You are looking at all articles with the topic "Classical music". We found 6 matches.

Hint: To view all topics, click here. Too see the most popular topics, click here instead.

🔗 Psychology 🔗 Education 🔗 Classical music

The Mozart effect is the theory that listening to the music of Mozart may temporarily boost scores on one portion of an IQ test. Popular science versions of the theory make the claim that "listening to Mozart makes you smarter" or that early childhood exposure to classical music has a beneficial effect on mental development.

The original study from 1993 reported a short-term (lasting about 15 minutes) improvement on the performance of certain kinds of mental tasks known as spatial reasoning, such as folding paper and solving mazes. The results were highly exaggerated by the popular press and became "Mozart makes you smart", which was said to apply to children in particular (the original study included 36 college students). These claims led to a commercial fad with Mozart CDs being sold to parents, the U.S. state of Georgia even proposed a budget to provide every child with a CD of classical music.

A meta-analysis of studies that have replicated the original study shows that there is little evidence that listening to Mozart has any particular effect on spatial reasoning. The author of the original study has stressed that listening to Mozart has no effect on general intelligence.

🔗 Classical music 🔗 Classical music/Compositions

Leck mich im Arsch ('Kiss my arse!', or literally 'Lick me in the arse') is a canon in B-flat major composed by Wolfgang Amadeus Mozart, K. 231 (K. 382c), with lyrics in German. It was one of a set of at least six canons probably written in Vienna in 1782. Sung by six voices as a three-part round, it is thought to be a party piece for his friends. The main theme is derived from the final movement of Joseph Haydn's Symphony No. 3 in G-Major.

🔗 Music theory 🔗 Classical music 🔗 Music/Music genres

Aleatoric music (also aleatory music or chance music; from the Latin word alea, meaning "dice") is music in which some element of the composition is left to chance, and/or some primary element of a composed work's realization is left to the determination of its performer(s). The term is most often associated with procedures in which the chance element involves a relatively limited number of possibilities.

The term became known to European composers through lectures by acoustician Werner Meyer-Eppler at the Darmstadt International Summer Courses for New Music in the beginning of the 1950s. According to his definition, "a process is said to be aleatoric ... if its course is determined in general but depends on chance in detail". Through a confusion of Meyer-Eppler's German terms Aleatorik (noun) and aleatorisch (adjective), his translator created a new English word, "aleatoric" (rather than using the existing English adjective "aleatory"), which quickly became fashionable and has persisted. More recently, the variant "aleatoriality" has been introduced.

🔗 Italy 🔗 Musical Instruments 🔗 Classical music

Intonarumori are experimental musical instruments invented and built by the Italian futurist Luigi Russolo between roughly 1910 and 1930. There were 27 varieties of intonarumori in total with different names.

🔗 United Kingdom 🔗 Classical music 🔗 Classical music/Compositions

Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme.

Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances (see musical cryptogram). Those portrayed include Elgar's wife Alice, his friend and publisher Augustus J. Jaeger and Elgar himself. In a programme note for a performance in 1911 Elgar wrote:

This work, commenced in a spirit of humour & continued in deep seriousness, contains sketches of the composer's friends. It may be understood that these personages comment or reflect on the original theme & each one attempts a solution of the Enigma, for so the theme is called. The sketches are not 'portraits' but each variation contains a distinct idea founded on some particular personality or perhaps on some incident known only to two people. This is the basis of the composition, but the work may be listened to as a 'piece of music' apart from any extraneous consideration.

In naming his theme "Enigma", Elgar posed a challenge which has generated much speculation but has never been conclusively answered. The Enigma is widely believed to involve a hidden melody.

After its 1899 London premiere the Variations achieved immediate popularity and established Elgar's international reputation.

🔗 Biography 🔗 Military history 🔗 Architecture 🔗 Greece 🔗 Military history/Military biography 🔗 Biography/military biography 🔗 Military history/World War II 🔗 Military history/Cold War 🔗 Dance 🔗 Composers 🔗 Dance/Ballet 🔗 Classical music 🔗 Military history/Balkan military history 🔗 Biography/Musicians 🔗 Military history/European military history

Iannis Xenakis (also spelt as Yannis Xenakis) (Greek: Γιάννης (Ιάννης) Ξενάκης [ˈʝanis kseˈnacis]; 29 May 1922 – 4 February 2001) was a Greek-French composer, music theorist, architect, performance director and engineer. After 1947, he fled Greece, becoming a naturalized citizen of France. He is considered an important post-World War II composer whose works helped revolutionize 20th-century classical music.

Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances.

Among his most important works are Metastaseis (1953–54) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as Psappha (1975) and Pléïades (1979); compositions that introduced spatialization by dispersing musicians among the audience, such as Terretektorh (1966); electronic works created using Xenakis's UPIC system; and the massive multimedia performances Xenakis called polytopes, that were a summa of his interests and skills. Among the numerous theoretical writings he authored, the book Formalized Music: Thought and Mathematics in Composition (French edition 1963, English translation 1971) is regarded as one of his most important. As an architect, Xenakis is primarily known for his early work under Le Corbusier: the Sainte Marie de La Tourette, on which the two architects collaborated, and the Philips Pavilion at Expo 58, which Xenakis designed by himself.