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🔗 Psychology

Sad clown paradox is the contradictory association between comedy and mental disorders such as depression and anxiety. These comedic performers are characterised by feelings of deprivation and isolation in their early lives, where comedy evolves as a release for tension, removing feelings of suppressed physical rage through a verbal outlet.

A series of psychological experiments first published in 1981 by psychologist Seymour Fisher indicated certain behavioural traits exclusive to comedians and not matched in regular actors. Later work conducted by Kaufman and Kozbelt re-interpreted these results, drawing the understanding that whilst comedy serves as a coping mechanism to hide trauma, it may also motivate a comedian to use humour as a way of forming relations and gaining acceptance.

Humour has been shown to develop from a young age, fostered by parental behaviour. A parent's immature nature can lead to additional responsibilities forced onto children, which can evoke issues of self-worth and a need for acceptance. The constant search for approval may cause mental health issues such as anxiety or depression and when untreated can lead to suicide in extreme situations. Laughter can evolve as a medium for self-preservation, detaching the individual from any adversity faced allowing for perceived control over uncomfortable situations.

Sad clown paradox is characterised by a cyclothymic temperament, which encourages the creation of light-hearted humour in a professional setting, despite inner turmoil. The use of humour as a form of self-medication provides short periods of satisfaction, repeatedly needing to deal with inner turmoil. There is an ever present anxiety amongst comedians that their popularity may disappear tomorrow and hence are driven to exhaustion in their work.

🔗 Crime 🔗 COVID-19 🔗 Women's History

The Signal for Help (or the Violence at Home Signal for Help) is a single-handed gesture that can be used by an individual to alert others that they feel threatened and need help over a video call, or in-person. It was originally created as a tool to combat the rise in domestic violence cases around the world as a result of the self-isolation measures related to the COVID-19 pandemic.

The signal is performed by holding one hand up with the thumb tucked into the palm, then folding the four other fingers down, symbolically trapping the thumb in the rest of the fingers. It was intentionally designed as a single continuous hand movement, rather than a sign held in one position, that could be made easily visible.

The Signal for Help was first introduced in Canada by the Canadian Women's Foundation on April 14, 2020, and on April 28, 2020 in the United States by the Women's Funding Network (WFN). It received widespread praise from local, national, and international news organizations for helping provide a modern solution to the issue of a rise in domestic violence cases.

Addressing concerns that abusers may become aware of such a widespread online initiative, the Canadian Women's Foundation and other organizations clarified that this signal is not "something that's going to save the day," but rather a tool someone could use to get help.

Instructions for what to do if an individual sees the signal, and how to check-in safely, were also created.

🔗 United States 🔗 Marketing & Advertising 🔗 Guild of Copy Editors 🔗 United States/Massachusetts - Boston 🔗 United States/American television 🔗 Cartoon Network

On the morning of January 31, 2007, the Boston Police Department and the Boston Fire Department mistakenly identified battery-powered LED placards depicting the Mooninites, characters from the Adult Swim animated television series Aqua Teen Hunger Force, as improvised explosive devices (IEDs), leading to a massive panic. Placed throughout Boston, Massachusetts, and the surrounding cities of Cambridge and Somerville by Peter "Zebbler" Berdovsky and Sean Stevens, these devices were part of a nationwide guerrilla marketing advertising campaign for Aqua Teen Hunger Force Colon Movie Film for Theaters.

The massive panic led to controversy and criticism from U.S. media sources, including The Boston Globe, Los Angeles Times, Fox News, The San Francisco Chronicle, The New York Times, CNN, and The Boston Herald. Some ridiculed the city's response to the devices—including the arrests of the two men hired to place the placards around the area—as disproportionate and indicative of a generation gap between city officials and the younger residents of Boston, at whom the ads were targeted. Several sources noted that the hundreds of officers in the Boston police department or city emergency planning office on scene were unable to identify the figure depicted for several hours until a young staffer at Mayor Thomas Menino's office saw the media coverage and recognized the figures.

After the devices were removed, the Boston Police Department stated in its defense that the ad devices shared some similarities with improvised explosive devices, with them also discovering an identifiable power source, a circuit board with exposed wiring, and electrical tape. Investigators were not mollified by the discovery that the devices were not explosive in nature, stating they still intended to determine "if this event was a hoax or something else entirely". Although city prosecutors eventually concluded there was no ill intent involved in the placing of the ads, the city continues to refer to the event as a "bomb hoax" (implying intent) rather than a "bomb scare".

Reflecting years later, various academics and media sources have characterized the phenomenon as a form of social panic. Gregory Bergman wrote in his 2008 book BizzWords that the devices were basically a self-made form of the children's toy Lite-Brite. Bruce Schneier wrote in his 2009 book Schneier on Security that Boston officials were "ridiculed" for their overreaction to the incident. In his 2009 book Secret Agents, historian and communication professor Jeremy Packer discussed a cultural phenomenon called the "panic discourse" and described the incident as a "spectacular instance of this panic". In a 2012 article, The Boston Phoenix called the incident the "Great Mooninite Panic of 2007". A 2013 publication by WGBH wrote that the majority of Boston youth thought that the arrests of two men who placed devices were not justified.

