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πŸ”— Opposition to and problems with neckties

πŸ”— Military history πŸ”— Fashion

A necktie, or simply a tie, is a long piece of cloth, worn, usually by men, for decorative purposes around the neck, resting under the shirt collar and knotted at the throat.

Variants include the ascot, bow, bolo, zipper, cravat, and knit. The modern necktie, ascot, and bow tie are descended from the cravat. Neckties are generally unsized, but may be available in a longer size. In some cultures men and boys wear neckties as part of regular office attire or formal wear. Some women wear them as well but usually not as often as men. Neckties can also be worn as part of a uniform (e.g. military, school, waitstaff), whereas some choose to wear them as everyday clothing attire. Neckties are traditionally worn with the top shirt button fastened, and the tie knot resting between the collar points.

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πŸ”— 2001: A Space Odyssey

πŸ”— United States πŸ”— Film πŸ”— Library of Congress πŸ”— Film/American cinema πŸ”— United States/Film - American cinema πŸ”— Science Fiction πŸ”— Transhumanism πŸ”— Guild of Copy Editors πŸ”— Film/Core πŸ”— Film/British cinema πŸ”— Hertfordshire

2001: A Space Odyssey is a 1968 epic science fiction film produced and directed by Stanley Kubrick. The screenplay was written by Kubrick and science fiction author Arthur C. Clarke, and was inspired by Clarke's 1951 short story "The Sentinel" and other short stories by Clarke. Clarke also published a novelisation of the film, in part written concurrently with the screenplay, after the film's release. The film stars Keir Dullea, Gary Lockwood, William Sylvester, and Douglas Rain, and follows a voyage by astronauts, scientists and the sentient supercomputer HAL to Jupiter to investigate an alien monolith.

The film is noted for its scientifically accurate depiction of space flight, pioneering special effects, and ambiguous imagery. Kubrick avoided conventional cinematic and narrative techniques; dialogue is used sparingly, and there are long sequences accompanied only by music. The soundtrack incorporates numerous works of classical music, by composers including Richard Strauss, Johann Strauss II, Aram Khachaturian, and GyΓΆrgy Ligeti.

The film received diverse critical responses, ranging from those who saw it as darkly apocalyptic to those who saw it as an optimistic reappraisal of the hopes of humanity. Critics noted its exploration of themes such as human evolution, technology, artificial intelligence, and the possibility of extraterrestrial life. It was nominated for four Academy Awards, winning Kubrick the award for his direction of the visual effects. The film is now widely regarded as one of the greatest and most influential films ever made. In 1991, it was selected by the United States Library of Congress for preservation in the National Film Registry. In 2022, 2001: A Space Odyssey placed in the top ten of Sight & Sound's decennial critics' poll, and topped their directors' poll.

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πŸ”— Happy (Summer|Winter) Solstice - 11:28 Zulu time.

πŸ”— Physics πŸ”— Astronomy πŸ”— Time πŸ”— Holidays πŸ”— Festivals

A solstice is an event occurring when the Sun appears to reach its most northerly or southerly excursion relative to the celestial equator on the celestial sphere. Two solstices occur annually, around June 21 and December 21. In many countries, the seasons of the year are determined by reference to the solstices and the equinoxes.

The term solstice can also be used in a broader sense, as the day when this occurs. The day of a solstice in either hemisphere has either the most sunlight of the year (summer solstice) or the least sunlight of the year (winter solstice) for any place other than the Equator. Alternative terms, with no ambiguity as to which hemisphere is the context, are "June solstice" and "December solstice", referring to the months in which they take place every year.

The word solstice is derived from the Latin sol ("sun") and sistere ("to stand still"), because at the solstices, the Sun's declination appears to "stand still"; that is, the seasonal movement of the Sun's daily path (as seen from Earth) pauses at a northern or southern limit before reversing direction.

