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πŸ”— GitHub was blocked in Turkey

πŸ”— Internet πŸ”— Computing πŸ”— Freedom of speech πŸ”— Computing/Websites

GitHub has been the target of censorship from governments using methods ranging from local Internet service provider blocks, intermediary blocking using methods such as DNS hijacking and man-in-the-middle attacks, and denial-of-service attacks on GitHub's servers from countries including China, India, Russia, and Turkey. In all of these cases, GitHub has been eventually unblocked after backlash from users and technology businesses or compliance from GitHub.

πŸ”— A Trip Down Market Street

πŸ”— United States πŸ”— Film πŸ”— Library of Congress πŸ”— Film/American cinema πŸ”— Film/Silent films πŸ”— Film/Documentary films πŸ”— United States/Film - American cinema

A Trip Down Market Street is a 13-minute actuality film recorded by placing a movie camera on the front of a cable car as it traveled down San Francisco’s Market Street. The film shows many details of daily life in a major early 20th century American city, including the transportation, fashions and architecture of the era. The film begins at 8th Street and continues eastward to the cable car turntable, at The Embarcadero, in front of the Ferry Building. Landmarks passed in the latter part of the first half include the Call Building (then San Francisco's tallest) and the Palace Hotel (both on the right; Lotta's Fountain is on the left between the two but is in the shade). The film was produced by the four Miles brothers: Harry, Herbert, Earle and Joe. It is notable for capturing San Francisco four days before the 1906 San Francisco earthquake, which started on the morning of Wednesday, April 18, 1906.

The Miles brothers had been producing films in New York including films shot in San Francisco. In September 1905 they shot the fight between Oscar "Battling" Nelson and Jimmy Britt in Colma, California, just south of San Francisco city limits. The Miles brothers established a studio at 1139 Market Street in San Francisco in early 1906. They shot a railroad descent down Mount Tamalpais as well as the Market Street film. On April 17, Harry and Joe Miles boarded a train for New York, taking the two films with them, but they heard about the earthquake and sent the films to New York while they boarded another train headed back to San Francisco. The Turk Street house of Earle Miles survived the earthquake and subsequent catastrophic fire but the studio did not. The Miles brothers based their business out of Earle's home, and shot more film of post-earthquake scenes; some of this footage, including that of a second trip down a now devastated Market Street, reemerged in 2016. It is likely that the Market Street film survives today because it was sent away before the fire.

Several 35mm prints exist with slight changes in footage. Copies are held at the Library of Congress and the Prelinger Archives. A digital version is viewable online at Internet Archive, YouTube and Wikimedia Commons. In 2010, the film was selected for preservation in the National Film Registry by the Library of Congress.

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πŸ”— Mojibake

πŸ”— Technology πŸ”— Linguistics πŸ”— Japan πŸ”— Japan/Science and technology πŸ”— Japan/CJKV

Mojibake (Japanese: ζ–‡ε­—εŒ–γ‘; IPA:Β [modΝ‘Κ‘ibake]) is the garbled text that is the result of text being decoded using an unintended character encoding. The result is a systematic replacement of symbols with completely unrelated ones, often from a different writing system.

This display may include the generic replacement character ("οΏ½") in places where the binary representation is considered invalid. A replacement can also involve multiple consecutive symbols, as viewed in one encoding, when the same binary code constitutes one symbol in the other encoding. This is either because of differing constant length encoding (as in Asian 16-bit encodings vs European 8-bit encodings), or the use of variable length encodings (notably UTF-8 and UTF-16).

Failed rendering of glyphs due to either missing fonts or missing glyphs in a font is a different issue that is not to be confused with mojibake. Symptoms of this failed rendering include blocks with the code point displayed in hexadecimal or using the generic replacement character. Importantly, these replacements are valid and are the result of correct error handling by the software.

