Group f/64 or f.64 was a group founded by seven 20th-century San Francisco Bay Area photographers who shared a common photographic style characterized by sharply focused and carefully framed images seen through a particularly Western (U.S.) viewpoint. In part, they formed in opposition to the pictorialist photographic style that had dominated much of the early 20th century, but moreover, they wanted to promote a new modernist aesthetic that was based on precisely exposed images of natural forms and found objects.
This is a list of serious injuries and deaths in which one or more subjects of a selfie were killed or injured, either before, during or after having taken a photo of themselves, with the accident at least in part attributed to the taking of the photo.
The United States Department of Transportation estimated that during 2014, the so-called "year of the selfie", 33,000 people were injured while driving and using a cell-phone in some fashion, which can include talking, listening, and "manual button/control actuation" including taking, uploading, downloading, editing, or opening of selfies. A 2015 survey by Erie Insurance Group found that 4% of all drivers admitted to taking selfies while driving.
The Washington Post reported in January 2016 that "about half" of at least 27 "selfie related" deaths in 2015 had occurred in India. No official datasets on the number of people who died taking selfies in India exists, but reports show from 2014 up to August 2016, there have been at least 54 deaths in India while taking selfies. The Indian Ministry of Tourism asked states to identify and barricade 'selfie danger' areas, its first national attempt to deal with the selfie deaths. Mumbai Police identified at least 16 danger zones after a man drowned attempting to save a selfie-taker. No-selfie zones were also established in certain areas of the Kumbh Mela because organizers feared bottlenecks caused by selfie-takers could spark stampedes.
A 2018 study of news reports showed that between October 2011 and November 2017, there were 259 selfie deaths in 137 incidents reported globally, with the highest occurrences in India, followed by Russia, United States, and Pakistan. The mean age was 23 years old, with male deaths outnumbering female about three to one.
Pigeon photography is an aerial photography technique invented in 1907 by the German apothecary Julius Neubronner, who also used pigeons to deliver medications. A homing pigeon was fitted with an aluminium breast harness to which a lightweight time-delayed miniature camera could be attached. Neubronner's German patent application was initially rejected, but was granted in December 1908 after he produced authenticated photographs taken by his pigeons. He publicized the technique at the 1909 Dresden International Photographic Exhibition, and sold some images as postcards at the Frankfurt International Aviation Exhibition and at the 1910 and 1911 Paris Air Shows.
Initially, the military potential of pigeon photography for aerial reconnaissance appeared interesting. Battlefield tests in World War I provided encouraging results, but the ancillary technology of mobile dovecotes for messenger pigeons had the greatest impact. Owing to the rapid perfection of aviation during the war, military interest in pigeon photography faded and Neubronner abandoned his experiments. The idea was briefly resurrected in the 1930s by a Swiss clockmaker, and reportedly also by the German and French militaries. Although war pigeons were deployed extensively during World War II, it is unclear to what extent, if any, birds were involved in aerial reconnaissance. The United States Central Intelligence Agency (CIA) later developed a battery-powered camera designed for espionage pigeon photography; details of its use remain classified.
The construction of sufficiently small and light cameras with a timer mechanism, and the training and handling of the birds to carry the necessary loads, presented major challenges, as did the limited control over the pigeons' position, orientation and speed when the photographs were being taken. In 2004, the British Broadcasting Corporation (BBC) used miniature television cameras attached to falcons and goshawks to obtain live footage, and today some researchers, enthusiasts and artists similarly deploy crittercams with various species of animals.
- "Pigeon photography" | 2014-07-17 | 79 Upvotes 11 Comments
The rapatronic camera (a portmanteau of rapid action electronic) is a high-speed camera capable of recording a still image with an exposure time as brief as 10 nanoseconds.
The camera was developed by Harold Edgerton in the 1940s and was first used to photograph the rapidly changing matter in nuclear explosions within milliseconds of detonation, using exposures of several microseconds. To overcome the speed limitation of a conventional camera's mechanical shutter, the rapatronic camera uses two polarizing filters and a Faraday cell (or in some variants a Kerr cell). The two filters are mounted with their polarization angles at 90° to each other, to block all incoming light. The Faraday cell sits between the filters and changes the polarization plane of light passing through it depending on the level of magnetic field applied, acting as a shutter when it is energized at the right time for a very short amount of time, allowing the film to be properly exposed.
