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πŸ”— European Super Grid

πŸ”— Climate change πŸ”— Europe πŸ”— Energy

The European super grid is a possible future super grid that would ultimately interconnect the various European countries and the regions around Europe's borders – including North Africa, Kazakhstan, and Turkey – with a high-voltage direct current (HVDC) power grid.

It is envisaged that a European super grid would:

  • lower the cost of power in all participating countries by allowing the entire region to share the most efficient power plants;
  • pool load variability and power station unreliability, reducing the margin of inefficient spinning reserve and standby that have to be supplied;
  • allow for wider use of renewable energy, particularly wind energy, from the concept that "it is always windy somewhere" – in particular it tends to be windy in the summer in North Africa, and windy in the winter in Europe;
  • allow wide sharing of the total European hydro power resource, which is about 6 weeks of full load European output;
  • decrease Europe's dependence on imported fuels.

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πŸ”— Planet Vulcan

πŸ”— Astronomy πŸ”— History of Science πŸ”— Astronomy/Astronomical objects πŸ”— Astronomy/Solar System

Vulcan was a theorized planet that some pre-20th century astronomers thought existed in an orbit between Mercury and the Sun. Speculation about, and even purported observations of, intermercurial bodies or planets date back to the beginning of the 17th century. The case for their probable existence was bolstered by the support of the French mathematician Urbain Le Verrier, who had predicted the existence of Neptune using disturbances in the orbit of Uranus. By 1859 he had confirmed unexplained peculiarities in Mercury's orbit and predicted that they had to be the result of the gravitational influence of another unknown nearby planet or series of asteroids. A French amateur astronomer's report that he had observed an object passing in front of the Sun that same year led Le Verrier to announce that the long sought after planet, which he gave the name Vulcan, had been discovered at last.

Many searches were conducted for Vulcan over the following decades, but despite several claimed observations, its existence could not be confirmed. The need for the planet as an explanation for Mercury's orbital peculiarities was later rendered unnecessary when Einstein's 1915 theory of general relativity showed that Mercury's departure from an orbit predicted by Newtonian physics was explained by effects arising from the curvature of spacetime caused by the Sun's mass.

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πŸ”— The Thirty-Six Dramatic Situations

πŸ”— Literature

The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors. In his introduction, Polti claims to be continuing the work of Carlo Gozzi, who also identified 36 situations.

πŸ”— Alan L. Hart

πŸ”— Biography πŸ”— Oregon πŸ”— LGBT studies

Alan L. Hart (born Alberta Lucille Hart, October 4, 1890 – July 1, 1962) was an American physician, radiologist, tuberculosis researcher, writer and novelist. He was in 1917–18 one of the first trans men to undergo hysterectomy in the United States, and lived the rest of his life as a man. He pioneered the use of x-ray photography in tuberculosis detection, and helped implement TB screening programs that saved thousands of lives.

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πŸ”— Mississippi River Basin Model

The Mississippi River Basin Model Waterways Experiment Station, located near Clinton, Mississippi, was a large-scale hydraulic model of the entire Mississippi River basin, covering an area of 200 acres. The model was built from 1943 to 1966 and in operation from 1949 until 1973. By comparison, the better known San Francisco Bay Model covers 1.5 acres and the Chesapeake Bay Model covers 8 acres. The model is now derelict, but open to the public within Buddy Butts Park, Jackson.

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πŸ”— The official term for the smell after it rains

πŸ”— Meteorology πŸ”— Chemicals πŸ”— Soil πŸ”— Weather πŸ”— Weather/Weather

Petrichor () is the earthy scent produced when rain falls on dry soil. The word is constructed from Greek petra (πέτρα), meaning "stone", and Δ«chōr (αΌ°Ο‡ΟŽΟ), the fluid that flows in the veins of the gods in Greek mythology.

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πŸ”— Chekhov's gun

πŸ”— Russia πŸ”— Literature πŸ”— Russia/performing arts in Russia πŸ”— Russia/language and literature of Russia

Chekhov's gun (Russian: ЧСховскоС Ρ€ΡƒΠΆΡŒΡ‘) is a dramatic principle that states that every element in a story must be necessary, and irrelevant elements should be removed. Elements should not appear to make "false promises" by never coming into play. The statement is recorded in letters by Anton Chekhov several times, with some variation:

  • "Remove everything that has no relevance to the story. If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it's not going to be fired, it shouldn't be hanging there."
  • "One must never place a loaded rifle on the stage if it isn't going to go off. It's wrong to make promises you don't mean to keep." Chekhov, letter to Aleksandr Semenovich Lazarev (pseudonym of A. S. Gruzinsky), 1 November 1889. Here the "gun" is a monologue that Chekhov deemed superfluous and unrelated to the rest of the play.
  • "If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there." From Gurlyand's Reminiscences of A. P. Chekhov, in Teatr i iskusstvo 1904, No. 28, 11 July, p.Β 521.

