Topic: Classical music
Iannis Xenakis (also spelt as Yannis Xenakis) (Greek: Γιάννης (Ιάννης) Ξενάκης [ˈʝanis kseˈnacis]; 29 May 1922 – 4 February 2001) was a Greek-French composer, music theorist, architect, performance director and engineer. After 1947, he fled Greece, becoming a naturalized citizen of France. He is considered an important post-World War II composer whose works helped revolutionize 20th-century classical music.
Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances.
Among his most important works are Metastaseis (1953–54) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as Psappha (1975) and Pléïades (1979); compositions that introduced spatialization by dispersing musicians among the audience, such as Terretektorh (1966); electronic works created using Xenakis's UPIC system; and the massive multimedia performances Xenakis called polytopes, that were a summa of his interests and skills. Among the numerous theoretical writings he authored, the book Formalized Music: Thought and Mathematics in Composition (French edition 1963, English translation 1971) is regarded as one of his most important. As an architect, Xenakis is primarily known for his early work under Le Corbusier: the Sainte Marie de La Tourette, on which the two architects collaborated, and the Philips Pavilion at Expo 58, which Xenakis designed by himself.
- "Iannis Xenakis - Wikipedia, the free encyclopedia" | 2010-05-20 | 18 Upvotes 5 Comments
Intonarumori are experimental musical instruments invented and built by the Italian futurist Luigi Russolo between roughly 1910 and 1930. There were 27 varieties of intonarumori in total with different names.
- "Intonarumori" | 2020-10-24 | 54 Upvotes 4 Comments
Leck mich im Arsch ('Kiss my arse!', or literally 'Lick me in the arse') is a canon in B-flat major composed by Wolfgang Amadeus Mozart, K. 231 (K. 382c), with lyrics in German. It was one of a set of at least six canons probably written in Vienna in 1782. Sung by six voices as a three-part round, it is thought to be a party piece for his friends. The main theme is derived from the final movement of Joseph Haydn's Symphony No. 3 in G-Major.
- "Mozart: Leck mich im Arsch" | 2020-12-04 | 107 Upvotes 39 Comments