Wi-Fi over Coax is a technology for extending and distributing Wi-Fi signals via coaxial cables. As an in-building wireless solution, Wi-Fi over Coax can make use of existing or new cabling with native impedance of 50 ohms shared by a Wi-Fi access point, cabling run, and antenna. Coaxial cables with characteristic impedance of 75 ohms, such as RG-6 cables used for in-building television distribution, can also be used by incorporating impedance converters. As part of a distributed antenna system, Wi-Fi over Coax can connect multiple floors of a home or office via power dividers and zoned antennas either passively or via amplifiers, potentially eliminating the need for multiple access points.

🔗 Lists 🔗 Science Fiction 🔗 Transhumanism 🔗 Sociology 🔗 Futures studies 🔗 Science 🔗 Popular Culture

This is a list of fictional stories that, when written, were set in the future, but the future they predicted is now present or past. The list excludes works that were alternate histories, which were composed after the dates they depict, alternative futures, as depicted in time travel fiction, as well as any works that make no predictions of the future, such as those focusing solely on the future lives of specific fictional characters, or works which, despite their claimed dates, are contemporary in all but name. Entries referencing the current year may be added if their month and day were not specified or have already occurred.

🔗 Fungi 🔗 Physiology

Radiotrophic fungi are fungi which appear to perform radiosynthesis, that is, to use the pigment melanin to convert gamma radiation into chemical energy for growth. This proposed mechanism may be similar to anabolic pathways for the synthesis of reduced organic carbon (e.g., carbohydrates) in phototrophic organisms, which convert photons from visible light with pigments such as chlorophyll whose energy is then used in photolysis of water to generate usable chemical energy (as ATP) in photophosphorylation or photosynthesis. However, whether melanin-containing fungi employ a similar multi-step pathway as photosynthesis, or some chemosynthesis pathways, is unknown.

🔗 Economics 🔗 Philosophy 🔗 Politics 🔗 Philosophy/Social and political philosophy 🔗 Philosophy/Philosophy of religion 🔗 Cooperatives 🔗 Catholicism

Distributism is an economic theory asserting that the world's productive assets should be widely owned rather than concentrated.

Developed in Europe in the late 19th and early 20th centuries, distributism was based upon the principles of Catholic social teaching, especially the teachings of Pope Leo XIII in his encyclical Rerum novarum (1891) and Pope Pius XI in Quadragesimo anno (1931). It views both capitalism and socialism as equally flawed and exploitative, and it favors economic mechanisms such as cooperatives and member-owned mutual organizations as well as small businesses, and large-scale antitrust regulations.

Some Christian democratic political parties have advocated distributism in their economic policies.

🔗 United States 🔗 Film 🔗 Film/American cinema 🔗 Science Fiction 🔗 United States/Texas

Primer is a 2004 American science fiction film about the accidental discovery of time travel. The film was written, directed, produced, edited and scored by Shane Carruth, who also stars with David Sullivan.

Primer is of note for its extremely low budget, experimental plot structure, philosophical implications, and complex technical dialogue, which Carruth, a college graduate with a degree in mathematics and a former engineer, chose not to simplify for the sake of the audience. The film collected the Grand Jury Prize at the 2004 Sundance Film Festival, before securing a limited release in the United States, and has since gained a cult following.

🔗 California 🔗 Environment 🔗 Terrorism 🔗 Agriculture

In 1989, a sudden invasion of Mediterranean fruit flies (Ceratitis capitata, "medflies") appeared in California and began devastating crops. Scientists were puzzled and said that the sudden appearance of the insects "defies logic", and some speculated "biological terrorists" were responsible. Analysis suggested that an outside hand played a role in the dense infestation.

A person or group calling itself "The Breeders" took responsibility for the bioterrorist attack, as financial retaliation for the environmental damage caused by the state's Malathion aerial spraying; the group's members were never identified. Subsequently, three months after "The Breeders" announced the medfly release, the state ended its decade-long Malathion program and sought alternate ways to handle destructive insects.

🔗 Automobiles 🔗 Japan 🔗 Japan/Car

Kei car (or keijidōsha, kanji: 軽自動車, "light automobile", pronounced [keːdʑidoːɕa]), known variously outside Japan as Japanese city car, ultramini, or Japanese microcar, is the Japanese vehicle category for the smallest highway-legal passenger cars. Similar Japanese categories exist for microvans, and kei trucks. These vehicles are most often the Japanese equivalent of the EU A-segment (city cars).

The kei-car category was created by the Japanese government in 1949, and the regulations have been revised several times since. These regulations specify a maximum vehicle size, engine capacity, and power output, so that owners may enjoy both tax and insurance benefits. In most rural areas they are also exempted from the requirement to certify that adequate parking is available for the vehicle.

Kei cars have become very successful in Japan, consisting of over one-third of domestic new-car sales in fiscal 2016, despite dropping from a record 40% market share in 2013, after the government increased the kei-car tax by 50% in 2014. In 2018, seven of the 10 top-selling models were kei cars, including the top four, all boxy passenger vans: Honda N-Box, Suzuki Spacia, Nissan Dayz, and Daihatsu Tanto. Isuzu is the only manufacturer that has never offered a kei-sized vehicle for either private ownership or commercial trucks and microvans.

In export markets, though, the genre is generally too specialized and too small for most models to be profitable. Notable exceptions exist, though, for instance the Suzuki Alto and Jimny models, which were exported consistently from around 1980. Kei cars are not only popular with the elderly, but they are also popular with youths because of their affordability.

Nearly all kei cars have been designed and manufactured in Japan, but a version of the French-made Smart was briefly imported and officially classified as a kei car, and since then, the British Caterham 7 160 has also received such classification.