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πŸ”— Contiki – OS for networked, memory-constrained systems

πŸ”— Apple Inc. πŸ”— Computing πŸ”— Computing/Software

Contiki is an operating system for networked, memory-constrained systems with a focus on low-power wireless Internet of Things (IoT) devices. Extant uses for Contiki include systems for street lighting, sound monitoring for smart cities, radiation monitoring, and alarms. It is open-source software released under the BSD-3-Clause license.

Contiki was created by Adam Dunkels in 2002 and has been further developed by a worldwide team of developers from Texas Instruments, Atmel, Cisco, ENEA, ETH Zurich, Redwire, RWTH Aachen University, Oxford University, SAP, Sensinode, Swedish Institute of Computer Science, ST Microelectronics, Zolertia, and many others. Contiki gained popularity because of its built in TCP/IP stack and lightweight preemptive scheduling over event-driven kernel which is a very motivating feature for IoT. The name Contiki comes from Thor Heyerdahl's famous Kon-Tiki raft.

Contiki provides multitasking and a built-in Internet Protocol Suite (TCP/IP stack), yet needs only about 10 kilobytes of random-access memory (RAM) and 30 kilobytes of read-only memory (ROM). A full system, including a graphical user interface, needs about 30 kilobytes of RAM.

A new branch has recently been created, known as Contiki-NG: The OS for Next Generation IoT Devices

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πŸ”— Differential Power Analysis

πŸ”— Cryptography πŸ”— Cryptography/Computer science

In cryptography, power analysis is a form of side channel attack in which the attacker studies the power consumption of a cryptographic hardware device (such as a smart card, tamper-resistant "black box", or integrated circuit). The attack can non-invasively extract cryptographic keys and other secret information from the device.

Simple power analysis (SPA) involves visually interpreting power traces, or graphs of electrical activity over time. Differential power analysis (DPA) is a more advanced form of power analysis, which can allow an attacker to compute the intermediate values within cryptographic computations through statistical analysis of data collected from multiple cryptographic operations. SPA and DPA were introduced to the open cryptology community in 1998 by Paul Kocher, Joshua Jaffe and Benjamin Jun.

πŸ”— Wikipedia deletes entry on PBWiki, the biggest hosted competitor with 550,000 wikis

πŸ”— Companies

PBworks (formerly PBwiki) is a commercial real-time collaborative editing (RTCE) system created by David Weekly, with Ramit Sethi and Nathan Schmidt, who joined shortly thereafter as co-founders. Based in San Mateo, California, United States, the company operates on a freemium basis, offering basic features free of charge and more advanced features for a fee.

PBworks' investors include Mohr Davidow Ventures and the Seraph Group, as well as angel investors Ron Conway and Chris Yeh.

πŸ”— 75Β½ Bedford Street

πŸ”— New York City πŸ”— Architecture

75Β½ Bedford Street is a house located in the West Village neighborhood of New York City that is only 9 feet 6 inches (2.9 meters) wide. Built in 1873, it is often described as the narrowest house in New York. Its past tenants have included Edna St. Vincent Millay, Ann McGovern, cartoonist William Steig and anthropologist Margaret Mead. It is sometimes referred to as the Millay House, indicated by a plaque on the outside of the house. The house is located in the Greenwich Village Historic District, but is not an individually designated New York City Landmark.

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πŸ”— Late Capitalism

πŸ”— Economics πŸ”— Business πŸ”— Politics πŸ”— Socialism πŸ”— Sociology πŸ”— Capitalism πŸ”— Conservatism πŸ”— Politics/Liberalism

Late capitalism, late-stage capitalism, or end-stage capitalism is a term first used in print by German economist Werner Sombart around the turn of the 20th century. In the late 2010s, the term began to be used in the United States and Canada to refer to perceived absurdities, contradictions, crises, injustices, inequality, and exploitation created by modern business development.

Later capitalism refers to the historical epoch since 1940, including the post–World War II economic expansion called the "golden age of capitalism". The expression already existed for a long time in continental Europe, before it gained popularity in the English-speaking world through the English translation of Ernest Mandel's book Late Capitalism, published in 1975.

The German original edition of Mandel's work was subtitled in "an attempt at an explanation", meaning that Mandel tried to provide an orthodox Marxist explanation of the post-war epoch in terms of Marx's theory of the capitalist mode of production. Mandel suggested that important qualitative changes occurred within the capitalist system during and after World War II and that there are limits to capitalist development.

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πŸ”— Intelligent Disobedience

πŸ”— Dogs πŸ”— Psychology

Intelligent disobedience occurs where a service animal trained to help a disabled person goes directly against the owner's instructions in an effort to make a better decision. This behavior is a part of the dog's training and is central to a service animal's success on the job. The concept of intelligent disobedience has been in use and a common part of service animals' training since at least 1936.

