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In computer programming, indentation style is a convention, a.k.a. style, governing the indentation of blocks of source code. An indentation style generally involves consistent width of whitespace (indentation size) before each line of a block, so that the lines of code appear to be related, and dictates whether to use space or tab characters for the indentation whitespace.

An acrostic is a poem (or other form of writing) in which the first letter (or syllable, or word) of each line (or paragraph, or other recurring feature in the text) spells out a word, message or the alphabet. The word comes from the French acrostiche from post-classical Latin acrostichis, from Koine Greek ἀκροστιχίς, from Ancient Greek ἄκρος "highest, topmost" and στίχος "verse". As a form of constrained writing, an acrostic can be used as a mnemonic device to aid memory retrieval.

Relatively simple acrostics may merely spell out the letters of the alphabet in order; such an acrostic may be called an 'alphabetical acrostic' or abecedarius. These acrostics occur in the first four of the five chapters that make up the Book of Lamentations, in the praise of the good wife in Proverbs 31:10-31, and in Psalms 25, 34, 37, 111, 112, 119 and 145 of the Hebrew Bible. Notable among the acrostic Psalms is the long Psalm 119, which typically is printed in subsections named after the 22 letters of the Hebrew alphabet, each section consisting of 8 verses, each of which begins with the same letter of the alphabet and the entire psalm consisting of 22 x 8 = 176 verses; and Psalm 145, which is recited three times a day in the Jewish services. Some acrostic psalms are technically imperfect. E.g. Psalm 9 and Psalm 10 appear to constitute a single acrostic psalm together, but the length assigned to each letter is unequal and five of the 22 letters of the Hebrew alphabet are not represented and the sequence of two letters is reversed. In Psalm 25 one Hebrew letter is not represented, the following letter (Resh) repeated. In Psalm 34 the current final verse, 23, does fit verse 22 in content, but adds an additional line to the poem. In Psalms 37 and 111 the numbering of verses and the division into lines are interfering with each other; as a result in Psalm 37, for the letters Daleth and Kaph there is only one verse, and the letter Ayin is not represented. Psalm 111 and 112 have 22 lines, but 10 verses. Psalm 145 does not represent the letter Nun, having 21 one verses, but one Qumran manuscript of this Psalm does have that missing line, which agrees with the Septuagint.

Acrostics are common in medieval literature, where they usually serve to highlight the name of the poet or his patron, or to make a prayer to a saint. They are most frequent in verse works but can also appear in prose. The Middle High German poet Rudolf von Ems for example opens all his great works with an acrostic of his name, and his world chronicle marks the beginning of each age with an acrostic of the key figure (Moses, David, etc.). In chronicles, acrostics are common in German and English but rare in other languages.

Often the ease of detectability of an acrostic can depend on the intention of its creator. In some cases an author may desire an acrostic to have a better chance of being perceived by an observant reader, such as the acrostic contained in the Hypnerotomachia Poliphili (where the key capital letters are decorated with ornate embellishments). However, acrostics may also be used as a form of steganography, where the author seeks to conceal the message rather than proclaim it. This might be achieved by making the key letters uniform in appearance with the surrounding text, or by aligning the words in such a way that the relationship between the key letters is less obvious. This is referred to as null ciphers in steganography, using the first letter of each word to form a hidden message in an otherwise innocuous text. Using letters to hide a message, as in acrostic ciphers, was popular during the Renaissance, and could employ various methods of enciphering, such as selecting other letters than initials based on a repeating pattern (equidistant letter sequences), or even concealing the message by starting at the end of the text and working backwards.

The Cashew of Pirangi (Cajueiro de Pirangi), also called the world's largest cashew tree (maior cajueiro do mundo), is a cashew tree in Pirangi do Norte, Rio Grande do Norte, Brazil. In 1994, the tree entered the Guinness Book of Records. It covers an area between 7,300 square metres (1.8 acres) and 8,400 square metres (2.1 acres). Having the size of 70 normally sized cashew trees, it has a circumference of 500 m (1,600 ft). The vicinity of the World's Largest Cashew Tree in North Pirangi is also a main place for the sale of lace and embroidery in Rio Grande do Norte state.

The spread over a hectare of land was, unlike other trees, created by the tree's outward growth. When bent towards the ground (because of their weight), the branches tend to take new roots where they touch the ground. This may be seen in the images of the interior. It is now difficult to distinguish the initial trunk from the rest of the tree.

The tree is said to have been planted in 1888. However, based on its growth nature, "the tree is estimated to be more than a thousand years old." The tree produces over 60,000 fruits each year.

Flávio Nogueira, Jr., the state secretary of tourism for Piauí, has claimed that the Cashew of Pirangi in Piauí is, in fact, the largest tree, covering an area of 8,800 square metres (2.2 acres). That tree was studied by a laboratory from the State University of Piauí.

