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πŸ”— Symmetry Minute

πŸ”— Trains

The symmetry minute is a significant time point in the clock face timetables used by many public transport operators. At this point in the cycle, a train in a clock-face timetable meets its counterpart travelling in the opposite direction on the same line. If this crossing time is constant across a network, connecting times between lines are kept consistent in both directions.

At the symmetry time, the timetable is mirrored in both directions. At the ends of the line, the center of the turnaround time coincides with the symmetry minute. The distance between two consecutive symmetry times is equal to half the cycle time, so on an hourly schedule, opposite trains on the same line cross every 30 minutes. On a two-hour cycle, there is a symmetry time every hour.

In principle, a train-encounter can be set at any time. However, at the transition between two networks or lines, it is expedient to set uniform symmetry minutes, to create a symmetrical connection relation. For the long-distance cycle systems of Γ–BB and SBB, the Forschungsgesellschaft fΓΌr Straßen- und Verkehrswesen fΓΌr Deutschland (Research Association for Roads and Traffic for Germany) recommends minute 58, so a four-minute minimum connecting time results in a departure at minute 0. Meanwhile, most railways in Central Europe and a number of other transport operators have established the symmetry minute 58Β½, for a three-minute hold time before a departure at minute 0. Shorter cycles have additional symmetry minutes, shifted by half the cycle time. So an hourly cycle has symmetries at minutes 28Β½ and 58Β½, a 30-minute cycle has symmetries at minutes 13Β½, 28Β½, 43Β½ and 58Β½, and so on.

The following table shows the departure times in opposite directions for an hourly cycle, using the 58Β½ symmetry minute (the most common in Central Europe). The other departure times for shorter cycles can be calculated from it. The last line gives the meeting times.


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πŸ”— Toxorhynchites – Mosquito Eater

πŸ”— Insects πŸ”— Diptera

Toxorhynchites, also called elephant mosquito or mosquito eater, is a genus of diurnal and often relatively colorful mosquitoes, found worldwide between about 35Β° north and 35Β° south. It includes the largest known species of mosquito, at up to 18Β mm (0.71Β in) in length and 24Β mm (0.94Β in) in wingspan. It is among the many kinds of mosquito that do not consume blood. The adults subsist on carbohydrate-rich materials, such as honeydew, or saps and juices from damaged plants, refuse, fruit, and nectar.

Their larvae prey on the larvae of other mosquitoes and similar nektonic prey, making Toxorhynchites beneficial to humans. In this respect, they contrast with blood-sucking species of mosquitoes. Toxorhynchites larvae live on a protein- and fat-rich diet of aquatic animals such as mosquito larvae. They have no need to risk their lives sucking blood in adulthood, having already accumulated the necessary materials for oogenesis and vitellogenesis.

Most species occur in forests. The larvae of one jungle variety, Toxorhynchites splendens, consume larvae of other mosquito species occurring in tree crevices, particularly Aedes aegypti.

Unlike Toxorhynchites mosquitoes, detritus feeder mosquito female larvae rely on blood meals to produce eggs more plentifully than a diet of nectar would permit. And even though blood sucking is a risky strategy that entails more casualties, and they could in principle subsist on nectar and the like as their males generally do, the risk is outweighed on average by the increase in the number and size of yolk-rich eggs that such protein-rich food permit.

Environmental scientists have suggested that Toxorhynchites mosquitoes be introduced to areas outside their natural range in order to fight dengue fever. This has been practiced historically, but errors have been made. For example, when intending to introduce T. splendens to new areas, scientists actually introduced T. amboinensis. An extinct species is known from Miocene aged Mexican Amber

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πŸ”— Rocky Mountain Basic

πŸ”— Computing

Rocky Mountain BASIC (also RMB or RM-BASIC) is a dialect of the BASIC programming language created by Hewlett-Packard. It was especially popular for control of automatic test equipment using GPIB. It has several features which are or were unusual in BASIC dialects, such as event-driven operation, extensive external I/O support, complex number support, and matrix manipulation functions. Today, RMB is mainly used in environments where an investment in RMB software, hardware, or expertise already exists.

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πŸ”— Airglow

πŸ”— Physics πŸ”— Astronomy

Airglow (also called nightglow) is a faint emission of light by a planetary atmosphere. In the case of Earth's atmosphere, this optical phenomenon causes the night sky never to be completely dark, even after the effects of starlight and diffused sunlight from the far side are removed.

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πŸ”— Kayfabe

πŸ”— Linguistics πŸ”— Professional wrestling

In professional wrestling, kayfabe (also called work or worked) is the portrayal of staged events within the industry as "real" or "true", specifically the portrayal of competition, rivalries, and relationships between participants as being genuine and not of a staged or predetermined nature of any kind. The term kayfabe has evolved to also become a code word of sorts for maintaining this "reality" within the direct or indirect presence of the general public.