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πŸ”— Tennis for Two was an electronic game developed in 1958 on an analog computer

πŸ”— Video games πŸ”— Tennis

Tennis for Two (also known as Computer Tennis) is a sports video game, which simulates a game of tennis, and was one of the first games developed in the early history of video games. American physicist William Higinbotham designed the game in 1958 for display at the Brookhaven National Laboratory's annual public exhibition after learning that the government research institution's Donner Model 30 analog computer could simulate trajectories with wind resistance. He designed the game, displayed on an oscilloscope and played with two custom aluminum controllers, in a few hours, after which he and technician Robert V. Dvorak built it over three weeks. The game's visuals show a representation of a tennis court viewed from the side, and players adjust the angle of their shots with a knob on their controller and try to hit the ball over the net by pressing a button.

The game was very popular during the three-day exhibition, with players lining up to see the game, especially high school students. It was shown again the following year with a larger oscilloscope screen and a more complicated design that could simulate different gravity levels. It was then dismantled and largely forgotten until the late 1970s when Higinbotham testified in court about the game during lawsuits between Magnavox and Ralph H. Baer over video game patents. Since then, it has been celebrated as one of the earliest video games, and Brookhaven has made recreations of the original device. Under some definitions Tennis for Two is considered the first video game, as while it did not include any technological innovations over prior games, it was the first computer game to be created purely as an entertainment product rather than for academic research or commercial technology promotion.

πŸ”— ACTA will force border searches of laptops, smartphones for pirated content

πŸ”— United States/U.S. Government πŸ”— United States πŸ”— International relations πŸ”— Law πŸ”— Law Enforcement πŸ”— United States Public Policy πŸ”— Pirate Politics πŸ”— International relations/International law πŸ”— United States/U.S. Public Policy πŸ”— Trade

The Anti-Counterfeiting Trade Agreement (ACTA) was a proposed multilateral treaty for the purpose of establishing international standards for intellectual property rights enforcement. The agreement aims to establish an international legal framework for targeting counterfeit goods, generic medicines and copyright infringement on the Internet, and would create a new governing body outside existing forums, such as the World Trade Organization, the World Intellectual Property Organization, and the United Nations.

The agreement was signed in October 2011 by Australia, Canada, Japan, Morocco, New Zealand, Singapore, South Korea, and the United States. In 2012, Mexico, the European Union and 22 countries that are member states of the European Union signed as well. One signatory (Japan) has ratified (formally approved) the agreement, which would come into force in countries that ratified it after ratification by six countries.

Industrial groups with interests in copyright, trademarks and other types of intellectual property said that ACTA was a response to "the increase in global trade of counterfeit goods and pirated copyright protected works". Organizations such as the Motion Picture Association of America and International Trademark Association are understood to have had a significant influence over the ACTA agenda.

Organisations representing citizens and non-governmental interests argued that ACTA could infringe fundamental rights including freedom of expression and privacy. ACTA has also been criticised by Doctors Without Borders for endangering access to medicines in developing countries. The nature of negotiations was criticized as secretive and has excluded non-governmental organization, developing countries and the general public from the agreement's negotiation process and it has been described as policy laundering by critics including the Electronic Frontier Foundation and the Entertainment Consumers Association.

The signature of the EU and many of its member states resulted in widespread protests across Europe. European Parliament rapporteur Kader Arif resigned. His replacement, British MEP David Martin, recommended that the Parliament should reject ACTA, stating: "The intended benefits of this international agreement are far outweighed by the potential threats to civil liberties". On 4 July 2012, the European Parliament declined its consent, effectively rejecting it, 478 votes to 39, with 165 abstentions.

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πŸ”— Wikipedia: Signs of AI Writing

This is a list of phrases and formatting conventions typical of AI chatbots, such as ChatGPT, with real examples taken from Wikipedia articles and drafts. Note that not all text featuring the following indicators is AI-generated; large language models, which power AI-chatbots, have been trained on human writing, and humans might happen to have a writing style similar to that of an AI. Be cautious when relying on automated artificial intelligence detection software such as GPTZero. While these services perform better than random chance, they should not replace human judgment.

Beyond simply being indicators, the following phrasings and conventions often violate Wikipedia's Manual of Style or introduce a promotional or non-neutral tone; therefore appropriate use of AI chatbots on Wikipedia should not exhibit any of these indicators.