Portable soup was a kind of dehydrated food used in the 18th and 19th centuries. It was a precursor of meat extract and bouillon cubes, and of industrially dehydrated food. It is also known as pocket soup or veal glew. It is a cousin of the glace de viande of French cooking. It was long a staple of seamen and explorers, for it would keep for many months or even years. In this context, it was a filling and nutritious dish. Portable soup of less extended vintage was, according to the 1881 Household Cyclopedia, "exceedingly convenient for private families, for by putting one of the cakes in a saucepan with about a quart of water, and a little salt, a basin of good broth may be made in a few minutes."

The great horse manure crisis of 1894 refers to the idea that the greatest obstacle to urban development at the turn of the century was the difficulty of removing horse manure from the streets. More broadly, it is an analogy for supposedly insuperable extrapolated problems being rendered moot by the introduction of new technologies. The phrase originates from a 2004 article by Stephen Davies entitled "The Great Horse-Manure Crisis of 1894".

The supposed problem of excessive horse-manure collecting in the streets was solved by the proliferation of cars, buses and electrified trams which replaced horses as the means of transportation in big cities. The term great horse manure crisis of 1894 is often used to denote a problem which seems to be impossible to solve because it is being looked at from the wrong direction.

The name refers to a supposed 1894 publication in The Times, which said "In 50 years, every street in London will be buried under nine feet of manure". The reasoning was that more horses are needed to remove the manure, and these horses produce more manure. An urban planning conference in 1898 supposedly broke up before its scheduled end due to a failure to find an answer to this problem. No such statement in the Times, nor conference result, is known, but in 1893 London there was a complaint that horse manure, formerly an economic good that could be sold, had become a disposal problem, an economic bad.

The supposed crisis has since taken on life as a useful analogy.

Bitching Betty is a slang term used by some pilots and aircrew (mainly North American), when referring to the voices used by some aircraft warning systems.

The enunciating voice, in at least some aircraft systems, may be either male or female and in some cases this may be selected according to pilot preference. If the voice is female, it may be referred to as Bitching Betty; if the voice is male, it may be referred to as Barking Bob. A female voice is heard on military aircraft such as the F-16 Fighting Falcon, the Eurofighter Typhoon and the Mikoyan MiG-29. A male voice is heard on Boeing commercial airliners and is also used in the BAE Hawk.

In the United Kingdom the term Nagging Nora is sometimes used, and in New Zealand the term used for Boeing aircraft is Hank the Yank. The voice warning system used on London Underground trains, which also uses a female voice, is known to some staff as Sonya, as it "gets on ya nerves".

Sütterlinschrift (German pronunciation: [ˈzʏtɐliːnˌʃʁɪft], "Sütterlin script") is the last widely used form of Kurrent, the historical form of German handwriting that evolved alongside German blackletter (most notably Fraktur) typefaces. Graphic artist Ludwig Sütterlin was commissioned by the Prussian Ministry of Science, Art and Culture (Preußisches Ministerium für Wissenschaft, Kunst und Volksbildung) to create a modern handwriting script in 1911. His handwriting scheme gradually replaced the older cursive scripts that had developed in the 16th century at the same time that letters in books had developed into Fraktur. The name Sütterlin is nowadays often used to refer to all varieties of old German handwriting, although only this specific script was taught in all German schools from 1915 to 1941.

The (pan)arthropod head problem is a long-standing zoological dispute concerning the segmental composition of the heads of the various arthropod groups, and how they are evolutionarily related to each other. While the dispute has historically centered on the exact make-up of the insect head, it has been widened to include other living arthropods such as chelicerates, myriapods, crustaceans; and fossil forms, such as the many arthropods known from exceptionally preserved Cambrian faunas. While the topic has classically been based on insect embryology, in recent years a great deal of developmental molecular data has become available. Dozens of more or less distinct solutions to the problem, dating back to at least 1897, have been published, including several in the 2000s.

The arthropod head problem is popularly known as the endless dispute, the title of a famous paper on the subject by Jacob G. Rempel in 1975, referring to its seemingly intractable nature. Although some progress has been made since that time, the precise nature of especially the labrum and the pre-oral region of arthropods remain highly controversial.

The yottabyte is a multiple of the unit byte for digital information. The prefix yotta indicates multiplication by the eighth power of 1000 or 10²⁴ in the International System of Units (SI), and therefore one yottabyte is one septillion (one long scale quadrillion) bytes. The unit symbol for the yottabyte is YB. The yottabyte, adopted in 1991, is the largest of the formally defined multiples of the byte.

1 YB = 1000⁸bytes = 10²⁴bytes = 1000000000000000000000000bytes = 1000zettabytes = 1trillionterabytes

A related unit, the yobibyte (YiB), using a binary prefix, is equal to 1024⁸bytes (approximately 1.209 YB).