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🔗 Philosophy 🔗 Philosophy/Logic

In logic, a many-valued logic (also multi- or multiple-valued logic) is a propositional calculus in which there are more than two truth values. Traditionally, in Aristotle's logical calculus, there were only two possible values (i.e., "true" and "false") for any proposition. Classical two-valued logic may be extended to n-valued logic for n greater than 2. Those most popular in the literature are three-valued (e.g., Łukasiewicz's and Kleene's, which accept the values "true", "false", and "unknown"), the finite-valued (finitely-many valued) with more than three values, and the infinite-valued (infinitely-many-valued), such as fuzzy logic and probability logic.

🔗 Economics 🔗 Sociology

Commons-based peer production (CBPP) is a term coined by Harvard Law School professor Yochai Benkler. It describes a model of socio-economic production in which large numbers of people work cooperatively; usually over the Internet. Commons-based projects generally have less rigid hierarchical structures than those under more traditional business models. Often—but not always—commons-based projects are designed without a need for financial compensation for contributors. For example, sharing of STL (file format) design files for objects freely on the internet enables anyone with a 3-D printer to digitally replicate the object saving the prosumer significant money.

The term is often used interchangeably with the term social production.

🔗 Disaster management 🔗 Crime 🔗 Law 🔗 England

R v Dudley and Stephens (1884) 14 QBD 273 DC is a leading English criminal case which established a precedent throughout the common law world that necessity is not a defence to a charge of murder. It concerned survival cannibalism following a shipwreck and its purported justification on the basis of a custom of the sea. It marked the culmination of a long history of attempts by the law, in the face of public opinion sympathetic to castaways, to outlaw the custom and it became something of a cause célèbre in Victorian Britain.

Dudley and Stephens were shipwrecked along with two other men. When one of them, the cabin boy Richard Parker, fell into a coma, Dudley and Stephens decided to kill him for food.

🔗 Biography 🔗 Mathematics 🔗 Physics 🔗 Telecommunications 🔗 Biography/science and academia 🔗 Energy 🔗 Electrical engineering 🔗 Physics/Biographies 🔗 Devon

Oliver Heaviside FRS (; 18 May 1850 – 3 February 1925) was an English self-taught electrical engineer, mathematician, and physicist who adapted complex numbers to the study of electrical circuits, invented mathematical techniques for the solution of differential equations (equivalent to Laplace transforms), reformulated Maxwell's field equations in terms of electric and magnetic forces and energy flux, and independently co-formulated vector analysis. Although at odds with the scientific establishment for most of his life, Heaviside changed the face of telecommunications, mathematics, and science.

🔗 Science Fiction 🔗 Business 🔗 Psychology 🔗 Anthropology 🔗 Hitchhiker's Guide to the Galaxy

"Somebody else's problem" (also "someone else's problem") is a phrase used to describe an issue which is dismissed by a person on the grounds that they consider somebody else to be responsible for it. The term is also used to refer to a factor that is "out of scope" in a particular context.

🔗 Volcanoes 🔗 Meteorology

The year 1816 is known as the Year Without a Summer (also the Poverty Year and Eighteen Hundred and Froze To Death) because of severe climate abnormalities that caused average global temperatures to decrease by 0.4–0.7 °C (0.72–1.26 °F). This resulted in major food shortages across the Northern Hemisphere.

Evidence suggests that the anomaly was predominantly a volcanic winter event caused by the massive 1815 eruption of Mount Tambora in April in the Dutch East Indies (now Indonesia). This eruption was the largest eruption in at least 1,300 years (after the hypothesized eruption causing the extreme weather events of 535–536), and perhaps exacerbated by the 1814 eruption of Mayon in the Philippines.

🔗 Biography 🔗 France 🔗 Biography/science and academia 🔗 Biography/Actors and Filmmakers

Louis Aimé Augustin Le Prince (28 August 1841 – disappeared 16 September 1890, declared dead 16 September 1897) was a French artist and the inventor of an early motion-picture camera, possibly the first person to shoot a moving picture sequence using a single lens camera and a strip of (paper) film. He has been credited as the "Father of Cinematography", but his work did not influence the commercial development of cinema—owing at least in part to the great secrecy surrounding it.

A Frenchman who also worked in the United Kingdom and the United States, Le Prince's motion-picture experiments culminated in 1888 in Leeds, England. In October of that year, he filmed moving-picture sequences of family members in Roundhay Garden and his son playing the accordion, using his single-lens camera and Eastman's paper negative film. At some point in the following eighteen months he also made a film of Leeds Bridge. This work may have been slightly in advance of the inventions of contemporaneous moving-picture pioneers, such as the British inventors William Friese-Greene and Wordsworth Donisthorpe, and was years in advance of that of Auguste and Louis Lumière and William Kennedy Dickson (who did the moving image work for Thomas Edison).

Le Prince was never able to perform a planned public demonstration of his camera in the US because he mysteriously vanished; he was last known to be boarding a train on 16 September 1890. Multiple conspiracy theories have emerged about the reason for his disappearance, including: a murder set up by Edison, secret homosexuality, disappearance in order to start a new life, suicide because of heavy debts and failing experiments, and a murder by his brother over their mother's will. No conclusive evidence exists for any of these theories. In 2004, a police archive in Paris was found to contain a photograph of a drowned man bearing a strong resemblance to Le Prince who was discovered in the Seine just after the time of his disappearance, but it has been claimed that the body was too short to be Le Prince.

In early 1890, Edison workers had begun experimenting with using a strip of celluloid film to capture moving images. The first public results of these experiments were shown in May 1891. However, Le Prince's widow and son Adolphe were keen to advance Louis's cause as the inventor of cinematography. In 1898, Adolphe appeared as a witness for the defence in a court case brought by Edison against the American Mutoscope Company. This suit claimed that Edison was the first and sole inventor of cinematography, and thus entitled to royalties for the use of the process. Adolphe was involved in the case but was not allowed to present his father's two cameras as evidence, although films shot with cameras built according to his father's patent were presented. Eventually the court ruled in favour of Edison. A year later that ruling was overturned, but Edison then reissued his patents and succeeded in controlling the US film industry for many years.

🔗 Mathematics

In mathematics, the Kolakoski sequence, sometimes also known as the Oldenburger–Kolakoski sequence, is an infinite sequence of symbols {1,2} that is the sequence of run lengths in its own run-length encoding. It is named after the recreational mathematician William Kolakoski (1944–97) who described it in 1965, but it was previously discussed by Rufus Oldenburger in 1939.

🔗 Visual arts 🔗 Textile Arts

Carpets of Middle-Eastern origin, either from Anatolia, Persia, Armenia, Azerbaijan, the Levant, the Mamluk state of Egypt or Northern Africa, were used as decorative features in Western European paintings from the 14th century onwards. More depictions of Oriental carpets in Renaissance painting survive than actual carpets contemporary with these paintings. Few Middle-Eastern carpets produced before the 17th century remain, though the number of these known has increased in recent decades. Therefore, comparative art-historical research has from its onset in the late 19th century relied on carpets represented in datable European paintings.

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