Kayfabe is often seen as the suspension of disbelief that is used to create the non-wrestling aspects of promotions, such as feuds, angles, and gimmicks in a manner similar to other forms of fictional entertainment. In relative terms, a wrestler breaking kayfabe during a show would be likened to an actor breaking character on-camera. Also, since wrestling is performed in front of a live audience, whose interaction with the show is crucial to its success, kayfabe can be compared to the fourth wall in acting, since hardly any conventional fourth wall exists to begin with. In general, everything in a professional wrestling show is to some extent scripted, or "kayfabe", even though at times it is portrayed as real-life.

Kayfabe was fiercely maintained for decades, but with the advent of the Internet wrestling community, and the sports entertainment movement, the pro wrestling industry has become less concerned with protecting so-called backstage secrets and typically maintains kayfabe only during the shows. Kayfabe is, however, occasionally broken during shows, usually when dealing with genuine injuries during a match or paying tribute to wrestlers.

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πŸ”— List of oldest companies: Before 1300

πŸ”— Companies πŸ”— Lists

This list of the oldest companies in the world includes brands and companies, excluding associations and educational, government, or religious organizations. To be listed, a brand or company name must remain operating, either in whole or in part, since inception. Note however that such claims are often open to question and should be researched further before citing them.

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πŸ”— Claude Γ‰mile Jean-Baptiste Litre

πŸ”— Fictional characters πŸ”— Chemistry πŸ”— Measurement

Claude Γ‰mile Jean-Baptiste Litre is a fictional character created in 1978 by Kenneth Woolner of the University of Waterloo to justify the use of a capital L to denote litres.

The International System of Units usually only permits the use of a capital letter when a unit is named after a person. The lower-case character l might be difficult to distinguish from the upper-case character I or the digit 1 in certain fonts and styles, and therefore both the lower-case (l) and the upper-case (L) are allowed as the symbol for litre. The United States National Institute of Standards and Technology now recommends the use of the uppercase letter L, a practice that is also widely followed in Canada and Australia.

Woolner perpetrated the April Fools' Day hoax in the April 1978 issue of "CHEM 13 News", a newsletter concerned with chemistry for school teachers. According to the hoax, Claude Litre was born on 12 February 1716, the son of a manufacturer of wine bottles. During Litre's extremely distinguished fictional scientific career, he purportedly proposed a unit of volume measurement that was incorporated into the International System of Units after his death in 1778.

The hoax was mistakenly printed as fact in the IUPAC journal Chemistry International and subsequently retracted.

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πŸ”— Tennis racket theorem – Wikipedia

πŸ”— Russia πŸ”— Physics πŸ”— Russia/science and education in Russia

The tennis racket theorem or intermediate axis theorem is a result in classical mechanics describing the movement of a rigid body with three distinct principal moments of inertia. It is also dubbed the Dzhanibekov effect, after Russian cosmonaut Vladimir Dzhanibekov who noticed one of the theorem's logical consequences while in space in 1985 although the effect was already known for at least 150 years before that.

The theorem describes the following effect: rotation of an object around its first and third principal axes is stable, while rotation around its second principal axis (or intermediate axis) is not.

This can be demonstrated with the following experiment: hold a tennis racket at its handle, with its face being horizontal, and try to throw it in the air so that it will perform a full rotation around the horizontal axis perpendicular to the handle, and try to catch the handle. In almost all cases, during that rotation the face will also have completed a half rotation, so that the other face is now up. By contrast, it is easy to throw the racket so that it will rotate around the handle axis (the third principal axis) without accompanying half-rotation around another axis; it is also possible to make it rotate around the vertical axis perpendicular to the handle (the first principal axis) without any accompanying half-rotation.

The experiment can be performed with any object that has three different moments of inertia, for instance with a book, remote control or smartphone. The effect occurs whenever the axis of rotation differs only slightly from the object's second principal axis; air resistance or gravity are not necessary.

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πŸ”— Bamboo-Copter

πŸ”— China/Chinese history πŸ”— China πŸ”— Toys

The bamboo-copter, also known as the bamboo dragonfly or Chinese top (Chinese zhuqingting (η«Ήθœ»θœ“), Japanese taketonbo η«Ήθœ»θ›‰), is a toy helicopter rotor that flies up when its shaft is rapidly spun. This helicopter-like top originated in Jin dynasty China around 320 AD, and was the object of early experiments by English engineer George Cayley, the inventor of modern aeronautics.

In China, the earliest known flying toys consisted of feathers at the end of a stick, which was rapidly spun between the hands and released into flight. "While the Chinese top was no more than a toy, it is perhaps the first tangible device of what we may understand as a helicopter."

