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🔗 United States 🔗 Human rights 🔗 History 🔗 Politics 🔗 Politics/American politics 🔗 African diaspora 🔗 United States History 🔗 United States/FBI 🔗 Civil Rights Movement 🔗 United States/U.S. history

COINTELPRO (syllabic abbreviation derived from COunter INTELligence PROgram) (1956–1971) was a series of covert and, at times, illegal projects conducted by the United States Federal Bureau of Investigation (FBI) aimed at surveilling, infiltrating, discrediting, and disrupting American political organizations. FBI records show that COINTELPRO resources targeted groups and individuals that the FBI deemed subversive, including feminist organizations, the Communist Party USA, anti–Vietnam War organizers, activists of the civil rights movement or Black Power movement (e.g. Martin Luther King Jr., the Nation of Islam, and the Black Panther Party), environmentalist and animal rights organizations, the American Indian Movement (AIM), independence movements (such as Puerto Rican independence groups like the Young Lords), and a variety of organizations that were part of the broader New Left. The program also targeted the Ku Klux Klan in 1964.

In another instance in San Diego, the FBI financed, armed, and controlled an extreme right-wing group of former members of the Minutemen anti-communist para-military organization, transforming it into a group called the Secret Army Organization that targeted groups, activists, and leaders involved in the Anti-War Movement, using both intimidation and violent acts.

The FBI has used covert operations against domestic political groups since its inception; however, covert operations under the official COINTELPRO label took place between 1956 and 1971. COINTELPRO tactics are still used to this day and have been alleged to include discrediting targets through psychological warfare; smearing individuals and groups using forged documents and by planting false reports in the media; harassment; wrongful imprisonment; and illegal violence, including assassination. The FBI's stated motivation was "protecting national security, preventing violence, and maintaining the existing social and political order".

Beginning in 1969, leaders of the Black Panther Party were targeted by the COINTELPRO and "neutralized" by being assassinated, imprisoned, publicly humiliated or falsely charged with crimes. Some of the Black Panthers affected included Fred Hampton, Mark Clark, Zayd Shakur, Geronimo Pratt, Mumia Abu-Jamal, and Marshall Conway. Common tactics used by COINTELPRO were perjury, witness harassment, witness intimidation, and withholding of evidence.

FBI Director J. Edgar Hoover issued directives governing COINTELPRO, ordering FBI agents to "expose, disrupt, misdirect, discredit, or otherwise neutralize" the activities of these movements and especially their leaders. Under Hoover, the agent in charge of COINTELPRO was William C. Sullivan. Attorney General Robert F. Kennedy personally authorized some of the programs. Although Kennedy only gave written approval for limited wiretapping of Martin Luther King's phones "on a trial basis, for a month or so", Hoover extended the clearance so his men were "unshackled" to look for evidence in any areas of King's life they deemed worthy.

🔗 Philosophy 🔗 Philosophy/Logic

Trivialism (from Latin trivialis 'found everywhere') is the logical theory that all statements (also known as propositions) are true and that all contradictions of the form "p and not p" (e.g. the ball is red and not red) are true. In accordance with this, a trivialist is a person who believes everything is true.

In classical logic, trivialism is in direct violation of Aristotle's law of noncontradiction. In philosophy, trivialism is considered by some to be the complete opposite of skepticism. Paraconsistent logics may use "the law of non-triviality" to abstain from trivialism in logical practices that involve true contradictions.

Theoretical arguments and anecdotes have been offered for trivialism to contrast it with theories such as modal realism, dialetheism and paraconsistent logics.

🔗 Novels 🔗 Books 🔗 Science Fiction 🔗 LGBT studies 🔗 Women writers 🔗 Gender Studies 🔗 Feminism

Beatrice the Sixteenth: Being the Personal Narrative of Mary Hatherley, M.B., Explorer and Geographer is a 1909 feminist utopian novel by the English transgender lawyer and writer Irene Clyde, about a time traveller who discovers a lost world, which is an egalitarian postgender society.

🔗 Biography 🔗 Mathematics 🔗 Astronomy 🔗 Japan 🔗 Japan/Science and technology 🔗 Japan/Biography

Seki Takakazu (関 孝和, 1642 – December 5, 1708), also known as Seki Kōwa (関 孝和), was a Japanese mathematician and author of the Edo period.

Seki laid foundations for the subsequent development of Japanese mathematics known as wasan; and he has been described as "Japan's Newton".

He created a new algebraic notation system and, motivated by astronomical computations, did work on infinitesimal calculus and Diophantine equations. A contemporary of German polymath mathematician and philosopher Gottfried Leibniz and British mathematician Isaac Newton, Seki's work was independent. His successors later developed a school dominant in Japanese mathematics until the end of the Edo period.