In magneto-optical shutters, the active material of the Faraday cell (e.g. dense flint glass, which reacts well to a strong magnetic field) is located inside an electromagnet coil, formed by a few loops of thick wire. The coil is powered from a pulse forming network by discharging a high-voltage capacitor (e.g. 2 microfarads at 1000 volts), into the coil via a trigatron or a thyratron switch. In electro-optical shutters, the active material is a liquid, typically nitrobenzene, located in a cell between two electrodes. A brief impulse of high voltage is applied to rotate the polarization of the passing light.
For a film-like sequence of high-speed photographs, as used in the photography of nuclear and thermonuclear tests, arrays of up to 12 cameras were deployed, with each camera carefully timed to record sequentially. Each camera was capable of recording only one exposure on a single sheet of film. Therefore, in order to create time-lapse sequences, banks of four to ten cameras were set up to take photos in rapid succession. The average exposure time used was three microseconds.
- "Rapatronic Camera" | 2019-10-14 | 60 Upvotes 19 Comments
Vivian Dorothy Maier (February 1, 1926 – April 21, 2009) was an American street photographer whose work was not discovered and recognized until after her death. She worked for about forty years as a nanny, mostly in Chicago's North Shore, while she pursued her photography. She took more than 150,000 photographs during her lifetime, primarily of the people and architecture of Chicago, New York City, and Los Angeles, although she also traveled and photographed worldwide.
During her lifetime, Maier's photographs were unknown and unpublished; many of her negatives were never printed. A Chicago collector, John Maloof, acquired some of Maier's photos in 2007, while two other Chicago-based collectors, Ron Slattery and Randy Prow, also found some of Maier's prints and negatives in her boxes and suitcases around the same time. Maier's photographs were first published on the Internet in July 2008, by Slattery, but the work received little response. In October 2009, Maloof linked his blog to a selection of Maier's photographs on the image-sharing website Flickr, and the results went viral, with thousands of people expressing interest. Maier's work subsequently attracted critical acclaim, and since then, Maier's photographs have been exhibited around the world.
Her life and work have been the subject of books and documentary films, including the film Finding Vivian Maier (2013), which premiered at the Toronto International Film Festival, and was nominated for the Academy Award for Best Documentary Feature at the 87th Academy Awards.
- "Vivian Maier" | 2019-03-11 | 23 Upvotes 5 Comments
The Boston Camera, also known as Pie Face and officially classified as the K-42 Camera Model, was a prototype airborne photo reconnaissance camera manufactured for the United States Air Force by Boston University in 1951 and tested on the Convair B-36 and the C-97 Stratofreighter. The model carried on the first ERB-36D (44-92088) had a 6,096-millimetre (240.0 in) focal length, which was achieved using a series of lenses and mirrors. The lens had an f/8 stop and used a 1/400 second shutter speed, and could photograph a golf ball from an altitude of 45,000 feet (14,000 m) feet. The camera used 18-by-36-inch (46 by 91 cm) negatives. The camera was installed aboard Boeing C-97A 49-2592 (not an "RC-97" or "EC-97" as often widely quoted) which was used operationally by the 7405th Support Squadron based at Wiesbaden, West Germany between 1952 and 1962. It was given to the Air Force Museum in 1964, along with a contact print of a golf ball on a course.
In the words of CIA historian Dino Brugioni:
The lens was designed in 1947 by Dr. James Baker for installation in a camera designed by the Boston University Optical Research Laboratory. The camera weighed about three tons, and eight hundred pounds of lead shot were required to balance it. Supposedly, it was first installed and test-flown in an RB-36, then installed as a left-looking oblique camera in an RC-97. The first photo Arthur Lundahl and I saw from this project was of New York City. The aircraft was seventy-two miles away, and yet we could see people in Central Park.
The Boston Camera was plagued with problems that caused it to vibrate and produce smearing on the newspaper-sized negative, so that photo interpreters would see several smeared frames along with several clear ones. It is currently displayed at the National Museum of the US Air Force in Dayton, Ohio.