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πŸ”— Cagot: a persecuted and despised minority found in the west of France

πŸ”— France πŸ”— Basque

The Cagots (pronouncedΒ [ka.Ι‘o]) were a persecuted minority found in the west of France and northern Spain: the Navarrese Pyrenees, Basque provinces, BΓ©arn, AragΓ³n, Gascony and Brittany. Their name differed by province and the local language: Cagots, GΓ©zitains, Gahets, and Gafets in Gascony; Agotes, Agotak, and Gafos in Basque country; Capots in Anjou and Languedoc; and Cacons, Cahets, Caqueux, and Caquins in Brittany. Evidence of the group exists back as far as AD 1000.

Cagots were shunned and hated; while restrictions varied by time and place, they were typically required to live in separate quarters in towns, called cagoteries, which were often on the far outskirts of the villages. Cagots were excluded from all political and social rights. They were not allowed to marry non-Cagots, enter taverns, hold cabarets, use public fountains, sell food or wine, touch food in the market, work with livestock, or enter mills. They were allowed to enter a church only by a special door and, during the service, a rail separated them from the other worshippers. Either they were altogether forbidden to partake of the sacrament, or the Eucharist was given to them on the end of a wooden spoon, while a holy water stoup was reserved for their exclusive use. They were compelled to wear a distinctive dress to which, in some places, was attached the foot of a goose or duck (whence they were sometimes called "Canards"). So pestilential was their touch considered that it was a crime for them to walk the common road barefooted or to drink from the same cup as non-Cagots. The Cagots were often restricted to the trades of carpenter, butcher, and rope-maker.

The Cagots were not an ethnic nor a religious group. They spoke the same language as the people in an area and generally kept the same religion as well. Their only distinguishing feature was their descent from families long identified as Cagots. Few consistent reasons were given as to why they were hated; accusations varied from Cagots being cretins, lepers, heretics, cannibals, to simply being intrinsically evil. The Cagots did have a culture of their own, but very little of it was written down or preserved; as a result, almost everything that is known about them relates to their persecution. The repression lasted through the Middle Ages, Renaissance, and Industrial Revolution, with the prejudice fading only in the 19th and 20th centuries.

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πŸ”— Ada Lovelace

πŸ”— Biography πŸ”— Computing πŸ”— England πŸ”— Women πŸ”— Women scientists πŸ”— Biography/science and academia πŸ”— Biography/Royalty and Nobility πŸ”— Women's History

Augusta Ada King, Countess of Lovelace (nΓ©e Byron; 10 December 1815 – 27 November 1852) was an English mathematician and writer, chiefly known for her work on Charles Babbage's proposed mechanical general-purpose computer, the Analytical Engine. She was the first to recognise that the machine had applications beyond pure calculation, and published the first algorithm intended to be carried out by such a machine. As a result, she is sometimes regarded as the first to recognise the full potential of a "computing machine" and one of the first computer programmers.

Augusta Byron was the only legitimate child of poet Lord Byron and his wife Lady Byron. All of Byron's other children were born out of wedlock to other women. Byron separated from his wife a month after Ada was born and left England forever four months later. He commemorated the parting in a poem that begins, "Is thy face like thy mother's my fair child! ADA! sole daughter of my house and heart?". He died of disease in the Greek War of Independence when Ada was eight years old. Her mother remained bitter and promoted Ada's interest in mathematics and logic in an effort to prevent her from developing her father's perceived insanity. Despite this, Ada remained interested in Byron, naming her two sons Byron and Gordon. Upon her eventual death, she was buried next to him at her request. Although often ill in her childhood, Ada pursued her studies assiduously. She married William King in 1835. King was made Earl of Lovelace in 1838, Ada thereby becoming Countess of Lovelace.

Her educational and social exploits brought her into contact with scientists such as Andrew Crosse, Charles Babbage, Sir David Brewster, Charles Wheatstone, Michael Faraday and the author Charles Dickens, contacts which she used to further her education. Ada described her approach as "poetical science" and herself as an "Analyst (& Metaphysician)".

When she was a teenager, her mathematical talents led her to a long working relationship and friendship with fellow British mathematician Charles Babbage, who is known as "the father of computers". She was in particular interested in Babbage's work on the Analytical Engine. Lovelace first met him in June 1833, through their mutual friend, and her private tutor, Mary Somerville.

