Random Articles (Page 2)

Have a deep view into what people are curious about.

🔗 Memento Mori

🔗 Death 🔗 Visual arts 🔗 Latin

Memento mori (Latin for 'remember that you [have to] die') is an artistic or symbolic trope acting as a reminder of the inevitability of death. The concept has its roots in the philosophers of classical antiquity and Christianity, and appeared in funerary art and architecture from the medieval period onwards.

The most common motif is a skull, often accompanied by one or more bones. Often this alone is enough to evoke the trope, but other motifs such as a coffin, hourglass and wilting flowers signified the impermanence of human life. Often these function within a work whose main subject is something else, such as a portrait, but the vanitas is an artistic genre where the theme of death is the main subject. The Danse Macabre and Death personified with a scythe as the Grim Reaper are even more direct evocations of the trope.

Discussed on

🔗 Smith Chart

🔗 Electronics

The Smith chart, invented by Phillip H. Smith (1905–1987), and T. Mizuhashi, is a graphical calculator or nomogram designed for electrical and electronics engineers specializing in radio frequency (RF) engineering to assist in solving problems with transmission lines and matching circuits. The Smith chart can be used to simultaneously display multiple parameters including impedances, admittances, reflection coefficients, S n n {\displaystyle S_{nn}\,} scattering parameters, noise figure circles, constant gain contours and regions for unconditional stability, including mechanical vibrations analysis. The Smith chart is most frequently used at or within the unity radius region. However, the remainder is still mathematically relevant, being used, for example, in oscillator design and stability analysis. While the use of paper Smith charts for solving the complex mathematics involved in matching problems has been largely replaced by software based methods, the Smith charts display is still the preferred method of displaying how RF parameters behave at one or more frequencies, an alternative to using tabular information. Thus most RF circuit analysis software includes a Smith chart option for the display of results and all but the simplest impedance measuring instruments can display measured results on a Smith chart display.

Discussed on

🔗 Blohm and Voss BV 141

🔗 Aviation 🔗 Germany 🔗 Military history 🔗 Military history/Military aviation 🔗 Aviation/aircraft 🔗 Military history/World War II 🔗 Military history/German military history 🔗 Military history/European military history

The Blohm & Voss BV 141 was a World War II German tactical reconnaissance aircraft. It is notable for its uncommon structural asymmetry. Although the Blohm & Voss BV 141 performed well, it was never ordered into full-scale production, for reasons that included the unavailability of the preferred engine and competition from another tactical reconnaissance aircraft, the Focke-Wulf Fw 189.

Discussed on

🔗 Project Cybersyn (1971)

🔗 Computing 🔗 Economics 🔗 Systems 🔗 Systems/Cybernetics 🔗 Chile

Project Cybersyn was a Chilean project from 1971–1973 during the presidency of Salvador Allende aimed at constructing a distributed decision support system to aid in the management of the national economy. The project consisted of four modules: an economic simulator, custom software to check factory performance, an operations room, and a national network of telex machines that were linked to one mainframe computer.

Project Cybersyn was based on viable system model theory approach to organizational design, and featured innovative technology for its time: it included a network of telex machines (Cybernet) in state-run enterprises that would transmit and receive information with the government in Santiago. Information from the field would be fed into statistical modeling software (Cyberstride) that would monitor production indicators, such as raw material supplies or high rates of worker absenteeism, in "almost" real time, alerting the workers in the first case and, in abnormal situations, if those parameters fell outside acceptable ranges by a very large degree, also the central government. The information would also be input into economic simulation software (CHECO, for CHilean ECOnomic simulator) that the government could use to forecast the possible outcome of economic decisions. Finally, a sophisticated operations room (Opsroom) would provide a space where managers could see relevant economic data, formulate feasible responses to emergencies, and transmit advice and directives to enterprises and factories in alarm situations by using the telex network.

The principal architect of the system was British operations research scientist Stafford Beer, and the system embodied his notions of organisational cybernetics in industrial management. One of its main objectives was to devolve decision-making power within industrial enterprises to their workforce in order to develop self-regulation of factories.

Discussed on

🔗 They Live

🔗 Film 🔗 Film/American cinema 🔗 Science Fiction

They Live is a 1988 American science fiction action horror film written and directed by John Carpenter, based on the 1963 short story "Eight O'Clock in the Morning" by Ray Nelson. Starring Roddy Piper, Keith David, and Meg Foster, the film follows an unnamed drifter who discovers through special sunglasses that the ruling class are aliens concealing their appearance and manipulating people to consume, breed, and conform to the status quo via subliminal messages in mass media.

Having acquired the film rights to the Nelson-penned short story prior to the production of They Live, Carpenter used the story as the basis for the screenplay's structure, which he wrote under the pseudonym "Frank Armitage". Carpenter has stated that the themes of They Live stemmed from his dissatisfaction with the economic policies of then-U.S. President Ronald Reagan, as well as what Carpenter saw as increasing commercialization in both popular culture and politics.

They Live was a minor success upon release, debuting at #1 at the North American box office. It initially received negative reviews from critics, who lambasted its social commentary, writing, and acting; however, it later gained a cult following and experienced a significantly more favorable critical reception. It is now regarded by many as one of Carpenter's best films. The film has also entered the pop culture lexicon, notably having a lasting effect on street art (particularly that of Shepard Fairey).