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πŸ”— Stenotype

πŸ”— Technology πŸ”— Law πŸ”— Business πŸ”— Occupational Safety and Health

A stenotype, stenotype machine, shorthand machine or steno writer is a specialized chorded keyboard or typewriter used by stenographers for shorthand use. In order to pass the United States Registered Professional Reporter test, a trained court reporter or closed captioner must write speeds of approximately 180, 200, and 225 words per minute (wpm) at very high accuracy in the categories of literary, jury charge, and testimony, respectively. Some stenographers can reach 300 words per minute. The website of the California Official Court Reporters Association (COCRA) gives the official record for American English as 375 wpm.

The stenotype keyboard has far fewer keys than a conventional alphanumeric keyboard. Multiple keys are pressed simultaneously (known as "chording" or "stroking") to spell out whole syllables, words, and phrases with a single hand motion. This system makes real-time transcription practical for court reporting and live closed captioning. Because the keyboard does not contain all the letters of the English alphabet, letter combinations are substituted for the missing letters. There are several schools of thought on how to record various sounds, such as the StenEd, Phoenix, and Magnum Steno theories.

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πŸ”— The β€œTopgrading” Interview Process

πŸ”— Business

Topgrading is a corporate hiring and interviewing methodology that is intended to identify preferred candidates for a particular position. In the methodology, prospective employees undergo a 12-step process that includes extensive interviews, the creation of detailed job scorecards, research into job history, coaching, and more. After being interviewed and reference-checked, job candidates are grouped into one of three categories: A Players, B Players, or C Players. A Players have the most potential for high performance in their role while B and C Players may require more work to be successful. The methodology has been used by major corporations and organizations like General Electric, Lincoln Financial, Honeywell, Barclays, and the American Heart Association.

πŸ”— Antimacassar

πŸ”— Home Living

An antimacassar is a small cloth placed over the backs or arms of chairs, or the head or cushions of a sofa, to prevent soiling of the permanent fabric underneath. The name also refers to the cloth flap 'collar' on a sailor's shirt or top, used to keep macassar oil off the uniform.

Macassar oil was an unguent for the hair commonly used by men in the early 19th century, and reputed to have been manufactured from ingredients purchased in the port of Makassar in the Dutch East Indies. The poet Byron called it "thine incomparable oil, Macassar". The fashion for oiled hair became so widespread in the Victorian and the Edwardian period that housewives began to cover the arms and backs of their chairs with washable cloths to prevent the fabric coverings from being soiled. Around 1850, these started to be known as antimacassars. They were also installed in theatres, from 1865.

They came to have elaborate patterns, often in matching sets for the various items of parlour furniture; they were either made at home using a variety of techniques such as crochet or tatting, or purchased. The original antimacassars were usually made of stiff white crochet-work, but in the third quarter of the 19th century they became simpler and softer, usually fabric embroidered with a simple pattern in wool or silk.

By the beginning of the 20th century, antimacassars had become so associated in people's minds with the Victorian period that the word briefly became a figurative term for it. For example, antimacassars are suggestive of old-fashioned, Victorian-era women in Rebecca West's novel The Return of the Soldier.

Antimacassars are also used on the seat headrests of commercial passenger transport vehicles, such as trains, buses and, especially, aircraft, to prevent the transmission of hair dressings and conditions between passengers, simplify maintenance, and extend the life of fabrics.

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πŸ”— Parasocial Interaction

πŸ”— Psychology πŸ”— Sociology πŸ”— Media

Parasocial interaction (PSI) refers to a kind of psychological relationship experienced by an audience in their mediated encounters with performers in the mass media, particularly on television and on online platforms. Viewers or listeners come to consider media personalities as friends, despite having no or limited interactions with them. PSI is described as an illusionary experience, such that media audiences interact with personas (e.g., talk show hosts, celebrities, fictional characters, social media influencers) as if they are engaged in a reciprocal relationship with them. The term was coined by Donald Horton and Richard Wohl in 1956.

A parasocial interaction, an exposure that garners interest in a persona, becomes a parasocial relationship after repeated exposure to the media persona causes the media user to develop illusions of intimacy, friendship, and identification. Positive information learned about the media persona results in increased attraction, and the relationship progresses. Parasocial relationships are enhanced due to trust and self-disclosure provided by the media persona. Media users are loyal and feel directly connected to the persona, much as they are connected to their close friends, by observing and interpreting their appearance, gestures, voice, conversation, and conduct. Media personas have a significant amount of influence over media users, positive or negative, informing the way that they perceive certain topics or even their purchasing habits. Studies involving longitudinal effects of parasocial interactions on children are still relatively new, according to developmental psychologist Sandra L. Calvert.

Social media introduces additional opportunities for parasocial relationships to intensify because it provides more opportunities for intimate, reciprocal, and frequent interactions between the user and persona. These virtual interactions may involve commenting, following, liking, or direct messaging. The consistency in which the persona appears could also lead to a more intimate perception in the eyes of the user.

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