You are looking at all articles with the topic "Novels". We found 50 matches.

Hint: To view all topics, click here. Too see the most popular topics, click here instead.

🔗 Ancient Near East 🔗 Novels 🔗 Novels/Science fiction 🔗 Science Fiction 🔗 Skepticism 🔗 Literature 🔗 Classical Greece and Rome 🔗 Greece 🔗 Comedy 🔗 Assyria

A True Story (Ancient Greek: Ἀληθῆ διηγήματα, Alēthē diēgēmata; Latin: Vera Historia or Latin: Verae Historiae) is a novel written in the second century AD by Lucian of Samosata, a Greek-speaking author of Assyrian descent. The novel is a satire of outlandish tales which had been reported in ancient sources, particularly those which presented fantastic or mythical events as if they were true. It is Lucian's best-known work.

It is the earliest known work of fiction to include travel to outer space, alien lifeforms, and interplanetary warfare. As such, A True Story has been described as "the first known text that could be called science fiction". However the work does not fit into typical literary genres: its multilayered plot and characters have been interpreted as science fiction, fantasy, satire or parody, and have been the subject of much scholarly debate.

🔗 Novels 🔗 Novels/Science fiction 🔗 Science Fiction 🔗 Novels/Short story

"The Last Question" is a science fiction short story by American writer Isaac Asimov. It first appeared in the November 1956 issue of Science Fiction Quarterly and was anthologized in the collections Nine Tomorrows (1959), The Best of Isaac Asimov (1973), Robot Dreams (1986), The Best Science Fiction of Isaac Asimov (1986), the retrospective Opus 100 (1969), and in Isaac Asimov: The Complete Stories, Vol. 1 (1990). While he also considered it one of his best works, “The Last Question” was Asimov's favorite short story of his own authorship, and is one of a loosely connected series of stories concerning a fictional computer called Multivac. Asimov's Three Laws of Robotics, which were first formulated in 1940, outline the criteria for robotic existence in relation to humans. Humanity's relationship to Multivac is questioned on the subject of entropy. The story overlaps science fiction, theology, and philosophy.  

🔗 Novels 🔗 Novels/Science fiction 🔗 LGBT studies 🔗 Novels/Short story

" '—All You Zombies—' " is a science fiction short story by American writer Robert A. Heinlein. It was written in one day, July 11, 1958, and first published in the March 1959 issue of Fantasy and Science Fiction magazine after being rejected by Playboy.

The story involves a number of paradoxes caused by time travel. In 1980, it was nominated for the Balrog Award for short fiction.

"'—All You Zombies—'" further develops themes explored by the author in a previous work: "By His Bootstraps", published some 18 years earlier. Some of the same elements also appear later in The Cat Who Walks Through Walls (1985), including the Circle of Ouroboros and the Temporal Corps.

The unusual title of the story, which includes both the quotation marks and dashes shown above, is a quotation from a sentence near the end of the story; the quotation is taken from the middle of the sentence, hence the dashes indicating edited text before and after the title.

🔗 Novels

The 480 is a political fiction novel by Eugene Burdick (1964).

The plot evolves around the political turmoil after John F. Kennedy assassination in 1963. In the novel, a fictitious charismatic character, John Thatch, an engineer, is seeking nomination for the Republican Party candidate at 1964 presidential elections. He is described as being contaminated with the "political virus". A handful of political professionals are promoting his nomination, in confrontation with the Party establishment. There exist apparent parallels between Thatch and Henry Cabot Lodge, Jr., a write-in hero at New Hampshire primary.

The novel criticizes the socio-political effects on society at large from the use of computers to run massive simulations, which predict the public reaction to certain (proposed) political moves before implementing them. Such simulations make it easy to manipulate the public consciousness.

The "480" in the title denotes the number of groups (by party affiliation, socioeconomic status, location, origin, etc.) that the computer simulation uses to classify the American electorate. The full list of these is reproduced in the Appendix, claimed by the author to be the true list used by the Simulmatics Corporation (real name) in Senator John F. Kennedy's Presidential campaign in 1960. The cover features an IBM 5081 punched card.

The Simulmatics Corporation was created by MIT Professor Ithiel de Sola Pool, who provided a non-fiction backup to "The 480" in "Candidates, Issues, and Strategies: A Computer Simulation of the 1960 Presidential Election," MIT Press, 1964 (with co-authors Robert P. Abelson and Samuel L. Popkin). They built their model from 130,000 archived interviews in Gallup and Roper polls over a ten-year period. Based on its output, they advised Kennedy that he would benefit from a strong civil rights stand and that he had nothing to lose, and much to gain, by attacking religious bigotry and dealing frankly with his Catholicism.

The 480 has been cited as prefiguring the effect of modern social media and data gathering on politics.

🔗 Computing 🔗 Africa 🔗 Ancient Egypt 🔗 Novels 🔗 Novels/Science fiction 🔗 Science Fiction 🔗 Women writers 🔗 Egypt

The Mummy! A Tale of the Twenty-Second Century is an 1827 three-volume novel written by Jane Webb (later Jane C. Loudon). It concerns the Egyptian mummy of Cheops, who is brought back to life in the year 2126. The novel describes a future filled with advanced technology, and was the first English-language story to feature a reanimated mummy.

After her father's death, making her an orphan at the age of 17, Webb found that:

on the winding up of his affairs that it would be necessary to do something for my support. I had written a strange, wild novel, called the Mummy, in which I had laid the scene in the twenty-second century, and attempted to predict the state of improvement to which this country might possibly arrive.