Discussed on

🔗 Vivian Maier

🔗 Biography 🔗 Biography/arts and entertainment 🔗 Chicago 🔗 Photography 🔗 Photography/History of photography 🔗 Women artists

Vivian Dorothy Maier (February 1, 1926 – April 21, 2009) was an American street photographer whose work was not discovered and recognized until after her death. She worked for about forty years as a nanny, mostly in Chicago's North Shore, while she pursued her photography. She took more than 150,000 photographs during her lifetime, primarily of the people and architecture of Chicago, New York City, and Los Angeles, although she also traveled and photographed worldwide.

During her lifetime, Maier's photographs were unknown and unpublished; many of her negatives were never printed. A Chicago collector, John Maloof, acquired some of Maier's photos in 2007, while two other Chicago-based collectors, Ron Slattery and Randy Prow, also found some of Maier's prints and negatives in her boxes and suitcases around the same time. Maier's photographs were first published on the Internet in July 2008, by Slattery, but the work received little response. In October 2009, Maloof linked his blog to a selection of Maier's photographs on the image-sharing website Flickr, and the results went viral, with thousands of people expressing interest. Maier's work subsequently attracted critical acclaim, and since then, Maier's photographs have been exhibited around the world.

Her life and work have been the subject of books and documentary films, including the film Finding Vivian Maier (2013), which premiered at the Toronto International Film Festival, and was nominated for the Academy Award for Best Documentary Feature at the 87th Academy Awards.

Discussed on

🔗 Museum Fatigue

🔗 Psychology 🔗 Museums

Museum fatigue is a state of physical or mental fatigue caused by the experience of exhibits in museums and similar cultural institutions. The collection of phenomena that characterize museum fatigue was first described in 1916, and has since received widespread attention in popular and scientific contexts.

The first known description of museum fatigue was made by Benjamin Ives Gilman in the January 1916 edition of The Scientific Monthly. Gilman mainly focused on the efforts of museum fatigue on how the viewing displays are placed. Gilman went on to say that the way the displays were presented caused museum fatigue. In other later studies, Edward Robinson in 1928 spoke more about museum fatigue, specifically of four museums that showed a lot of characteristics of museum fatigue because of how the displays were placed. Arthur Melton provided more proof for Robinson by observing visitors' interest in the displays decreased as the number of displays increased.

In a more recent study of the phenomenon, Falk, Koran, Direking, and Dreblow studied museum fatigue at the Florida Museum of Natural History in 1985. While observing visitors they noticed a pattern of high interest in anything in the museum for about 30 minutes and then a decrease in interest. In 1997–1998, Beverly Serrell in her research determined that in less than 20 minutes people became apathetic towards the museum. Museum fatigue has also been applied in zoos to see if they had the same effect. In one study in 1986, Bitgood, Patterson, and Benefeld observed the reptile house of the Birmingham Zoo. While observing they noticed that the pattern was different from museum fatigue.

Discussed on

🔗 Reservoir computing

🔗 Computing

Reservoir computing is a framework for computation that may be viewed as an extension of neural networks. Typically an input signal is fed into a fixed (random) dynamical system called a reservoir and the dynamics of the reservoir map the input to a higher dimension. Then a simple readout mechanism is trained to read the state of the reservoir and map it to the desired output. The main benefit is that training is performed only at the readout stage and the reservoir is fixed. Liquid-state machines and echo state networks are two major types of reservoir computing. One important feature of this system is that it can use the computational power of naturally available systems which is different from the neural networks and it reduces the computational cost.

Discussed on

🔗 Why the lucky stiff Wikipedia entry page to be deleted

🔗 Biography

Jonathan Gillette, known by the pseudonym why the lucky stiff (often abbreviated as _why), is a writer, cartoonist, artist, and programmer notable for his work with the Ruby programming language. Annie Lowrey described him as "one of the most unusual, and beloved, computer programmers" in the world. Along with Yukihiro Matsumoto and David Heinemeier Hansson, he was seen as one of the key figures in the Ruby community.

_why made a presentation enigmatically titled "A Starry Afternoon, a Sinking Symphony, and the Polo Champ Who Gave It All Up for No Reason Whatsoever" at the 2005 O'Reilly Open Source Convention. It explored how to teach programming and make the subject more appealing to adolescents. _why gave a presentation and performed with his band, the Thirsty Cups, at RailsConf in 2006.

On 19 August 2009, _why's accounts on Twitter and GitHub and his personally maintained websites went offline. Shortly before he disappeared, why the lucky stiff tweeted, "programming is rather thankless. u see your works become replaced by superior ones in a year. unable to run at all in a few more."

_why's colleagues have assembled collections of his writings and projects.

Later his website briefly went back online with a detailed explanation of his plans for the future.

Discussed on

🔗 Exploding Head Syndrome

🔗 Medicine 🔗 Physiology

Exploding head syndrome (EHS) is a condition in which a person experiences unreal noises that are loud and of short duration when falling asleep or waking up. The noise may be frightening, typically occurs only occasionally, and is not a serious health concern. People may also experience a flash of light. Pain is typically absent.

The cause is unknown. Potential explanations include ear problems, temporal lobe seizure, nerve dysfunction, or specific genetic changes. Potential risk factors include psychological stress. It is classified as a sleep disorder or headache disorder. People often go undiagnosed.

There is no high quality evidence to support treatment. Reassurance may be sufficient. Clomipramine and calcium channel blockers have been tried. While the frequency of the condition is not well studied, some have estimated that it occurs in about 10% of people. Females are reportedly more commonly affected. The condition was initially described at least as early as 1876. The current name came into use in 1988.

Discussed on