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🔗 Computing 🔗 Computer graphics

The Stanford bunny is a computer graphics 3D test model developed by Greg Turk and Marc Levoy in 1994 at Stanford University. The model consists of 69,451 triangles, with the data determined by 3D scanning a ceramic figurine of a rabbit. This figurine and others were scanned to test methods of range scanning physical objects.

The data can be used to test various graphics algorithms, including polygonal simplification, compression, and surface smoothing. There are a few complications with this dataset that can occur in any 3D scan data: the model is manifold connected and has holes in the data, some due to scanning limits and some due to the object being hollow. These complications provide a more realistic input for any algorithm that is benchmarked with the Stanford bunny, though by today's standards, in terms of geometric complexity and triangle count, it is considered a simple model.

The model was originally available in .ply (polygons) file format with 4 different resolutions.

🔗 Film 🔗 Film/American cinema

The Black Maria ( mə-RY-ə) was Thomas Edison's film production studio in West Orange, New Jersey. It was the world's first film studio.

🔗 Linguistics 🔗 Linguistics/Applied Linguistics

SHRDLU was an early natural language understanding computer program, developed by Terry Winograd at MIT in 1968–1970. In it, the user carries on a conversation with the computer, moving objects, naming collections and querying the state of a simplified "blocks world", essentially a virtual box filled with different blocks.

SHRDLU was written in the Micro Planner and Lisp programming language on the DEC PDP-6 computer and a DEC graphics terminal. Later additions were made at the computer graphics labs at the University of Utah, adding a full 3D rendering of SHRDLU's "world".

The name SHRDLU was derived from ETAOIN SHRDLU, the arrangement of the letter keys on a Linotype machine, arranged in descending order of usage frequency in English.

🔗 Mathematics

In number theory, a weird number is a natural number that is abundant but not semiperfect.

In other words, the sum of the proper divisors (divisors including 1 but not itself) of the number is greater than the number, but no subset of those divisors sums to the number itself.

🔗 London 🔗 British Museum 🔗 Classical Greece and Rome 🔗 History of Science 🔗 Archaeology 🔗 Visual arts 🔗 Glass

The Lycurgus Cup is a 4th-century Roman glass cage cup made of a dichroic glass, which shows a different colour depending on whether or not light is passing through it: red when lit from behind and green when lit from in front. It is the only complete Roman glass object made from this type of glass, and the one exhibiting the most impressive change in colour; it has been described as "the most spectacular glass of the period, fittingly decorated, which we know to have existed".

The cup is also a very rare example of a complete Roman cage-cup, or diatretum, where the glass has been painstakingly cut and ground back to leave only a decorative "cage" at the original surface-level. Many parts of the cage have been completely undercut. Most cage-cups have a cage with a geometric abstract design, but here there is a composition with figures, showing the mythical King Lycurgus, who (depending on the version) tried to kill Ambrosia, a follower of the god Dionysus (Bacchus to the Romans). She was transformed into a vine that twined around the enraged king and restrained him, eventually killing him. Dionysus and two followers are shown taunting the king. The cup is the "only well-preserved figural example" of a cage cup.

The dichroic effect is achieved by making the glass with tiny proportions of nanoparticles of gold and silver dispersed in colloidal form throughout the glass material. The process used remains unclear, and it is likely that it was not well understood or controlled by the makers, and was probably discovered by accidental "contamination" with minutely ground gold and silver dust. The glass-makers may not even have known that gold was involved, as the quantities involved are so tiny; they may have come from a small proportion of gold in any silver added (most Roman silver contains small proportions of gold), or from traces of gold or gold leaf left by accident in the workshop, as residue on tools, or from other work. The very few other surviving fragments of Roman dichroic glass vary considerably in their two colours.

🔗 Technology 🔗 History 🔗 Economics 🔗 Politics 🔗 Anthropology 🔗 Sociology 🔗 Futures studies 🔗 Culture 🔗 Demographics

Societal collapse (also known as civilizational collapse) is the fall of a complex human society characterized by the loss of cultural identity and of socioeconomic complexity, the downfall of government, and the rise of violence. Possible causes of a societal collapse include natural catastrophe, war, pestilence, famine, and depopulation. A collapsed society may revert to a more primitive state, be absorbed into a stronger society, or completely disappear.

Virtually all civilizations have suffered this fate regardless of size or complexity. But some revived and transformed, such as China and Egypt, while others never recovered, such as the Mayan Empire and the civilization on Easter Island. Societal collapse is generally a quick process, but rarely abrupt. Yet some have not collapsed but have only gradually faded away, as in the case of the British Empire since 1918.

Anthropologists, (quantitative) historians, and sociologists have proposed a variety of explanations for the collapse of civilizations involving causative factors such as environmental change, depletion of resources, unsustainable complexity, decay of social cohesion, rising inequality, secular decline of cognitive abilities, loss of creativity, and misfortune. However, complete extinction of a culture is rare; in most cases, the new societies that arise from the ashes of the old one are evidently its offspring, despite a dramatic reduction in sophistication. Moreover, the influence of a collapsed society, say that of the Roman Empire, may linger on long after its death.

Societal collapse is studied by specialists of history, anthropology, sociology, and political science. More recently, they are joined by experts in cliodynamics and study of complex systems.

🔗 Computing 🔗 Computing/Software 🔗 Linguistics 🔗 Computing/Computer science 🔗 Linguistics/Applied Linguistics

Mark V. Shaney is a synthetic Usenet user whose postings in the net.singles newsgroups were generated by Markov chain techniques, based on text from other postings. The username is a play on the words "Markov chain". Many readers were fooled into thinking that the quirky, sometimes uncannily topical posts were written by a real person.

The system was designed by Rob Pike with coding by Bruce Ellis. Don P. Mitchell wrote the Markov chain code, initially demonstrating it to Pike and Ellis using the Tao Te Ching as a basis. They chose to apply it to the net.singles netnews group.

🔗 Anthropology 🔗 Athletics 🔗 Running 🔗 Evolutionary biology

The endurance running hypothesis is the hypothesis that the evolution of certain human characteristics can be explained as adaptations to long-distance running. The hypothesis suggests that endurance running played an important role for early hominins in obtaining food. Researchers have proposed that endurance running began as an adaptation for scavenging and later for persistence hunting.

🔗 Terrorism 🔗 Watches 🔗 Brands

The Casio F-91W is a digital watch manufactured by Japanese electronics company Casio. Introduced in 1989, it is popular for its low price and long battery life. Annual production is 3 million units per year.

🔗 Technology 🔗 Physics 🔗 Ancient Near East 🔗 Ancient Egypt 🔗 Archaeology 🔗 Spectroscopy 🔗 Blades

Tutankhamun's meteoric iron dagger, also known as Tutankhamun's iron dagger and King Tut's dagger, is an iron-bladed dagger from the tomb of the ancient Egyptian Pharaoh Tutankhamun (reigned c. 1334–1325 BC). As the blade composition and homogeneity closely correlate with meteorite composition and homogeneity, the material for the blade is determined to have originated by way of a meteoritic landing. The dagger is currently displayed at the Egyptian Museum in Cairo.