She may have drawn inspiration from the general fashion for anything pharaonic, inspired by the French researches during the Napoleonic invasion of Egypt; the 1821 public unwrappings of Egyptian mummies in a theatre near Piccadilly, which she may have attended as a girl; and, very likely, the 1818 novel by Mary Shelley, Frankenstein; or, The Modern Prometheus. As Shelley had written of Frankenstein's creation, "A mummy again endued with animation could not be so hideous as that wretch," which may have triggered her later concept. In any case, at many points she deals in greater clarity with elements from the earlier book such as the loathing for the much-desired object and the immediate arrest for crime and attempt to lie one's way out of it. However, unlike the Frankenstein monster, the hideous revived Cheops is not shuffling around dealing out horror and death, but giving canny advice on politics and life to those who befriend him. In some ways The Mummy! may be seen as her reaction to themes in Frankenstein: her mummy specifically says he is allowed life only by divine favour, rather than being indisputably vivified only by mortal science, and so on, as Hopkins' 2003 essay covers in detail.

Unlike many early science fiction works (Shelley's The Last Man, and The Reign of King George VI, 1900–1925, written anonymously in 1763), Loudon did not portray the future as her own day with only political changes. She filled her world with foreseeable changes in technology, society, and even fashion. The hero, Edric Montague, lived in a peaceful and Catholic England under the rule of Queen Claudia. Her court ladies wear trousers and hair ornaments of controlled flame. Surgeons and lawyers may be steam-powered automatons. Air travel, by balloon, is commonplace. A kind of Internet is predicted in it. Besides trying to account for the revivification of the mummy in scientific terms—galvanic shock rather than incantations—"she embodied ideas of scientific progress and discovery, that now read like prophecies" to those later in the 19th century. Many of the incidents in the book can be seen as satirical or humorous. Her social attitudes have resulted in this book being ranked among feminist novels.

The Mummy!: Or a Tale of the Twenty-Second Century was published anonymously in 1827 by Henry Colburn in three volumes, as was usual in that day so that each small volume could be easily carried around. It drew many favourable reviews, including one in 1829 in The Gardener's Magazine on the inventions proposed in it. In 1830, the 46-year-old reviewer, John Claudius Loudon, sought out the 22-year-old Webb, and they married the next year.

🔗 Novels

I, Libertine is a literary hoax novel that began as a practical joke by late-night radio raconteur Jean Shepherd who aimed to lampoon the process of determining best-selling books. After generating substantial attention for a novel that didn't actually exist, Shepherd approved a 1956 edition of the book written mainly by Theodore Sturgeon — which became an actual best-seller, with all profits donated to charity.

🔗 Novels 🔗 Novels/Science fiction 🔗 Science Fiction

Dune: The Butlerian Jihad is a 2002 science fiction novel by Brian Herbert and Kevin J. Anderson, set in the fictional Dune universe created by Frank Herbert. It is the first book in the Legends of Dune prequel trilogy, which takes place over 10,000 years before the events of Frank Herbert's celebrated 1965 novel Dune. The series chronicles the fictional Butlerian Jihad, a crusade by the last free humans in the universe against the thinking machines, a violent and dominating force led by the sentient computer Omnius.

Dune: The Butlerian Jihad rose to #7 on The New York Times Best Seller list in its second week of publication.

🔗 Novels 🔗 Books 🔗 Novels/Short story 🔗 Horror

The King in Yellow is a book of short stories by American writer Robert W. Chambers, first published by F. Tennyson Neely in 1895. The British first edition was published by Chatto & Windus in 1895 (316 pages).

The book contains nine short stories and a sequence of poems; while the first stories belong to the genres of supernatural horror and weird fiction, The King in Yellow progressively transitions towards a more light-hearted tone, ending with romantic stories devoid of horror or supernatural elements. The horror stories are highly esteemed, and it has been described by critics such as E. F. Bleiler, S. T. Joshi, and T. E. D. Klein as a classic in the field of the supernatural. Lin Carter called it "an absolute masterpiece, probably the single greatest book of weird fantasy written in this country between the death of Poe and the rise of Lovecraft", and it was an influence on Lovecraft himself.

The book is named for the eponymous play within the stories which recurs as a motif through the first four stories, a forbidden play which induces madness in those who read it.

🔗 Novels 🔗 Novels/Science fiction

The Invincible (Polish: Niezwyciężony) is a hard science fiction novel by Polish writer Stanisław Lem, published in 1964.

The Invincible originally appeared as the title story in Lem's collection Niezwyciężony i inne opowiadania ("The Invincible and Other Stories"). A translation into German was published in 1967; an English translation by Wendayne Ackerman, based on the German one, was published in 1973. A direct translation into English from Polish, by Bill Johnston, was published in 2006.

It was one of the first novels to explore the ideas of microrobots/smartdust/etc., artificial swarm intelligence and "necroevolution", a term suggested by Lem for evolution of non-living matter.

🔗 Novels 🔗 Children's literature 🔗 Dogs 🔗 Novels/19th century

A Dog of Flanders is an 1872 novel by English author Marie Louise de la Ramée published with her pseudonym "Ouida". It is about a Flemish boy named Nello and his dog, Patrasche and is set in Antwerp.

In Japan, Korea and the Philippines, the novel has been an extremely popular children's classic for decades and has been adapted into several Japanese films and anime. Since the 1980s, the Belgian board of tourism caught on to the phenomenon and built two monuments honoring the story to please East-Asian tourists. There is a small statue of Nello and Patrasche at the Kapelstraat in the Antwerp suburb of Hoboken, and a commemorative plaque in front of the Antwerp Cathedral donated by Toyota, that was later replaced by a marble statue of the two characters covered by a cobblestone blanket, created by the artist Batist Vermeulen.