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πŸ”— Amarna Letters

πŸ”— Ancient Near East πŸ”— Ancient Egypt πŸ”— Assyria πŸ”— Iraq πŸ”— Writing systems πŸ”— Archaeology πŸ”— Phoenicia

The Amarna letters (; sometimes referred to as the Amarna correspondence or Amarna tablets, and cited with the abbreviation EA, for "El Amarna") are an archive, written on clay tablets, primarily consisting of diplomatic correspondence between the Egyptian administration and its representatives in Canaan and Amurru, or neighboring kingdom leaders, during the New Kingdom, spanning a period of no more than thirty years between c. 1360–1332 BC (see here for dates). The letters were found in Upper Egypt at el-Amarna, the modern name for the ancient Egyptian capital of Akhetaten, founded by pharaoh Akhenaten (1350s–1330sΒ BC) during the Eighteenth Dynasty of Egypt. The Amarna letters are unusual in Egyptological research, because they are written not in the language of ancient Egypt, but in cuneiform, the writing system of ancient Mesopotamia. Most are in a variety of Akkadian sometimes characterised as a mixed language, Canaanite-Akkadian; one especially long letterβ€”abbreviated EA 24β€”was written in a late dialect of Hurrian, and is the longest contiguous text known to survive in that language.

The known tablets total 382, of which 358 have been published by the Norwegian Assyriologist JΓΈrgen Alexander Knudtzon in his work, Die El-Amarna-Tafeln, which came out in two volumes (1907 and 1915) and remains the standard edition to this day. The texts of the remaining 24 complete or fragmentary tablets excavated since Knudtzon have also been made available.

The Amarna letters are of great significance for biblical studies as well as Semitic linguistics because they shed light on the culture and language of the Canaanite peoples in this time period. Though most are written in Akkadian, the Akkadian of the letters is heavily colored by the mother tongue of their writers, who probably spoke an early form of Proto-Canaanite, the language(s) which would later evolve into the daughter languages of Hebrew and Phoenician. These "Canaanisms" provide valuable insights into the proto-stage of those languages several centuries prior to their first actual manifestation.

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πŸ”— Nunchi

πŸ”— Korea

Nunchi, sometimes noonchi, is a Korean concept signifying the subtle art and ability to listen and gauge others' moods. It first appears in the 17th century as nunch'Ε­i (ηœΌε‹’ in Chinese characters), meaning "eye force/power". In Western culture, nunchi could be described as the concept of emotional intelligence. It is of central importance to the dynamics of interpersonal relationships. Nunchi is literally translated as "eye-measure". It is closely related to the broader concept of paralanguage, however nunchi also relies on an understanding of one's status relative to the person with whom they're interacting. It can be seen as the embodiment of skills necessary to communicate effectively in high context culture.

The concept of nunchi, and one's abundance or lack thereof, forms the basis of many common expressions and idioms. For example, a socially clumsy person can be described as nunchi eoptta (눈치 μ—†λ‹€), meaning "absence of nunchi."

눈치 Nunchi is briefly defined as the high social sensitivity of Koreans which basically means they are able to ascertain others moods by being around them and talking to them. They are sensitive to what others say indirectly, because they want to maintain harmony. They do this by the use of the skill named "nunchi" which literally means eye measure in Korean, they sense someone's "kibun", Kibun is a Korean word which relates to mood, current feelings, and the state of mind. Facilitating nunchi, encouraging the use of this skill, is expected to result in rich understanding. It is of central importance to the dynamics of interpersonal relationships. With nunchi, Koreans are using non-verbal cues to convey emotion and meaning through various means, including voice pitch and volume as well as intonation. Nunchi also relies heavily on an understanding of one's status relative to the person with whom one is interacting. Because Korea, as with other high-context cultures caters toward in-groups that have similar experiences and expectations and from which inferences are drawn, many things are left unsaid here. The culture does the explaining, in effect. Both Kibun and Nunchi are very difficult concepts for non-Koreans to get the hang of and they will generally be forgiven for their ignorance of these concepts and consequent rude behavior, especially if they are high on the status ladder. However, one gains more than one loses by trying to understand and, as much as possible, behaving according to these rules of behavior. In Korea, personal relations frequently take precedence over business. In order to be successful, it is vital to establish good, personal relationships based on mutual trust and benefit Koreans judge this by Nunchi to get a base understanding of the individual they just met. Korean business culture is firmly grounded in respectful rapport and in order to establish this, it is essential to have the right introduction to approach the company. Koreans will use Nunchi to make sure the right approach is being used, often through a mutual friend or acquaintance at the appropriate level. Koreans spend a significant amount of time developing and fostering personal contacts. Therefore, time should be allocated for this process, particularly during the first meeting, which is frequently used to simply establish rapport and build trust.