Ernest Hemingway mocked the interpretation given by English instructors to the principle. He gives in his essay "The Art of the Short Story" an example of two characters that are introduced and then never again mentioned in his short story "Fifty Grand". Hemingway valued inconsequential details, but conceded that readers will inevitably seek symbolism and significance in these inconsequential details.

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πŸ”— Paul Le Roux

πŸ”— Biography πŸ”— Australia πŸ”— Crime πŸ”— Australia/Australian crime πŸ”— South Africa πŸ”— Zimbabwe

Paul Calder Le Roux (born 24 December 1972) is a former programmer, former criminal cartel boss and informant to the US Drug Enforcement Administration (DEA).

In 1999, he created E4M, a free and open-source disk encryption software program for Microsoft Windows, and is sometimes credited for open-source TrueCrypt, which is based on E4M's code, though he denies involvement with TrueCrypt.

He was arrested on 26 September 2012 for conspiracy to import narcotics into the United States, and agreed to cooperate with authorities in exchange for a lesser sentence and immunity to any crimes he might admit to afterwards. He subsequently admitted to arranging or participating in seven murders, carried out as part of an extensive illegal business empire.

Le Roux was sentenced to 25 years in prison in June 2020.

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πŸ”— Chomski virtual machine

pattern parsing virtual machine (previously called 'chomski' after Noam Chomsky) and pp (the pattern parser, also a provisional name) refer to both a command line computer language and utility (interpreter for that language) which can be used to parse and transform text patterns and (formal mathematical) languages. The utility reads input files character by character (sequentially), applying the operation which has been specified via the command line or a pp script, and then outputs the line. It was developed from 2006 in the C language. Pp has derived a number of ideas and syntax elements from Sed, a command line text stream editor.

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πŸ”— Olympic medalists in art competitions

πŸ”— Olympics πŸ”— Lists πŸ”— Arts

There were 146 medalists in the art competitions that were part of the Olympic Games from 1912 until 1948. These art competitions were considered an integral part of the movement by International Olympic Committee (IOC) founder Pierre de Coubertin and necessary to recapture the complete essence of the Ancient Olympic Games. Their absence before the 1912 Summer Olympics, according to journalism professor Richard Stanton, stems from Coubertin "not wanting to fragment the focus of his new and fragile movement". Art competitions were originally planned for inclusion in the 1908 Summer Olympics but were delayed after that edition's change in venue from Rome to London following the 1906 eruption of Mount Vesuvius. By the 1924 Summer Olympics they had grown to be considered internationally relevant and potentially "a milestone in advancing public awareness of art as a whole".

During their first three appearances, the art competitions were grouped into five broad categories: architecture, literature, music, painting, and sculpture. The Dutch Organizing Committee for the 1928 Summer Olympics split these into subcategories in the hopes of increasing participation. Although it was a successful strategy, the 1932 Summer Olympics eliminated several of these subcategories, which led to fewer entries in the broader categories. For the 1936 Summer Olympics, the German government proposed the addition of a film contest to the program, which was rejected.

Following a final appearance at the 1948 Summer Olympics, art competitions were removed from the Olympic program. Planners of the 1952 Summer Olympics opposed their inclusion on logistical grounds, claiming that the lack of an international association for the event meant that the entire onus of facilitation was placed on the local organizing committee. Concerns were also raised about the professionalism of the event, since only amateurs were allowed to participate in the sporting tournaments, and the growing commercialization of the competitions, as artists had been permitted to sell their submissions during the course of the Games since 1928. In 1952 an art festival and exhibition was held concurrent with the Games, a tradition that has been maintained in all subsequent Summer Olympics.

The IOC does not track medalists in Olympic art competitions in its database and thus the prize winners are only officially recorded in the original Olympic reports. Judges were not required to distribute first, second, and third place awards for every category, and thus certain events lack medalists in these placements. Since participants were allowed multiple submissions, it was also possible for artists to win more than one in a single event, as Alex Diggelmann of Switzerland did in the graphic arts category of the 1948 edition. Diggelmann is tied with Denmark's Josef Petersen, who won second prize three times in literature, for the number of medals captured in the art competitions. Luxembourg's Jean Jacoby is the only individual to win two gold medals, doing so in painting in 1924 and 1928. Of the 146 medalists, 11 were women and only Finnish author Aale Tynni was awarded gold. Germany was the most successful nation, with eight gold, seven silver, and nine bronze medals, although one was won by Coubertin himself, a Frenchman. He submitted his poem Ode to Sport under the pseudonyms Georges Hohrod and Martin Eschbach, as if it were a joint-entry, and won first prize in the 1912 literature category. The original report credits this medal to Germany. Two individuals, Walter W. Winans and AlfrΓ©d HajΓ³s, won medals in both athletic and art competitions.

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