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🔗 California 🔗 Business 🔗 Politics 🔗 Trains 🔗 Politics/American politics 🔗 Trains/Rapid transit 🔗 Buses 🔗 Trains/Streetcars

The notion of a General Motors streetcar conspiracy emerged after General Motors (GM) and other companies were convicted of monopolizing the sale of buses and supplies to National City Lines (NCL) and its subsidiaries. In the same case, the defendants were accused of conspiring to own or control transit systems, in violation of Section 1 of the Sherman Antitrust act. The suit created lingering suspicions that the defendants had in fact plotted to dismantle streetcar systems in many cities in the United States as an attempt to monopolize surface transportation.

Between 1938 and 1950, National City Lines and its subsidiaries, American City Lines and Pacific City Lines—with investment from GM, Firestone Tire, Standard Oil of California (through a subsidiary), Federal Engineering, Phillips Petroleum, and Mack Trucks—gained control of additional transit systems in about 25 cities. Systems included St. Louis, Baltimore, Los Angeles, and Oakland. NCL often converted streetcars to bus operations in that period, although electric traction was preserved or expanded in some locations. Other systems, such as San Diego's, were converted by outgrowths of the City Lines. Most of the companies involved were convicted in 1949 of conspiracy to monopolize interstate commerce in the sale of buses, fuel, and supplies to NCL subsidiaries, but were acquitted of conspiring to monopolize the transit industry.

The story as an urban legend has been written about by Martha Bianco, Scott Bottles, Sy Adler, Jonathan Richmond, and Robert Post. It has been explored several times in print, film, and other media, notably in Who Framed Roger Rabbit, Taken for a Ride, Internal Combustion, and The End of Suburbia.

Only a handful of U.S. cities, including San Francisco, New Orleans, Newark, Cleveland, Philadelphia, Pittsburgh, and Boston, have surviving legacy rail urban transport systems based on streetcars, although their systems are significantly smaller than they once were. Other cities are re-introducing streetcars. In some cases, the streetcars do not actually ride on the street. Boston had all of its downtown lines elevated or buried by the mid-1920s, and most of the surviving lines at grade operate on their own right of way. However, San Francisco's and Philadelphia's lines do have large portions of the route that ride on the street as well as using tunnels.

🔗 Video games 🔗 Chess

1K ZX Chess is a 1982 chess program for the unexpanded Sinclair ZX81.

🔗 Lists 🔗 Statistics 🔗 Linguistics 🔗 Linguistics/Applied Linguistics 🔗 Languages 🔗 Countries 🔗 English Language

The following is a list of English-speaking population by country, including information on both native speakers and second-language speakers.

Some of the entries in this list are dependent territories (e.g.: U.S. Virgin Islands), autonomous regions (e.g.: Hong Kong) or associated states (e.g.: Cook Islands) of other countries, rather than being fully sovereign countries in their own right.

🔗 Biography/arts and entertainment 🔗 Animation

Robert Herman "Bob" Givens (March 2, 1918 – December 14, 2017) was an American animator, character designer, and layout artist. He worked for numerous animation studios during his career, including Walt Disney Animation Studios, Warner Bros. Cartoons, Hanna-Barbera, and DePatie–Freleng Enterprises, beginning his career during the late 1930s and continuing until the early 2000s. He was a frequent collaborator with director Chuck Jones, working with Jones both at Warner Bros. and Jones' own production company.

🔗 Business 🔗 Psychology 🔗 Languages 🔗 Anthroponymy

Nominative determinism is the hypothesis that people tend to gravitate towards areas of work that fit their names. The term was first used in the magazine New Scientist in 1994, after the magazine's humorous Feedback column noted several studies carried out by researchers with remarkably fitting surnames. These included a book on polar explorations by Daniel Snowman and an article on urology by researchers named Splatt and Weedon. These and other examples led to light-hearted speculation that some sort of psychological effect was at work. Since the term appeared, nominative determinism has been an irregularly recurring topic in New Scientist, as readers continue to submit examples. Nominative determinism differs from the related concept aptronym, and its synonyms aptonym, namephreak, and Perfect Fit Last Name, in that it focuses on causality. "Aptronym" merely means the name is fitting, without saying anything about why it has come to fit.