The phrase 눈치 μžˆλ‹€ (nunchi itda) refers to someone who's quick witted, can understand the situation quickly, or has common sense. Another way to say this is 눈치 λΉ λ₯΄λ‹€ (nunchi ppareuda) – to have quick nunchi.

In Korean, the phrase 눈치 μ—†λ‹€ (nunchi eoptta) refers to someone that is clueless, someone that doesn't know what's going on, or simply doesn't have any common sense basically it is the exact opposite of nunchi or when someones nunchi is lacking.

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πŸ”— Spondylus

πŸ”— Palaeontology πŸ”— Marine life πŸ”— Indigenous peoples of the Americas πŸ”— Bivalves

Spondylus is a genus of bivalve molluscs, the only genus in the family Spondylidae. They are known in English as spiny oysters or thorny oysters (though they are not, in fact, true oysters).

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πŸ”— 1942–1944 Musicians' Strike

πŸ”— United States πŸ”— Organized Labour πŸ”— Record Labels πŸ”— United States/American music

On August 1, 1942, the American Federation of Musicians, at the instigation of union president James C. Petrillo, began a strike against the major American record companies because of disagreements over royalty payments. Beginning at midnight, July 31, 1942, no union musician could make commercial recordings for any commercial record company. That meant that a union musician was allowed to participate on radio programs and other kinds of musical entertainment, but not in a recording session. The 1942–1944 musicians' strike remains the longest strike in entertainment history.

The strike did not affect musicians performing on live radio shows, in concerts, or, after October 27, 1943, on special recordings made by the record companies for V-Discs for distribution to the armed forces fighting World War II, because V-Discs were not available to the general public. However, the union did frequently threaten to withdraw musicians from the radio networks to punish individual network affiliates who were deemed "unfair" for violating the union's policy on recording network shows for repeat broadcasts.

The strike had a major impact on the American musical scene. At the time, union bands dominated popular music; after the strike, and partly as a result of it, the big bands began to decline and vocalists began to dominate popular music.

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πŸ”— Salisbury cathedral clock

πŸ”— Wiltshire

The Salisbury cathedral clock is a large iron-framed tower clock without a dial, in Salisbury Cathedral, England. Supposedly dating from about 1386, it is a well-preserved example of the earliest type of mechanical clock, called verge and foliot clocks, and is said to be the oldest working clock in the world, although similar claims are made for other clocks. Previously in a bell-tower which was demolished in 1790, the clock was restored to working condition in 1956 and is on display in the North nave aisle of the cathedral, close to the West front.

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πŸ”— Half Cent Coin

πŸ”— United States πŸ”— Numismatics πŸ”— Numismatics/American currency

The half cent was the smallest denomination of United States coin ever minted. It was first minted in 1793 and last minted in 1857. It was minted with five different designs.

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πŸ”— Replication Crisis

πŸ”— Medicine πŸ”— Psychology πŸ”— Sociology πŸ”— Science πŸ”— Academic Journals

The replication crisis (or replicability crisis or reproducibility crisis) is, as of 2020, an ongoing methodological crisis in which it has been found that many scientific studies are difficult or impossible to replicate or reproduce. The replication crisis affects the social sciences and medicine most severely. The crisis has long-standing roots; the phrase was coined in the early 2010s as part of a growing awareness of the problem. The replication crisis represents an important body of research in the field of metascience.

Because the reproducibility of experimental results is an essential part of the scientific method, the inability to replicate the studies of others has potentially grave consequences for many fields of science in which significant theories are grounded on unreproducible experimental work. The replication crisis has been particularly widely discussed in the field of psychology and in medicine, where a number of efforts have been made to re-investigate classic results, to determine both the reliability of the results, and, if found to be unreliable, the reasons for the failure of replication.

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