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The method of Zygalski sheets was a cryptologic technique used by the Polish Cipher Bureau before and during World War II, and during the war also by British cryptologists at Bletchley Park, to decrypt messages enciphered on German Enigma machines.

The Zygalski-sheet apparatus takes its name from Polish Cipher Bureau mathematician–cryptologist Henryk Zygalski, who invented it about October 1938.

Shorthand is an abbreviated symbolic writing method that increases speed and brevity of writing as compared to longhand, a more common method of writing a language. The process of writing in shorthand is called stenography, from the Greek stenos (narrow) and graphein (to write). It has also been called brachygraphy, from Greek brachys (short), and tachygraphy, from Greek tachys (swift, speedy), depending on whether compression or speed of writing is the goal.

Many forms of shorthand exist. A typical shorthand system provides symbols or abbreviations for words and common phrases, which can allow someone well-trained in the system to write as quickly as people speak. Abbreviation methods are alphabet-based and use different abbreviating approaches. Many journalists use shorthand writing to quickly take notes at press conferences or other similar scenarios. In the computerized world, several autocomplete programs, standalone or integrated in text editors, based on word lists, also include a shorthand function for frequently used phrases.

Shorthand was used more widely in the past, before the invention of recording and dictation machines. Shorthand was considered an essential part of secretarial training and police work and was useful for journalists. Although the primary use of shorthand has been to record oral dictation or discourse, some systems are used for compact expression. For example, healthcare professionals may use shorthand notes in medical charts and correspondence. Shorthand notes are typically temporary, intended either for immediate use or for later typing, data entry, or (mainly historically) transcription to longhand. Longer term uses do exist, such as encipherment: diaries (like that of Samuel Pepys) are a common example.

Diatoms (diá-tom-os 'cut in half', from diá, 'through' or 'apart'; and the root of tém-n-ō, 'I cut'.) are a major group of algae, specifically microalgae, found in the oceans, waterways and soils of the world. Living diatoms make up a significant portion of the Earth's biomass: they generate about 20 to 50 percent of the oxygen produced on the planet each year, take in over 6.7 billion metric tons of silicon each year from the waters in which they live, and contribute nearly half of the organic material found in the oceans. The shells of dead diatoms can reach as much as a half-mile (800m) deep on the ocean floor, and the entire Amazon basin is fertilized annually by 27 million tons of diatom shell dust transported by transatlantic winds from the African Sahara, much of it from the Bodélé Depression, which was once made up a system of fresh-water lakes.

Diatoms are unicellular: they occur either as solitary cells or in colonies, which can take the shape of ribbons, fans, zigzags, or stars. Individual cells range in size from 2 to 200 micrometers. In the presence of adequate nutrients and sunlight, an assemblage of living diatoms doubles approximately every 24 hours by asexual multiple fission; the maximum life span of individual cells is about six days. Diatoms have two distinct shapes: a few (centric diatoms) are radially symmetric, while most (pennate diatoms) are broadly bilaterally symmetric. A unique feature of diatom anatomy is that they are surrounded by a cell wall made of silica (hydrated silicon dioxide), called a frustule. These frustules have structural coloration due to their photonic nanostructure, prompting them to be described as "jewels of the sea" and "living opals". Movement in diatoms primarily occurs passively as a result of both water currents and wind-induced water turbulence; however, male gametes of centric diatoms have flagella, permitting active movement for seeking female gametes. Similar to plants, diatoms convert light energy to chemical energy by photosynthesis, although this shared autotrophy evolved independently in both lineages. Unusually for autotrophic organisms, diatoms possess a urea cycle, a feature that they share with animals, although this cycle is used to different metabolic ends in diatoms. The family Rhopalodiaceae also possess a cyanobacterial endosymbiont called a spheroid body. This endosymbiont has lost its photosynthetic properties, but has kept its ability to perform nitrogen fixation, allowing the diatom to fix atmospheric nitrogen.

The study of diatoms is a branch of phycology. Diatoms are classified as eukaryotes, organisms with a membrane-bound cell nucleus, that separates them from the prokaryotes archaea and bacteria. Diatoms are a type of plankton called phytoplankton, the most common of the plankton types. Diatoms also grow attached to benthic substrates, floating debris, and on macrophytes. They comprise an integral component of the periphyton community. Another classification divides plankton into eight types based on size: in this scheme, diatoms are classed as microalgae. Several systems for classifying the individual diatom species exist. Fossil evidence suggests that diatoms originated during or before the early Jurassic period, which was about 150 to 200 million years ago.

Diatoms are used to monitor past and present environmental conditions, and are commonly used in studies of water quality. Diatomaceous earth (diatomite) is a collection of diatom shells found in the earth's crust. They are soft, silica-containing sedimentary rocks which are easily crumbled into a fine powder and typically have a particle size of 10 to 200 μm. Diatomaceous earth is used for a variety of purposes including for water filtration, as a mild abrasive, in cat litter, and as a dynamite stabilizer.

