemonist (1968).

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πŸ”— Tetris effect

πŸ”— Video games

The Tetris effect (also known as Tetris syndrome) occurs when people devote so much time and attention to an activity that it begins to pattern their thoughts, mental images, and dreams. It takes its name from the video game Tetris.

People who have played Tetris for a prolonged amount of time can find themselves thinking about ways different shapes in the real world can fit together, such as the boxes on a supermarket shelf or the buildings on a street. They may see coloured images of pieces falling into place on an invisible layout at the edges of their visual fields or when they close their eyes.. They may see such coloured, moving images when they are falling asleep, a form of hypnagogic imagery.

The Tetris effect is a form of habit. Those experiencing the effect may feel they are unable to prevent the thoughts, images, or dreams from happening.

A broadening of the Tetris effect may be the Game Transfer Phenomena (GTP).

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πŸ”— Antimacassar

πŸ”— Home Living

An antimacassar is a small cloth placed over the backs or arms of chairs, or the head or cushions of a sofa, to prevent soiling of the permanent fabric underneath. The name also refers to the cloth flap 'collar' on a sailor's shirt or top, used to keep macassar oil off the uniform.

Macassar oil was an unguent for the hair commonly used by men in the early 19th century, and reputed to have been manufactured from ingredients purchased in the port of Makassar in the Dutch East Indies. The poet Byron called it "thine incomparable oil, Macassar". The fashion for oiled hair became so widespread in the Victorian and the Edwardian period that housewives began to cover the arms and backs of their chairs with washable cloths to prevent the fabric coverings from being soiled. Around 1850, these started to be known as antimacassars. They were also installed in theatres, from 1865.

They came to have elaborate patterns, often in matching sets for the various items of parlour furniture; they were either made at home using a variety of techniques such as crochet or tatting, or purchased. The original antimacassars were usually made of stiff white crochet-work, but in the third quarter of the 19th century they became simpler and softer, usually fabric embroidered with a simple pattern in wool or silk.

By the beginning of the 20th century, antimacassars had become so associated in people's minds with the Victorian period that the word briefly became a figurative term for it. For example, antimacassars are suggestive of old-fashioned, Victorian-era women in Rebecca West's novel The Return of the Soldier.

Antimacassars are also used on the seat headrests of commercial passenger transport vehicles, such as trains, buses and, especially, aircraft, to prevent the transmission of hair dressings and conditions between passengers, simplify maintenance, and extend the life of fabrics.

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πŸ”— Warchalking

πŸ”— Computing πŸ”— Computer Security πŸ”— Computer Security/Computing πŸ”— Computing/Computer Security πŸ”— Computing/Networking

Warchalking is the drawing of symbols in public places to advertise an open Wi-Fi network. Inspired by hobo symbols, the warchalking marks were conceived by a group of friends in June 2002 and publicised by Matt Jones who designed the set of icons and produced a downloadable document containing them. Within days of Jones publishing a blog entry about warchalking, articles appeared in dozens of publications and stories appeared on several major television news programs around the world.

The word is formed by analogy to wardriving, the practice of driving around an area in a car to detect open Wi-Fi nodes. That term in turn is based on wardialing, the practice of dialing many phone numbers hoping to find a modem.

Having found a Wi-Fi node, the warchalker draws a special symbol on a nearby object, such as a wall, the pavement, or a lamp post. Those offering Wi-Fi service might also draw such a symbol to advertise the availability of their Wi-Fi location, whether commercial or personal.

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πŸ”— Sweden Solar System

πŸ”— Astronomy πŸ”— Sweden πŸ”— Solar System πŸ”— Astronomy/Solar System

The Sweden Solar System is the world's largest permanent scale model of the Solar System. The Sun is represented by the Ericsson Globe in Stockholm, the largest hemispherical building in the world. The inner planets can also be found in Stockholm but the outer planets are situated northward in other cities along the Baltic Sea. The system was started by Nils Brenning and GΓΆsta Gahm and is on the scale of 1:20 million.

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πŸ”— Lanark: A Life in Four Books

πŸ”— Novels

Lanark, subtitled A Life in Four Books, is the first novel of Scottish writer Alasdair Gray. Written over a period of almost thirty years, it combines realist and dystopian surrealist depictions of his home city of Glasgow.

Its publication in 1981 prompted Anthony Burgess to call Gray "the best Scottish novelist since Walter Scott". Lanark won the inaugural Saltire Society Book of the Year award in 1982, and was also named Scottish Arts Council Book of the Year. The book, still his best known, has since become a cult classic. In 2008, The Guardian heralded Lanark as "one of the landmarks of 20th-century fiction."

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πŸ”— Coastline Paradox

πŸ”— Mathematics πŸ”— Maps

The coastline paradox is the counterintuitive observation that the coastline of a landmass does not have a well-defined length. This results from the fractal curve-like properties of coastlines, i.e., the fact that a coastline typically has a fractal dimension (which in fact makes the notion of length inapplicable). The first recorded observation of this phenomenon was by Lewis Fry Richardson and it was expanded upon by Benoit Mandelbrot.

The measured length of the coastline depends on the method used to measure it and the degree of cartographic generalization. Since a landmass has features at all scales, from hundreds of kilometers in size to tiny fractions of a millimeter and below, there is no obvious size of the smallest feature that should be taken into consideration when measuring, and hence no single well-defined perimeter to the landmass. Various approximations exist when specific assumptions are made about minimum feature size.

The problem is fundamentally different from the measurement of other, simpler edges. It is possible, for example, to accurately measure the length of a straight, idealized metal bar by using a measurement device to determine that the length is less than a certain amount and greater than another amountβ€”that is, to measure it within a certain degree of uncertainty. The more accurate the measurement device, the closer results will be to the true length of the edge. When measuring a coastline, however, the closer measurement does not result in an increase in accuracyβ€”the measurement only increases in length; unlike with the metal bar, there is no way to obtain a maximum value for the length of the coastline.

In three-dimensional space, the coastline paradox is readily extended to the concept of fractal surfaces whereby the area of a surface varies, depending on the measurement resolution.

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πŸ”— Bourbaki dangerous bend symbol

πŸ”— Mathematics

The dangerous bend or caution symbol ☑ (U+2621 ☑ CAUTION SIGN) was created by the Nicolas Bourbaki group of mathematicians and appears in the margins of mathematics books written by the group. It resembles a road sign that indicates a "dangerous bend" in the road ahead, and is used to mark passages tricky on a first reading or with an especially difficult argument.

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