From the display placard:
This camera, manufactured for the US Air Force by Boston University in 1951, is the largest aerial camera ever built. It was installed in an RB-36D in 1954 and tested for about a year. Later it was used in a C-97 aircraft flying along the air corridor through communist East Germany to Berlin, but a 10,000 ft (3,000 m) altitude restriction imposed by the communists made the camera less useful than at a higher altitude. It was also used on reconnaissance missions along the borders of Eastern European nations. The camera made an 18 x 36 inch negative and was so powerful a photo interpreter could detect a golf ball from an altitude of 45,000 feet (14,000 m). Dr. James Baker of Harvard University designed the camera.
Shutter Speed: 1/400 sec
Weight: 6,500 lbs (3 metric ton) (camera and aircraft mount)
- "The Boston Camera" | 2021-03-03 | 132 Upvotes 41 Comments
The monkey selfie copyright dispute is a series of disputes about the copyright status of selfies taken by Celebes crested macaques using equipment belonging to the British nature photographer David Slater. The disputes involve Wikimedia Commons and the blog Techdirt, which have hosted the images following their publication in newspapers in July 2011 over Slater's objections that he holds the copyright, and People for the Ethical Treatment of Animals (PETA), who have argued that the macaque should be assigned the copyright.
Slater has argued that he has a valid copyright claim, as he engineered the situation that resulted in the pictures by travelling to Indonesia, befriending a group of wild macaques, and setting up his camera equipment in such a way that a "selfie" picture might come about. The Wikimedia Foundation's 2014 refusal to remove the pictures from its Wikimedia Commons image library was based on the understanding that copyright is held by the creator, that a non-human creator (not being a legal person) cannot hold copyright, and that the images are thus in the public domain.
Slater stated in August 2014 that, as a result of the pictures being available on Wikipedia, he had lost at least GB£10,000 (equivalent to about £11,000 in 2019) in income and his business as a wildlife photographer was being harmed. In December 2014, the United States Copyright Office stated that works created by a non-human, such as a photograph taken by a monkey, are not copyrightable. A number of legal experts in the US and UK have argued that Slater's role in the photographic process may have been sufficient to establish a valid copyright claim, though this decision would have to be made by a court.
In a separate dispute, PETA tried to use the monkey selfies to establish a legal precedent that animals should be declared copyright holders. Slater had published a book containing the photographs through self-publishing company Blurb, Inc. In September 2015, PETA filed a lawsuit against Slater and Blurb, requesting that the monkey be assigned the copyright and that PETA be appointed to administer proceeds from the photos for the endangered species' benefit. In dismissing PETA's case, the court ruled that a monkey cannot own copyright, under US law. PETA appealed, and in September 2017, both PETA and the photographer agreed to a settlement in which Slater would donate a portion of future revenues on the photographs to wildlife organizations. However, the court of appeals declined to dismiss the appeal and declined to vacate the lower court judgment. In April 2018, the appeals court affirmed that animals cannot legally hold copyrights and expressed concern that PETA's motivations had been to promote their own interests rather than to protect the legal rights of animals.
- "Monkey Selfie Copyright Dispute" | 2021-07-08 | 11 Upvotes 5 Comments
The Nikon F-mount is a type of interchangeable lens mount developed by Nikon for its 35mm format single-lens reflex cameras. The F-mount was first introduced on the Nikon F camera in 1959, and features a three-lug bayonet mount with a 44 mm throat and a flange to focal plane distance of 46.5 mm. The company continues, with the 2020 D6 model, to use variations of the same lens mount specification for its film and digital SLR cameras.
- "Nikon F-Mount" | 2021-12-28 | 33 Upvotes 78 Comments
The Zone System is a photographic technique for determining optimal film exposure and development, formulated by Ansel Adams and Fred Archer. Adams described the Zone System as "[...] not an invention of mine; it is a codification of the principles of sensitometry, worked out by Fred Archer and myself at the Art Center School in Los Angeles, around 1939–40."
The technique is based on the late 19th century sensitometry studies of Hurter and Driffield. The Zone System provides photographers with a systematic method of precisely defining the relationship between the way they visualize the photographic subject and the final results. Although it originated with black-and-white sheet film, the Zone System is also applicable to roll film, both black-and-white and color, negative and reversal, and to digital photography.
- "Zone System" | 2022-03-18 | 23 Upvotes 12 Comments