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Pantone 448 C, also referred to as "the ugliest colour in the world", is a colour in the Pantone colour system. Described as a "drab dark brown", it was selected in 2016 as the colour for plain tobacco and cigarette packaging in Australia, after market researchers determined that it was the least attractive colour. The Australian Department of Health initially referred to the colour as "olive green", but the name was changed after concerns were expressed by the Australian Olive Association.

Since 2016, the same colour has also been used for plain cigarette packaging in France, the United Kingdom, Israel, Norway, New Zealand, Slovenia, Saudi Arabia, and Turkey.

The colour has also been widely but erroneously reported as being known as "opaque couché"; in fact this is simply French for "layered opaque", in reference to being used on coated paper. The confusion appears to have arisen because "PANTONE opaque couché" is the French name of a swatch library (palette) used in Adobe Illustrator containing this colour and intended for printing in solid ink colours on coated paper; in English this library is known as "PANTONE solid coated".

Impossible colors (forbidden, non-physical, unrealizable or chimerical colors) are supposed colors that do not appear in ordinary visual functioning. Non-physical colors are those notionally resulting from combinations of retinal outputs which cannot arise in normal vision. Chimerical colors are perceived, typically transiently, through contrast effects.

Eigengrau (German: "intrinsic gray", lit. "own gray"; pronounced [ˈʔaɪ̯gn̩ˌgʁaʊ̯]), also called Eigenlicht (Dutch and German: "own light"), dark light, or brain gray, is the uniform dark gray background that many people report seeing in the absence of light. The term Eigenlicht dates back to the nineteenth century, but has rarely been used in recent scientific publications. Common scientific terms for the phenomenon include "visual noise" or "background adaptation". These terms arise due to the perception of an ever-changing field of tiny black and white dots seen in the phenomenon.

Eigengrau is perceived as lighter than a black object in normal lighting conditions, because contrast is more important to the visual system than absolute brightness. For example, the night sky looks darker than Eigengrau because of the contrast provided by the stars.

YInMn Blue (for yttrium, indium, manganese), also known as Oregon Blue, Mas Blue, or Yin Min Blue, is an inorganic blue pigment that was discovered accidentally by Professor Mas Subramanian and his then-graduate student Andrew E. Smith at Oregon State University in 2009. It is the first inorganic blue pigment discovered in 200 years, since cobalt blue was identified in 1802.

The compound has a unique trigonal bipyramidal structure, and further research has discovered it may be modified to create green, purple, and orange pigments.

International orange is a color used in the aerospace industry to set objects apart from their surroundings, similar to safety orange, but deeper and with a more reddish tone.

Non-photo blue (or non-repro blue) is a common tool used in the graphic design and print industry.

In many languages, the colors described in English as "blue" and "green" are colexified, i.e. expressed using a single cover term. To describe this English lexical gap, linguists use the portmanteau word grue, from green and blue, which the philosopher Nelson Goodman coined—with a different meaning—in his 1955 Fact, Fiction, and Forecast to illustrate his "new riddle of induction".

The exact definition of "blue" and "green" may be complicated by the speakers not primarily distinguishing the hue, but using terms that describe other color components such as saturation and luminosity, or other properties of the object being described. For example, "blue" and "green" might be distinguished, but a single term might be used for both if the color is dark. Furthermore, green might be associated with yellow, and blue with black or gray.

According to Brent Berlin and Paul Kay's 1969 study Basic Color Terms: Their Universality and Evolution, distinct terms for brown, purple, pink, orange and grey will not emerge in a language until the language has made a distinction between green and blue. In their account of the development of color terms the first terms to emerge are those for white/black (or light/dark), red and green/yellow.

Go Away Green refers to a range of paint colors used in Disney Parks to divert attention away from infrastructure. It has been compared to military camouflage like Olive Drab.

Imagineer John Hench wrote about developing such colors, "We chose a neutral gray-brown for the railing, a 'go away' color that did not call attention to itself, even though it was entirely unrelated to the Colonial color scheme."

Large attraction buildings visible either inside or outside a park such as Soarin’ at California Adventure or Indiana Jones Adventure at Disneyland are often painted a muted green. Necessary in-park infrastructure like speakers, lamp posts, fences, trash cans, and the former entrance to Club 33 are also painted various shades of green.

This concept also extends to grays, browns, and blues for spaces with less greenery or buildings that extend above the tree line, such as Guardians of the Galaxy: Cosmic Rewind.

Grue and bleen are examples of logical predicates coined by Nelson Goodman in Fact, Fiction, and Forecast to illustrate the "new riddle of induction" – a successor to Hume's original problem. These predicates are unusual because their application is time-dependent; many have tried to solve the new riddle on those terms, but Hilary Putnam and others have argued such time-dependency depends on the language adopted, and in some languages it is equally true for natural-sounding predicates such as "green." For Goodman they illustrate the problem of projectible predicates and ultimately, which empirical generalizations are law-like and which are not. Goodman's construction and use of grue and bleen illustrates how philosophers use simple examples in conceptual analysis.

In computing, on the X Window System, X11 color names are represented in a simple text file, which maps certain strings to RGB color values. It was traditionally shipped with every X11 installation, hence the name, and is usually located in <X11root>/lib/X11/rgb.txt. The web colors list is descended from it but differs for certain color names.

Color names are not standardized by Xlib or the X11 protocol. The list does not show continuity either in selected color values or in color names, and some color triplets have multiple names. Despite this, graphic designers and others got used to them, making it practically impossible to introduce a different list. In earlier releases of X11 (prior to the introduction of Xcms), server implementors were encouraged to modify the RGB values in the reference color database to account for gamma correction.

As of X.Org Release 7.4 rgb.txt is no longer included in the roll up release, and the list is built directly into the server. The optional module xorg/app/rgb contains the stand-alone rgb.txt file.

The list first shipped with X10 release 3 (X10R3) on 7 June 1986, having been checked into RCS by Jim Gettys in 1985. The same list was in X11R1 on 18 September 1987. Approximately the full list as is available today shipped with X11R4 on 29 January 1989, with substantial additions by Paul Ravelling (who added colors based on Sinclair Paints samples), John C. Thomas (who added colors based on a set of 72 Crayola crayons he had on hand) and Jim Fulton (who reconciled contributions to produce the X11R4 list). The project was running DEC VT240 terminals at the time, so would have worked to that device.

In some applications multipart names are written with spaces, in others joined together, often in camel case. They are usually matched insensitive of case and the X Server source code contains spaced aliases for most entries; this article uses spaces and uppercase initials except where variants with spaces are not specified in the actual code.