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🔗 Constructed languages

Lojban (pronounced [ˈloʒban] (listen)) is a constructed, syntactically unambiguous human language created by the Logical Language Group and succeeding the Loglan project.

The Logical Language Group (LLG) began developing Lojban in 1987. The LLG sought to realize Loglan's purposes, and further improve the language by making it more usable and freely available (as indicated by its official full English title, "Lojban: A Realization of Loglan"). After a long initial period of debating and testing, the baseline was completed in 1997, and published as The Complete Lojban Language. In an interview in 2010 with The New York Times, Arika Okrent, the author of In the Land of Invented Languages, stated: "The constructed language with the most complete grammar is probably Lojban—a language created to reflect the principles of logic."

Lojban is proposed as a speakable language for communication between people of different language backgrounds, as a potential means of machine translation and to explore the intersection of human language and software.

🔗 United States 🔗 Library of Congress 🔗 Geography 🔗 Maps 🔗 Libraries

The Waldseemüller map or Universalis Cosmographia ("Universal Cosmography") is a printed wall map of the world by German cartographer Martin Waldseemüller, originally published in April 1507. It is known as the first map to use the name "America". The name America is placed on what is now called South America on the main map. As explained in Cosmographiae Introductio, the name was bestowed in honor of the Italian Amerigo Vespucci.

The map is drafted on a modification of Ptolemy's second projection, expanded to accommodate the Americas and the high latitudes. A single copy of the map survives, presently housed at the Library of Congress in Washington, D.C.

Waldseemüller also created globe gores, printed maps designed to be cut out and pasted onto spheres to form globes of the Earth. The wall map, and his globe gores of the same date, depict the American continents in two pieces. These depictions differ from the small inset map in the top border of the wall map, which shows the two American continents joined by an isthmus.

🔗 Disaster management 🔗 London 🔗 Occupational Safety and Health 🔗 Beer

The London Beer Flood was an accident at Meux & Co's Horse Shoe Brewery, London, on 17 October 1814. It took place when one of the 22-foot-tall (6.7 m) wooden vats of fermenting porter burst. The pressure of the escaping liquid dislodged the valve of another vessel and destroyed several large barrels: between 128,000 and 323,000 imperial gallons (580,000–1,470,000 L; 154,000–388,000 US gal) of beer were released in total.

The resulting wave of porter destroyed the back wall of the brewery and swept into an area of slum dwellings known as the St Giles rookery. Eight people were killed, five of them mourners at the wake being held by an Irish family for a two-year-old boy. The coroner's inquest returned a verdict that the eight had lost their lives "casually, accidentally and by misfortune". The brewery was nearly bankrupted by the event; it avoided collapse after a rebate from HM Excise on the lost beer. The brewing industry gradually stopped using large wooden vats after the accident. The brewery moved in 1921, and the Dominion Theatre is now where the brewery used to stand. Meux & Co went into liquidation in 1961.

🔗 Lists

This is a list of countries and territories by home ownership rate, which is the ratio of owner-occupied units to total residential units in a specified area.

🔗 Computing 🔗 Africa 🔗 Ancient Egypt 🔗 Novels 🔗 Novels/Science fiction 🔗 Science Fiction 🔗 Women writers 🔗 Egypt

The Mummy! A Tale of the Twenty-Second Century is an 1827 three-volume novel written by Jane Webb (later Jane C. Loudon). It concerns the Egyptian mummy of Cheops, who is brought back to life in the year 2126. The novel describes a future filled with advanced technology, and was the first English-language story to feature a reanimated mummy.

After her father's death, making her an orphan at the age of 17, Webb found that:

on the winding up of his affairs that it would be necessary to do something for my support. I had written a strange, wild novel, called the Mummy, in which I had laid the scene in the twenty-second century, and attempted to predict the state of improvement to which this country might possibly arrive.

She may have drawn inspiration from the general fashion for anything pharaonic, inspired by the French researches during the Napoleonic invasion of Egypt; the 1821 public unwrappings of Egyptian mummies in a theatre near Piccadilly, which she may have attended as a girl; and, very likely, the 1818 novel by Mary Shelley, Frankenstein; or, The Modern Prometheus. As Shelley had written of Frankenstein's creation, "A mummy again endued with animation could not be so hideous as that wretch," which may have triggered her later concept. In any case, at many points she deals in greater clarity with elements from the earlier book such as the loathing for the much-desired object and the immediate arrest for crime and attempt to lie one's way out of it. However, unlike the Frankenstein monster, the hideous revived Cheops is not shuffling around dealing out horror and death, but giving canny advice on politics and life to those who befriend him. In some ways The Mummy! may be seen as her reaction to themes in Frankenstein: her mummy specifically says he is allowed life only by divine favour, rather than being indisputably vivified only by mortal science, and so on, as Hopkins' 2003 essay covers in detail.

