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πŸ”— Greco-Buddhist Art

πŸ”— Religion πŸ”— Visual arts πŸ”— Buddhism πŸ”— Asia

The Greco-Buddhist art or Gandhara art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara, located in the northwestern fringe of the Indian subcontinent.

The series of interactions leading to Gandhara art occurred over time, beginning with Alexander the Great's brief incursion into the area, followed by the Mauryan Emperor Ashoka converting the region to Buddhism. Buddhism became the prominent religion in the Indo-Greek Kingdoms. However, Greco-Buddhist art truly flowered and spread under the Kushan Empire, when the first surviving devotional images of the Buddha were created during the 1st-3rd centuries CE. Gandhara art reached its zenith from the 3rd-5th century CE, when most surviving motifs and artworks were produced.

Gandhara art is characterized by Buddhist subject matter, sometimes adapting Greco-Roman elements, rendered in a style and forms that are heavily influenced by Greco-Roman art. It has the strong idealistic realism and sensuous description of Hellenistic art, and it is believed to have produced the first representations of Gautama Buddha in human form, ending the early period of aniconism in Buddhism.

The representation of the human form in large sculpture had a considerable influence, both to the south in the rest of India, and to the east, where the spread of Buddhism carried its influence as far as Japan.

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πŸ”— Duenos Inscription

πŸ”— Classical Greece and Rome πŸ”— Latin πŸ”— Rome

The Duenos inscription is one of the earliest known Old Latin texts, variously dated from the 7th to the 5th century BC. It is inscribed on the sides of a kernos, in this case a trio of small globular vases adjoined by three clay struts. It was found by Heinrich Dressel in 1880 on the Quirinal Hill in Rome. The kernos is part of the collection of the Staatliche Museen in Berlin (inventory no. 30894,3).

The inscription is written right to left in three units, without spaces to separate words. It is difficult to translate, as some letters are hard to distinguish, particularly since they cannot always be deduced by context. The absence of spaces causes additional difficulty in assigning the letters to the respective words.

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πŸ”— Stick bomb

A stick bomb is a (mechanical) spring-loaded device constructed out of flat sticks woven together under a bending moment. Other names for stick bombs include Chinese stick puzzles, Cobra wave, and frame bombs. Stick bombs are created for fun and as art, not for any practical use.

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πŸ”— Edmund Thomas Clint

πŸ”— Biography πŸ”— India

Edmund Thomas Clint (19 May 1976 β€” 15 April 1983) was an Indian child prodigy known for having drawn over 25,000 paintings during his short life of less than seven years.

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πŸ”— Iron law of oligarchy

πŸ”— History πŸ”— Politics πŸ”— Sociology πŸ”— Politics/Oligarchy πŸ”— Project-independent assessment

The iron law of oligarchy is a political theory, first developed by the German sociologist Robert Michels in his 1911 book, Political Parties. It asserts that rule by an elite, or oligarchy, is inevitable as an "iron law" within any democratic organization as part of the "tactical and technical necessities" of organization.

Michels's theory states that all complex organizations, regardless of how democratic they are when started, eventually develop into oligarchies. Michels observed that since no sufficiently large and complex organization can function purely as a direct democracy, power within an organization will always get delegated to individuals within that group, elected or otherwise.

Using anecdotes from political parties and trade unions struggling to operate democratically to build his argument in 1911, Michels addressed the application of this law to representative democracy, and stated: "Who says organization, says oligarchy." He went on to state that "Historical evolution mocks all the prophylactic measures that have been adopted for the prevention of oligarchy."

According to Michels all organizations eventually come to be run by a "leadership class", who often function as paid administrators, executives, spokespersons or political strategists for the organization. Far from being "servants of the masses", Michels argues this "leadership class," rather than the organization's membership, will inevitably grow to dominate the organization's power structures. By controlling who has access to information, those in power can centralize their power successfully, often with little accountability, due to the apathy, indifference and non-participation most rank and file members have in relation to their organization's decision-making processes. Michels argues that democratic attempts to hold leadership positions accountable are prone to fail, since with power comes the ability to reward loyalty, the ability to control information about the organization, and the ability to control what procedures the organization follows when making decisions. All of these mechanisms can be used to strongly influence the outcome of any decisions made 'democratically' by members.

