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Hitsuzendō (筆禅道, "way of Zen through brush") is believed by Zen Buddhists to be a method of achieving samādhi (Japanese: 三昧 sanmai), which is a unification with the highest reality. Hitsuzendo refers specifically to a school of Japanese Zen calligraphy to which the rating system of modern calligraphy (well-proportioned and pleasing to the eye) is foreign. Instead, the calligraphy of Hitsuzendo must breathe with the vitality of eternal experience.

Karoshi (過労死, Karōshi), which can be translated literally as "overwork death" in Japanese, is occupational sudden mortality. The major medical causes of karoshi deaths are heart attack and stroke due to stress and a starvation diet. This phenomenon is also widespread in other parts of Asia.

Shibori (しぼり / 絞り) is a Japanese manual resist dyeing technique, which produces a number of different patterns on fabric.

In traditional Japanese aesthetics, wabi-sabi (侘寂) is a world view centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of beauty that is "imperfect, impermanent, and incomplete". It is a concept derived from the Buddhist teaching of the three marks of existence (三法印, sanbōin), specifically impermanence (無常, mujō), suffering (苦, ku) and emptiness or absence of self-nature (空, kū).

Characteristics of the wabi-sabi aesthetic include asymmetry, roughness, simplicity, economy, austerity, modesty, intimacy, and appreciation of the ingenuous integrity of natural objects and processes.

Kintsugi (金継ぎ, "golden joinery"), also known as kintsukuroi (金繕い, "golden repair"), is the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum, a method similar to the maki-e technique. As a philosophy, it treats breakage and repair as part of the history of an object, rather than something to disguise.

Mono no aware (物の哀れ), literally "the pathos of things", and also translated as "an empathy toward things", or "a sensitivity to ephemera", is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient gentle sadness (or wistfulness) at their passing as well as a longer, deeper gentle sadness about this state being the reality of life.

Prostitution in modern Japan, as defined under Japanese law, is the illegal practice of sexual intercourse with an 'unspecified' (unacquainted) person in exchange for monetary compensation, which was criminalised in 1956 by the introduction of article 3 of the Anti-Prostitution Law (売春防止法, Baishun bōshi hō). However, the definition of prostitution made illegal under this law is strictly limited to sexual intercourse with an 'unspecified person', and does not criminalise the sale of numerous other acts performed by sex workers in exchange for compensation, such as oral sex, anal sex, mammary intercourse, and other non-coital sex acts; the Businesses Affecting Public Morals Regulation Law of 1948 (風俗営業取締法, Fūzoku eigyō torishimari hō), also known as the "Law to Regulate Adult Entertainment Businesses", amended in 1985, 1999 and 2005, regulates these businesses, making only one definition of prostitution in Japan illegal.

Following the criminalisation of payment for sexual intercourse, the sex industry in Japan has developed into a number of varied businesses and offering services not prohibited under Japanese law. These fall into a number of categories known by various euphemistic names, such as soaplands, fashion health shops, and pink salons, with the term "health" commonly being a euphemism for sexual services. These businesses typically operate out of physical premises, either with their own employees or freelancers such as call girls, who may operate via Internet dating sites known as deai sites (Internet dating sites) or via delivery health services.

Chindōgu (珍道具) is the practice of inventing ingenious everyday gadgets that seem to be ideal solutions to particular problems, but which may cause more problems than they solve. The term is of Japanese origin.