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SONATA VI are two paintings, Stellar sonata. Allegro and Stellar sonata. Andante, of Mikalojus Konstantinas Čiurlionis from 1908.

The Eleanor crosses were a series of twelve tall and lavishly decorated stone monuments topped with crosses erected in a line down part of the east of England. King Edward I had them built between 1291 and about 1295 in memory of his beloved wife Eleanor of Castile. The King and Queen had been married for 36 years and she stayed by the King’s side through his many travels. While on a royal progress, she died in the East Midlands in November 1290, perhaps due to fever. The crosses, erected in her memory, marked the nightly resting-places along the route taken when her body was transported to Westminster Abbey near London.

The crosses stood at Lincoln, Grantham and Stamford, all in Lincolnshire; Geddington and Hardingstone in Northamptonshire; Stony Stratford in Buckinghamshire; Woburn and Dunstable in Bedfordshire; St Albans and Waltham (now Waltham Cross) in Hertfordshire; Cheapside in London; and Charing (now Charing Cross) in Westminster.

Three of the medieval monuments – those at Geddington, Hardingstone and Waltham Cross – survive more or less intact; but the other nine, other than a few fragments, are lost. The largest and most ornate of the twelve was the Charing Cross. Several memorials and elaborated reproductions of the crosses have been erected, including the Queen Eleanor Memorial Cross at Charing Cross Station (built 1865).

A camera lucida is an optical device used as a drawing aid by artists.

The camera lucida performs an optical superimposition of the subject being viewed upon the surface upon which the artist is drawing. The artist sees both scene and drawing surface simultaneously, as in a photographic double exposure. This allows the artist to duplicate key points of the scene on the drawing surface, thus aiding in the accurate rendering of perspective.

The Nebra sky disk is a bronze disk of around 30 centimeters (11 ³⁄₄ in) diameter and a weight of 2.2 kilograms (4.9 lb), having a blue-green patina and inlaid with gold symbols. These symbols are interpreted generally as the Sun or full moon, a lunar crescent, and stars (including a cluster of seven interpreted as the Pleiades). Two golden arcs along the sides, interpreted to mark the angle between the solstices, were added later. A final addition was another arc at the bottom surrounded with multiple strokes (of uncertain meaning, variously interpreted as a Solar Barge with numerous oars, the Milky Way, or a rainbow).

The disk is attributed to a site in present-day Germany near Nebra, Saxony-Anhalt, and dated by Archaeological association to c. 1600 BC. Researchers suggest the disk is an artifact of the Bronze Age Unetice culture.

The style in which the disk is executed was unlike any artistic style then known from the period, with the result that the object was initially suspected of being a forgery, but is now widely accepted as authentic.

The Nebra sky disk features the oldest concrete depiction of the cosmos yet known from anywhere in the world. In June 2013 it was included in the UNESCO Memory of the World Register and termed "one of the most important archaeological finds of the twentieth century."

The Löwenmensch figurine or Lion-man of the Hohlenstein-Stadel is a prehistoric ivory sculpture discovered in the Hohlenstein-Stadel, a German cave in 1939. The German name, Löwenmensch, meaning "lion-human", is used most frequently because it was discovered and is exhibited in Germany.

The lion-headed figurine is the oldest-known zoomorphic (animal-shaped) sculpture in the world, and the oldest-known uncontested example of figurative art. It has been determined by carbon dating of the layer in which it was found to be between 35,000 and 40,000 years old, and therefore is associated with the archaeological Aurignacian culture of the Upper Paleolithic. It was carved out of mammoth ivory using a flint stone knife. Seven parallel, transverse, carved gouges are on the left arm.

After several reconstructions that have incorporated newly found fragments, the figurine stands 31.1 cm (12.2 in) tall, 5.6 cm (2.2 in) wide, and 5.9 cm (2.3 in) thick. It currently is displayed in the Museum Ulm, Germany.

Solarpunk is a movement that encourages optimistic envisionings of the future in light of present environmental concerns, such as climate change and pollution, as well as social inequality. Solarpunk encompasses a multitude of media such as literature, art, architecture, fashion, music, and games. Solarpunk focuses on renewable energies, as well as technology as a whole, to envision a positive future for humanity; although, it also embraces less advanced ways to reduce carbon emissions, like gardening. Solarpunk is also a genre of speculative fiction; some of the most well-known examples are Solarpunk: Ecological and Fantastical Stories in a Sustainable World and Sunvault: Stories of Solarpunk and Eco-Speculation.

Carpets of Middle-Eastern origin, either from Anatolia, Persia, Armenia, Azerbaijan, the Levant, the Mamluk state of Egypt or Northern Africa, were used as decorative features in Western European paintings from the 14th century onwards. More depictions of Oriental carpets in Renaissance painting survive than actual carpets contemporary with these paintings. Few Middle-Eastern carpets produced before the 17th century remain, though the number of these known has increased in recent decades. Therefore, comparative art-historical research has from its onset in the late 19th century relied on carpets represented in datable European paintings.

The Black Hours, MS M.493 (or the Morgan Black Hours) is an illuminated book of hours completed in Bruges between 1460 and 1475. It consists of 121 pages (leaves), with Latin text written in Gothic minuscule script. The words are arranged in rows of fourteen lines and follow the Roman version of the texts. The lettering is inscribed in silver and gold and placed within borders ornamented with flowers, foliage and grotesques, on pages dyed a deep blueish black. It contains fourteen full-page miniatures and opens with the months of the liturgical calendar (folios 3 verso – 14 recto), followed by the Hours of the Virgin, and ends with the Office of the Dead (folio 121v).

MS M.493 has been in the collection of the Morgan Library & Museum, New York, since 1912. It is one of seven surviving black books of hours, all originating from Bruges and dated to the mid-to-late 15th century. They are so named for their unusual dark blueish appearance, a colourisation achieved through the expensive process of dyeing the vellum with iron gall ink. This dye is very corrosive and the surviving examples are mostly badly decomposed; MS M.493 is in relatively good condition due to its very thick parchment.

The book is a masterpiece of Late Gothic manuscript illumination. However, no records survive of its commission, but its uniquely dark tone, expense of production, quality and rarity suggest ownership by privileged and sophisticated members of the Burgundian court. The book is often attributed, on stylistic grounds, to a follower of Willem Vrelant, a leading and influential Flemish illuminator.

The Bouvier Affair was a number of international lawsuits that started in 2015, and subsequent events. The lawsuits allege that Swiss art shipper and dealer Yves Bouvier defrauded his clients by misrepresenting the original cost of art works and subsequently overcharging them. The affair has played out in courts in Monaco, Switzerland, France, the US, Hong Kong and Singapore.

The alleged victims are "high net worth individuals" in the UK, the US, Asia and Europe, most notably Monaco-based Russian oligarch Dmitry Rybolovlev.

As of February 2018, Bouvier was facing criminal charges in France, Monaco and also in Switzerland after the Geneva Prosecutor opened a new case there.

A pointing machine is a measuring tool used by stone sculptors and woodcarvers to accurately copy plaster, clay or wax sculpture models into wood or stone. In essence the device is a pointing needle that can be set to any position and then fixed. It further consists of brass or stainless steel rods and joints which can be placed into any position and then tightened. It is not actually a machine; its name is derived from the Italian macchinetta di punta. The invention of the tool has been ascribed to both the French sculptor and medallist Nicolas-Marie Gatteaux (1751–1832) and to the British sculptor John Bacon (1740–1799). It was later perfected by Canova. However, similar devices were used in ancient times, when the copying of Greek sculptures for the Roman market was a large industry.