While it is not clear how much of the achievements of wasan are Seki's, since many of them appear only in writings of his pupils, some of the results parallel or anticipate those discovered in Europe. For example, he is credited with the discovery of Bernoulli numbers. The resultant and determinant (the first in 1683, the complete version no later than 1710) are attributed to him. These achievements are astonishing, considering that Japanese mathematics before his appearance was at such a primitive stage. For example, comprehensive introduction of 13th century Chinese algebra was made as late as 1671, by Kazuyuki Sawaguchi.

Werckmeister temperaments are the tuning systems described by Andreas Werckmeister in his writings. The tuning systems are numbered in two different ways: the first refers to the order in which they were presented as "good temperaments" in Werckmeister's 1691 treatise, the second to their labelling on his monochord. The monochord labels start from III since just intonation is labelled I and quarter-comma meantone is labelled II. The temperament commonly known as "Werckmeister III" is referred to in this article as "Werckmeister I (III)".

The tunings I (III), II (IV) and III (V) were presented graphically by a cycle of fifths and a list of major thirds, giving the temperament of each in fractions of a comma. Werckmeister used the organbuilder's notation of ^ for a downwards tempered or narrowed interval and v for an upward tempered or widened one. (This appears counterintuitive - it is based on the use of a conical tuning tool which would reshape the ends of the pipes.) A pure fifth is simply a dash. Werckmeister was not explicit about whether the syntonic comma or Pythagorean comma was meant: the difference between them, the so-called schisma, is almost inaudible and he stated that it could be divided up among the fifths.

The last "Septenarius" tuning was not conceived in terms of fractions of a comma, despite some modern authors' attempts to approximate it by some such method. Instead, Werckmeister gave the string lengths on the monochord directly, and from that calculated how each fifth ought to be tempered.

🔗 Television 🔗 Star Trek

Star Trek: Phase II was the initial working title for what officially became titled Star Trek II, an unproduced American science fiction television series created by Gene Roddenberry as a sequel to (and continuation of) the original Star Trek, which had run from 1966 to 1969. The plans for the series were first developed after several failed attempts to create a feature film based on the property, coupled with plans for a Paramount Television Service (PTS) as a fourth broadcast television network in the United States.

Both PTS and the Star Trek revival were announced in early June 1977, with PTS to debut as one evening of programming each Saturday night and to gradually expand to other nights; a strategy successfully employed by the Fox Broadcasting Company a decade later. Star Trek: Phase II was to be the flagship show, and be broadcast at 8pm EST, followed by a movie of the week starting at 9pm. The initial order was for a two-hour pilot, followed by 13 hour-long episodes.

With the exception of Leonard Nimoy as Mr. Spock, who had ongoing disputes with Roddenberry and Paramount, the entire regular and recurring cast of The Original Series were contracted to return, notably William Shatner as Captain Kirk. Three new and younger regular characters were created, science officer Lt. Xon, navigator Lt. Ilia, and ship's executive officer Willard Decker. Xon, Decker and Ilia were later influential in the development of characters on Star Trek: The Next Generation, and two of the scripts written for Phase II would be re-developed for use in that series.

Behind the cameras, Roddenberry recruited Trek-novices Harold Livingston and Robert Goodwin as producers. Veterans of The Original Series were few, and included costume designer William Ware Theiss and illustrator Mike Minor. Art director Matt Jefferies was otherwise employed and brought in as a "technical advisor" and to update the design of the starship USS Enterprise. Special effects (on set) were to be by Jim Rugg. Science fiction novelist Alan Dean Foster received the assignment to write the story outline for the two-hour pilot, but, with a looming production deadline and unable to find a suitable writer to develop this story into a teleplay, Harold Livingston took on the writing job himself. Of the remaining 12 script assignments handed out, about half were to veterans of The Original Series.

Pre-production began in earnest, with the emphasis on what would be the standing sets of the Enterprise, which differed radically in layout, design and detailing from those for The Original Series. Many costumes and props, too, were designed. Ultimately, Paramount's plans for its network and Star Trek's TV return faltered, as the low anticipated advertising revenues for the Paramount Television Service indicated that it was not viable, and the Paramount Pictures parent company Gulf and Western's chairman, Charles Bluhdorn, refused to back the plan, resulting in the eventual exit of Paramount chief executive officer Barry Diller. In August 1977 Paramount president Michael Eisner announced—internally—that the two-hour pilot script was to be the long sought-after feature film story. However, In order to prevent negative publicity, the "cancellation" of the series and network was not immediately disclosed and development of the series and its scripts continued for a further five months, during which time tests were filmed on the incomplete Enterprise sets in widescreen format - a clear indication that whatever Star Trek would be, it would not be a TV movie.