Unlike many early science fiction works (Shelley's The Last Man, and The Reign of King George VI, 1900–1925, written anonymously in 1763), Loudon did not portray the future as her own day with only political changes. She filled her world with foreseeable changes in technology, society, and even fashion. The hero, Edric Montague, lived in a peaceful and Catholic England under the rule of Queen Claudia. Her court ladies wear trousers and hair ornaments of controlled flame. Surgeons and lawyers may be steam-powered automatons. Air travel, by balloon, is commonplace. A kind of Internet is predicted in it. Besides trying to account for the revivification of the mummy in scientific terms—galvanic shock rather than incantations—"she embodied ideas of scientific progress and discovery, that now read like prophecies" to those later in the 19th century. Many of the incidents in the book can be seen as satirical or humorous. Her social attitudes have resulted in this book being ranked among feminist novels.

The Mummy!: Or a Tale of the Twenty-Second Century was published anonymously in 1827 by Henry Colburn in three volumes, as was usual in that day so that each small volume could be easily carried around. It drew many favourable reviews, including one in 1829 in The Gardener's Magazine on the inventions proposed in it. In 1830, the 46-year-old reviewer, John Claudius Loudon, sought out the 22-year-old Webb, and they married the next year.

🔗 British Museum 🔗 Radio 🔗 BBC 🔗 Radio/UK Radio

A History of the World in 100 Objects was a joint project of BBC Radio 4 and the British Museum, comprising a 100-part radio series written and presented by British Museum director Neil MacGregor. In 15-minute presentations broadcast on weekdays on Radio 4, MacGregor used objects of ancient art, industry, technology and arms, all of which are in the British Museum's collections, as an introduction to parts of human history. The series, four years in planning, began on 18 January 2010 and was broadcast over 20 weeks. A book to accompany the series, A History of the World in 100 Objects by Neil MacGregor, was published by Allen Lane on 28 October 2010. The entire series is also available for download along with an audio version of the book for purchase. The British Museum won the 2011 Art Fund Prize for its role in hosting the project.

In 2016, a touring exhibition of several items depicted on the radio program, also titled A History of the World in 100 Objects, travelled to various destinations, including Abu Dhabi (Manarat Al Saadiyat), Taiwan (National Palace Museum in Taipei), Japan (Tokyo Metropolitan Art Museum in Tokyo, Kyushu National Museum in Daizafu, and Kobe City Museum in Kobe), Australia (Western Australian Museum in Perth and National Museum of Australia in Canberra), and China (National Museum of China in Beijing and Shanghai Museum in Shanghai).

🔗 Medicine 🔗 Maine

The Jumping Frenchmen of Maine were a group of 19th-century lumberjacks who exhibited a rare disorder of unknown origin. The syndrome entails an exaggerated startle reflex which may be described as an uncontrollable "jump"; individuals with this condition can exhibit sudden movements in all parts of the body. Jumping Frenchmen syndrome shares some symptoms with other startle disorders.

Individuals with this condition were first found in the Moosehead Lake region of Maine, and were first described by George Miller Beard in 1878.

🔗 Computing 🔗 Computing/Software 🔗 Numismatics 🔗 Numismatics/Cryptocurrency 🔗 Cryptocurrency

Gridcoin (ticker: GRC) is an open source cryptocurrency which securely rewards volunteer computing performed on the BOINC, a distributed computing platform that is home to over 30 science projects spanning a range of scientific disciplines.

Gridcoin attempts to address and ease the environmental energy impact of cryptocurrency mining through its proof-of-research and proof-of-stake protocols, as compared to the proof of work system used by Bitcoin.

🔗 Russia 🔗 Physics 🔗 Physics/relativity 🔗 Russia/science and education in Russia

The Novikov self-consistency principle, also known as the Novikov self-consistency conjecture and Larry Niven's law of conservation of history, is a principle developed by Russian physicist Igor Dmitriyevich Novikov in the mid-1980s. Novikov intended it to solve the problem of paradoxes in time travel, which is theoretically permitted in certain solutions of general relativity that contain what are known as closed timelike curves. The principle asserts that if an event exists that would cause a paradox or any "change" to the past whatsoever, then the probability of that event is zero. It would thus be impossible to create time paradoxes.