Between 1842 and 1843, Ada translated an article by Italian military engineer Luigi Menabrea on the calculating engine, supplementing it with an elaborate set of notes, simply called Notes. These notes contain what many consider to be the first computer programβ€”that is, an algorithm designed to be carried out by a machine. Other historians reject this perspective and point out that Babbage's personal notes from the years 1836/1837 contain the first programs for the engine. Lovelace's notes are important in the early history of computers. She also developed a vision of the capability of computers to go beyond mere calculating or number-crunching, while many others, including Babbage himself, focused only on those capabilities. Her mindset of "poetical science" led her to ask questions about the Analytical Engine (as shown in her notes) examining how individuals and society relate to technology as a collaborative tool.

She died of uterine cancer in 1852 at the age of 36.

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πŸ”— An-225

πŸ”— Aviation πŸ”— Soviet Union πŸ”— Russia πŸ”— Russia/technology and engineering in Russia πŸ”— Aviation/aircraft πŸ”— Ukraine

The Antonov An-225 Mriya (Ukrainian: Антонов Ан-225 ΠœΡ€Ρ–Ρ, lit. 'dream' or 'inspiration'; NATO reporting name: Cossack) is a strategic airlift cargo aircraft that was designed by the Antonov Design Bureau in the Ukrainian SSR within the Soviet Union during the 1980s. Originally, this unique aircraft was developed as an enlargement of the Antonov An-124 to transport Buran-class orbiters. After successfully fulfilling its Soviet military missions, it was mothballed for eight years. It was then refurbished and reintroduced into commercial operation with Antonov Airlines, carrying oversized payloads. While a second airframe with a slightly different configuration was partially built, construction was halted more than once due to a lack of funding and interest. This second aircraft was last brought up to 60–70% completion in 2009.

As an over sized aircraft the Antonov An-225 Mriya holds multiple records which include; heaviest aircraft ever built, and largest wingspan of any aircraft in operational service. Other records held by the An-225 are cargo related in terms of weight and length as the Antonov An-225 has the capability to carry up to 640 tonnes (705 short tons). The An-225 attracts a high degree of public interest, so much that it has managed to attain a global following due to its size and its uniqueness. People frequently visit airports to see its scheduled arrivals and departures.

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πŸ”— Atlantropa

πŸ”— Architecture

Atlantropa, also referred to as Panropa, was a gigantic engineering and colonisation idea devised by the German architect Herman SΓΆrgel in the 1920s and promoted by him until his death in 1952. Its central feature was a hydroelectric dam to be built across the Strait of Gibraltar, which would have provided enormous amounts of hydroelectricity and would have led to the lowering of the surface of the Mediterranean Sea by up to 200 metres (660Β ft), opening up large new lands for settlement, for example in the Adriatic Sea. The project proposed four additional major dams as well:

  • Across the Dardanelles to hold back the Black Sea
  • Between Sicily and Tunisia to provide a roadway and further lower the inner Mediterranean
  • On the Congo River below its Kwah River tributary to refill the Mega-Chad basin around Lake Chad providing fresh water to irrigate the Sahara and creating a shipping lane to the interior of Africa
  • Suez Canal extension and locks to maintain Red Sea connection

SΓΆrgel saw his scheme, projected to take over a century, as a peaceful European-wide alternative to the Lebensraum concepts that later became one of the stated reasons for Nazi Germany's conquest of new territories. Atlantropa would provide land and food, employment, electric power, and most of all, a new vision for Europe and neighbouring Africa.

The Atlantropa movement, through its several decades, was characterised by four constants:

  • Pacifism, in its promises of using technology in a peaceful way;
  • Pan-European sentiment, seeing the project as a way to unite a war-torn Europe;
  • Eurocentric attitudes to Africa (which was to become united with Europe into "Atlantropa" or Eurafrica), and
  • Neo-colonial geopolitics, which saw the world divided into three blocsβ€”America, Asia, and Atlantropa.

Active support was limited to architects and planners from Germany and a number of other primarily northern European countries. Critics derided it for various faults, ranging from lack of any cooperation of Mediterranean countries in the planning to the impacts it would have had on the historic coastal communities left stranded inland when the sea receded. The project reached great popularity in the late 1920s to the early 1930s, and for a short period again, in the late 1940s to the early 1950s, but soon disappeared from general discourse again after SΓΆrgel's death.

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