On March 28, 1978, any illusions that Star Trek would be returning to television were ended when Paramount announced that instead of a series it would be producing what became the big budget film titled Star Trek: The Motion Picture (1979), which was itself a massive reworking of the "In Thy Image" two-hour pilot script.

Preproduction work on the series did not entirely go to waste. The standing Enterprise sets would be extensively reworked for the film (and its eventual sequels), and an unfinished admiral's office set's walls became part of the Enterprise cargo deck. However, the visual effects people hired for the feature film decided that the miniatures under construction were not up to the standards of a post-Star Wars feature, and all were scrapped. Director Robert Collins, who had been hired to direct the pilot, and promised he was to direct the feature, was replaced by Robert Wise.

The concept of a "Paramount Network" led by a flagship Star Trek series finally came to fruition in January 1995 when Paramount launched the United Paramount Network (UPN) and the Star Trek: Voyager series.

🔗 Television 🔗 Media

TV-B-Gone is a universal remote control device for turning off a large majority—about 85%—of the available brands of television sets in 2015. It was created to allow people in a public place to turn off nearby television sets. Its inventor has referred to it as "an environmental management device". The device is part of a key-chain, and, like other remote devices, is battery-powered. Although it can require up to 72 seconds for the device to find the proper code for a particular television receiver, the most popular televisions turn off in the first few seconds.

🔗 Linguistics 🔗 Linguistics/Applied Linguistics

The word dord is a dictionary error in lexicography. It was accidentally created, as a ghost word, by the staff of G. and C. Merriam Company (now part of Merriam-Webster) in the New International Dictionary, second edition (1934). That dictionary defined the term a synonym for density used in physics and chemistry in the following way: "dord (dôrd), n. Physics & Chem. Density."

Philip Babcock Gove, an editor at Merriam-Webster who became editor-in-chief of Webster's Third New International Dictionary, wrote a letter to the journal American Speech, fifteen years after the error was caught, in which he explained how the "dord" error was introduced and corrected.

On 31 July 1931, Austin M. Patterson, the dictionary's chemistry editor, sent in a slip reading "D or d, cont./density." This was intended to add "density" to the existing list of words that the letter "D" can abbreviate. The phrase "D or d" was misinterpreted as a single, run-together word: Dord. This was a plausible mistake, because headwords on slips were typed with spaces between the letters, so "D or d" looked very much like "D o r d". The original slip went missing, so a new slip was prepared for the printer, which assigned a part of speech (noun) and a pronunciation. The would-be word was not questioned or corrected by proofreaders. The entry appeared on page 771 of the dictionary around 1934, between the entries for Dorcopsis (a type of small kangaroo) and doré (golden in color).

On 28 February 1939, an editor noticed "dord" lacked an etymology and investigated, discovering the error. An order was sent to the printer marked "plate change/imperative/urgent". The non-word "dord" was excised; "density" was added as an additional meaning for the abbreviation "D or d" as originally intended, and the definition of the adjacent entry "Doré furnace" was expanded from "A furnace for refining dore bullion" to "a furnace in which dore bullion is refined" to close up the space. Gove wrote that this was "probably too bad, for why shouldn't dord mean 'density'?" In 1940, bound books began appearing without the ghost word, although inspection of printed copies well into the 1940s show "dord" still present. The entry "dord" was not completely removed until 1947.

🔗 Computing

Refal ("[of] Recursive functions' algorithmic language") "is functional programming language oriented toward symbolic computations", including "string processing, language translation, [and] artificial intelligence". It is one of the oldest members of this family, first conceived of in 1966 as a theoretical tool, with the first implementation appearing in 1968. Refal was intended to combine mathematical simplicity with practicality for writing large and sophisticated programs.

One of the first functional programming languages to do so, and unlike Lisp of its time, Refal is based on pattern matching. Its pattern matching works in conjunction with term rewriting.

The basic data structure of Lisp and Prolog is a linear list built by cons operation in a sequential manner, thus with O(n) access to list's nth element. Refal's lists are built and scanned from both ends, with pattern matching working for nested lists as well as the top-level one. In effect, the basic data structure of Refal is a tree rather than a list. This gives freedom and convenience in creating data structures while using only mathematically simple control mechanisms of pattern matching and substitution.

Refal also includes a feature called the freezer to support efficient partial evaluation.

Refal can be applied to the processing and transformation of tree structures, similarly to XSLT.