The idea that people are drawn to professions that fit their name was suggested by psychologist Carl Jung, citing as an example Sigmund Freud who studied pleasure and whose surname means "joy". A few recent empirical studies have indicated that certain professions are disproportionately represented by people with appropriate surnames (and sometimes given names), though the methods of these studies have been challenged. One explanation for nominative determinism is implicit egotism, which states that humans have an unconscious preference for things they associate with themselves. An alternative explanation is genetic: a person might be named Smith or Taylor because that was originally their occupation, and they would pass on their genes to their descendants, including an aptitude for activities involving strength in the case of Smith, or dexterity in the case of Taylor.

🔗 Film 🔗 Military history 🔗 Military history/World War II 🔗 Japan 🔗 Military history/Asian military history 🔗 Military history/Japanese military history 🔗 Film/War films 🔗 Military history/War films 🔗 Anime and manga 🔗 Japan/Japanese cinema 🔗 Anime and manga/Studio Ghibli 🔗 Film/Japanese cinema 🔗 Film/Animated films

Grave of the Fireflies (Japanese: 火垂るの墓, Hepburn: Hotaru no Haka) is a 1988 Japanese animated war drama film written and directed by Isao Takahata, and produced by Studio Ghibli. It is based on the 1967 semi-autobiographical short story Grave of the Fireflies by Akiyuki Nosaka.

The film stars Tsutomu Tatsumi, Ayano Shiraishi, Yoshiko Shinohara and Akemi Yamaguchi. Set in the city of Kobe, Japan, it tells the story of siblings and war orphans Seita and Setsuko, and their desperate struggle to survive during the final months of World War II. Universally acclaimed, Grave of the Fireflies has been ranked as one of the greatest war films of all time and is recognized as a major work of Japanese animation.

🔗 India 🔗 India/Indian literature workgroup

The Shishupala Vadha (Sanskrit: शिशुपालवध, IAST: Śiśupāla-vadha, lit. "the slaying of Shishupala") is a work of classical Sanskrit poetry (kāvya) composed by Māgha in the 7th or 8th century. It is an epic poem in 20 sargas (cantos) of about 1800 highly ornate stanzas, and is considered one of the six Sanskrit mahakavyas, or "great epics". It is also known as the Māgha-kāvya after its author. Like other kavyas, it is admired more for its exquisite descriptions and lyrical quality than for any dramatic development of plot. Its 19th canto is noted for verbal gymnastics and wordplay; see the section on linguistic ingenuity below.

🔗 United States 🔗 Numismatics 🔗 Numismatics/American currency

The half cent was the smallest denomination of United States coin ever minted. It was first minted in 1793 and last minted in 1857. It was minted with five different designs.

🔗 Biography 🔗 France 🔗 Women writers 🔗 Biography/Actors and Filmmakers 🔗 Belgium 🔗 Feminism 🔗 Women artists

Agnès Varda (French: [aɲɛs vaʁda]; born Arlette Varda; 30 May 1928 – 29 March 2019) was a Belgian-born French film director, screenwriter, photographer, and artist. Her pioneering work was central to the development of the widely influential French New Wave film movement of the 1950s and 1960s. Her films focused on achieving documentary realism, addressing women's issues, and other social commentary, with a distinctive experimental style.

Varda's work employed location shooting in an era when the limitations of sound technology made it easier and more common to film indoors, with constructed sets and painted backdrops of landscapes, rather than outdoors, on location. Her use of non-professional actors was also unconventional for 1950s French cinema. Varda's feature film debut was La Pointe Courte (1955), followed by Cléo from 5 to 7 (1962), one of her most notable narrative films, Vagabond (1985), and Kung Fu Master (1988). Varda was also known for her work as a documentarian with such works as Black Panthers (1968), The Gleaners and I (2000), The Beaches of Agnès (2008), Faces Places (2017), and her final film, Varda by Agnès (2019).

Director Martin Scorsese described Varda as "one of the Gods of Cinema". Among several other accolades, Varda received an Honorary Palme d'Or at the 2015 Cannes Film Festival, becoming the first woman to win the award, a Golden Lion for Vagabond at the 1985 Venice Film Festival, an Academy Honorary Award, and a nomination for the Academy Award for Best Documentary Feature for Faces Places, becoming the oldest person to be nominated for a competitive Oscar. In 2017, she became the first female director to win an honorary Oscar.