Rongorongo (; Rapa Nui: [ˈɾoŋoˈɾoŋo]) is a system of glyphs discovered in the 19th century on Easter Island that appears to be writing or proto-writing. Numerous attempts at decipherment have been made, none successfully. Although some calendrical and what might prove to be genealogical information has been identified, none of these glyphs can actually be read. If rongorongo does prove to be writing and proves to be an independent invention, it would be one of very few independent inventions of writing in human history.

Two dozen wooden objects bearing rongorongo inscriptions, some heavily weathered, burned, or otherwise damaged, were collected in the late 19th century and are now scattered in museums and private collections. None remain on Easter Island. The objects are mostly tablets shaped from irregular pieces of wood, sometimes driftwood, but include a chieftain's staff, a bird-man statuette, and two reimiro ornaments. There are also a few petroglyphs which may include short rongorongo inscriptions. Oral history suggests that only a small elite was ever literate and that the tablets were sacred.

Authentic rongorongo texts are written in alternating directions, a system called reverse boustrophedon. In a third of the tablets, the lines of text are inscribed in shallow fluting carved into the wood. The glyphs themselves are outlines of human, animal, plant, artifact and geometric forms. Many of the human and animal figures, such as glyphs 200 and 280 , have characteristic protuberances on each side of the head, possibly representing eyes.

Individual texts are conventionally known by a single uppercase letter and a name, such as Tablet C, the Mamari Tablet. The somewhat variable names may be descriptive or indicate where the object is kept, as in the Oar, the Snuffbox, the Small Santiago Tablet, and the Santiago Staff.

iPTF14hls is an unusual supernova star that erupted continuously for about 1,000 days beginning in September 2014 before becoming a remnant nebula. It had previously erupted in 1954. None of the theories nor proposed hypotheses fully explain all the aspects of the object.

R.U.R. is a 1920 science-fiction play by the Czech writer Karel Čapek. "R.U.R." stands for Rossumovi Univerzální Roboti (Rossum's Universal Robots, a phrase that has been used as a subtitle in English versions). The play had its world premiere on 2 January 1921 in Hradec Králové; it introduced the word "robot" to the English language and to science fiction as a whole. R.U.R. soon became influential after its publication. By 1923 it had been translated into thirty languages. R.U.R. was successful in its time in Europe and North America. Čapek later took a different approach to the same theme in his 1936 novel War with the Newts, in which non-humans become a servant-class in human society.

The blinking twelve problem is a term used in software design. It usually refers to features in software or computer systems which are rendered unusable to most users by the complexity of the interface to them.

The usage emanates from the 'clock' feature provided on many VCRs manufactured in the late 1980s or early 1990s. The clock could be set by using a combination of buttons provided on the VCR in a specific sequence that was found complicated by most users. As a result, VCR users were known to seldom set the time on the VCR clock. This resulted in the default time of '12:00' blinking on the VCR display at all times of the day, which is the origin of this term.

"In most surveys, the majority of people have never time-shifted just because they don't know how to program their machines," said Tom Adams, a television analyst for Paul Kagan Associates, a media research firm, in 1990.

In software, 'the blinking twelve problem' thus refers to any situation in which features or functions of a program go unused for reasons that the designers never anticipated, largely because developers were unable to anticipate the level of understanding the users would have of the technology. The term may also refer to the challenge faced by developers of addressing the real causes of users' difficulties, as well as the challenge of providing helpful documentation or technical support without knowing beforehand how well the user understands their own problem.

In other instances, it can be used to reference the lack of basic user-friendly features in complex systems; stemming from the lack of a backup battery to keep the clock setting in a $300 VCR during even the briefest power interruption, when a $10 clock would have one.

The terms is usually used mostly by geeks, often in discussion forums. The term appears in the 1999 essay In the Beginning... Was the Command Line by Neal Stephenson.

"I would rather cry in a BMW" is a quotation that became an online sensation in the People's Republic of China in 2010. The old, long-familiar phrase was made famous by Ma Nuo, a 20-year-old female contestant on the television show Fei Cheng Wu Rao (also known in English as If You Are the One). The line was in response to a question by an unemployed suitor who asked if Ma would "ride a bicycle with him" on a date. The series of events have been summed up in the media with the quip "I would rather cry in a BMW than smile on a bicycle."

The Casio F-91W is a digital watch manufactured by Japanese electronics company Casio. Introduced in 1989, it is popular for its low price and long battery life. Annual production is 3 million units per year.

Max, also known as Max/MSP/Jitter, is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling '74. Over its more than thirty-year history, it has been used by composers, performers, software designers, researchers, and artists to create recordings, performances, and installations.

The Max program is modular, with most routines existing as shared libraries. An application programming interface (API) allows third-party development of new routines (named external objects). Thus, Max has a large user base of programmers unaffiliated with Cycling '74 who enhance the software with commercial and non-commercial extensions to the program. Because of this extensible design, which simultaneously represents both the program's structure and its graphical user interface (GUI), Max has been described as the lingua franca for developing interactive music performance software.