Michels stated that the official goal of representative democracy of eliminating elite rule was impossible, that representative democracy is a faΓ§ade legitimizing the rule of a particular elite, and that elite rule, which he refers to as oligarchy, is inevitable. Later Michels migrated to Italy and joined Benito Mussolini's Fascist Party, as he believed this was the next legitimate step of modern societies. The thesis became popular once more in post-war America with the publication of Union Democracy: The Internal Politics of the International Typographical Union (1956) and during the red scare brought about by McCarthyism.

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πŸ”— Tommy Flowers

πŸ”— Biography πŸ”— London πŸ”— Biography/science and academia πŸ”— Engineering

Thomas Harold Flowers MBE (22 December 1905 - 28 October 1998) was an English engineer with the British General Post Office. During World War II, Flowers designed and built Colossus, the world's first programmable electronic computer, to help decipher encrypted German messages.

πŸ”— Ken Allen

πŸ”— Zoo πŸ”— Primates

Ken Allen (February 13, 1971 – December 1, 2000) was a Bornean orangutan at the San Diego Zoo. He became one of the most popular animals in the history of the zoo because of his many successful escapes from his enclosures. He was nicknamed "the hairy Houdini".

Ken Allen was born in captivity at the San Diego Zoo in 1971. During the 1980s, Ken Allen gained worldwide attention for a series of three escapes from his enclosure, which had been thought to be escape-proof. During some of his escapes, his female companions would join him. Ken Allen's ability to outwit his keepers, as well as his docile demeanor during his escapes, resulted in fame. He had his own fan club, and was the subject of T-shirts and bumper stickers (most reading "Free Ken Allen"). A song, The Ballad of Ken Allen, was written about him.

Ken Allen developed prostate cancer and was euthanized on December 1, 2000. He was 29 years old.

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πŸ”— Venetian Arsenal

πŸ”— Military history πŸ”— Military history/Military science, technology, and theory πŸ”— Military history/Weaponry πŸ”— Italy πŸ”— Architecture πŸ”— Military history/Early Modern warfare πŸ”— Military history/Maritime warfare πŸ”— Ships πŸ”— Military history/Medieval warfare πŸ”— Industrial design πŸ”— Military history/Italian military history πŸ”— Former countries πŸ”— Military history/European military history πŸ”— Former countries/Italian historical states

The Venetian Arsenal (Italian: Arsenale di Venezia) is a complex of former shipyards and armories clustered together in the city of Venice in northern Italy. Owned by the state, the Arsenal was responsible for the bulk of the Venetian republic's naval power from the late Middle Ages to the early modern period. It was "one of the earliest large-scale industrial enterprises in history".

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πŸ”— CueCat

πŸ”— Computing

The CueCat, styled :CueCat with a leading colon, is a cat-shaped handheld barcode reader that was given away free to Internet users starting in 2000 by the now-defunct Digital Convergence Corporation. The CueCat was named CUE for the unique bar code which the device scanned and CAT as a play on "Keystroke Automation Technology" and it enabled a user to open a link to an Internet URL by scanning a barcode β€” called a "cue" by Digital Convergence β€” appearing in an article or catalog or on some other printed matter. In this way, a user could be directed to a web page containing related information without having to enter a URL. The company asserted that the ability of the device to direct users to a specific URL, rather than a domain name, was valuable. In addition, television broadcasters could use an audio tone in programs or commercials that, if a TV was connected to a computer via an audio cable, acted as a web address shortcut.

The CueCat connected to computers using the PS/2 keyboard port and USB, and communicated to desktop "CRQ" software running on Windows 32-bit and Mac OS 9 operating systems. Users of this software were required to register with their ZIP code, gender, and email address. This registration process enabled the device to deliver relevant content to a single or multiple users in a household.

By year-end 2001, Codes could no longer be generated for the device or scanned with the device. However, third-party software can decode the lightweight encryption in the device.

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πŸ”— The Emu War

πŸ”— Australia πŸ”— Military history πŸ”— Australia/Western Australia πŸ”— Military history/Australia, New Zealand and South Pacific military history πŸ”— Australia/Australian history

The Emu War, also known as the Great Emu War, was a nuisance wildlife management military operation undertaken in Australia over the latter part of 1932 to address public concern over the number of emus said to be running amok in the Campion district of Western Australia. The unsuccessful attempts to curb the population of emus, a large flightless bird indigenous to Australia, employed soldiers armed with Lewis gunsβ€”leading the media to adopt the name "Emu War" when referring to the incident. While a number of the birds were killed, the emu population persisted and continued to cause crop destruction.

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