The Jin dynasty Daoist philosopher Ge Hong's (c. 317) book Baopuzi (抱樸子 "Master Who Embraces Simplicity") mentioned a flying vehicle in what Joseph Needham calls "truly an astonishing passage".

Some have made flying cars [feiche ι£›θ»Š] with wood from the inner part of the jujube tree, using ox-leather (straps) fastened to returning blades so as to set the machine in motion [huan jian yi yin chiji η’°εŠδ»₯εΌ•ε…Άζ©Ÿ]. Others have had the idea of making five snakes, six dragons and three oxen, to meet the "hard wind" [gangfeng 网钨] and ride on it, not stopping until they have risen to a height of forty li. That region is called [Taiqing ε€ͺζΈ…] (the purest of empty space). There the [qi] is extremely hard, so much so that it can overcome (the strength of) human beings. As the Teacher says: "The kite (bird) flies higher and higher spirally, and then only needs to stretch its two wings, beating the air no more, in order to go forward by itself. This is because it starts gliding (lit. riding) on the 'hard wind' [gangqi 网炁]. Take dragons, for example; when they first rise they go up using the clouds as steps, and after they have attained a height of forty li then they rush forward effortlessly (lit. automatically) (gliding)." This account comes from the adepts [xianren δ»™δΊΊ], and is handed down to ordinary people, but they are not likely to understand it.

Needham concludes that Ge Hong was describing helicopter tops because "'returning (or revolving) blades' can hardly mean anything else, especially in close association with a belt or strap"; and suggests that "snakes", "dragons", and "oxen" refer to shapes of man-lifting kites. Other scholars interpret this Baopuzi passage mythologically instead of literally, based on its context's mentioning fantastic flights through chengqiao (乘蹻 "riding on tiptoe/stilts") and xian (δ»™ "immortal; adept") techniques. For instance, "If you can ride the arches of your feet, you will be able to wander anywhere in the world without hindrance from mountains or rivers … Whoever takes the correct amulet and gives serious thought to the process may travel a thousand miles by concentrating his thoughts for one double hour." Compare this translation.

Some build a flying vehicle from the pith of the jujube tree and have it drawn by a sword with a thong of buffalo hide at the end of its grip. Others let their thoughts dwell on the preparation of a joint rectangle from five serpents, six dragons, and three buffaloes, and mount in this for forty miles to the region known as Paradise.

This Chinese helicopter toy was introduced into Europe and "made its earliest appearances in Renaissance European paintings and in the drawings of Leonardo da Vinci." The toy helicopter appears in a c. 1460 French picture of the Madonna and Child at the MusΓ©e du Palais de Tesse’ in Mans depicting the Child holding a toy copter sitting in Mary’s lap next to St BenΓ΄it (unknown artist), and in a 16th-century stained glass panel at the Victoria and Albert Museum in London. A picture from c. 1560 by Pieter Breughel the Elder at the Kunsthistorisches Museum in Vienna, Children's Games, depicts a helicopter top with three airscrews.

"The helicopter top in China led to nothing but amusement and pleasure, but fourteen hundred years later it was to be one of the key elements in the birth of modern aeronautics in the West." Early Western scientists developed flying machines based upon the original Chinese model. The Russian polymath Mikhail Lomonosov developed a spring-driven coaxial rotor in 1743, and the French naturalist Christian de Launoy created a bow drill device with contra-rotating feather propellers.

In 1792, George Cayley began experimenting with helicopter tops, which he later called "rotary wafts" or "elevating fliers". His landmark (1809) article "On Aerial Navigation" pictured and described a flying model with two propellers (constructed from corks and feathers) powered by a whalebone bow drill. "In 1835 Cayley remarked that while the original toy would rise no more than about 20 or 25 feet (6 or 7.5 metres), his improved models would 'mount upward of 90 ft (27 metres) into the air'. This then was the direct ancestor of the helicopter rotor and the aircraft propeller."

Discussing the history of Chinese inventiveness, the British scientist, sinologist, and historian Joseph Needham wrote, "Some inventions seem to have arisen merely from a whimsical curiosity, such as the 'hot air balloons' made from eggshells which did not lead to any aeronautical use or aerodynamic discoveries, or the zoetrope which did not lead onto the kinematograph, or the helicopter top which did not lead to the helicopter."

πŸ”— Ink trap

πŸ”— Typography

An ink trap is a feature of certain typefaces designed for printing in small sizes. At an ink trap, the corners or details are removed from the letterforms. When the type is printed, ink naturally spreads into the removed area. Without ink traps, the excess ink would soak outwards and ruin the crisp edge.

Ink traps are only needed for small point sizes and are usually only found on typefaces designed for printing on newsprint. Fonts of this kind are applicable for classifieds or telephone books. Typefaces with ink traps may be offered in versions without them for display on screen or at larger sizes.

Typefaces featuring ink traps include Retina, Bell Centennial, and Tang.

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