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🔗 Computing 🔗 Africa 🔗 Ancient Egypt 🔗 Novels 🔗 Novels/Science fiction 🔗 Science Fiction 🔗 Women writers 🔗 Egypt

The Mummy! A Tale of the Twenty-Second Century is an 1827 three-volume novel written by Jane Webb (later Jane C. Loudon). It concerns the Egyptian mummy of Cheops, who is brought back to life in the year 2126. The novel describes a future filled with advanced technology, and was the first English-language story to feature a reanimated mummy.

After her father's death, making her an orphan at the age of 17, Webb found that:

on the winding up of his affairs that it would be necessary to do something for my support. I had written a strange, wild novel, called the Mummy, in which I had laid the scene in the twenty-second century, and attempted to predict the state of improvement to which this country might possibly arrive.

She may have drawn inspiration from the general fashion for anything pharaonic, inspired by the French researches during the Napoleonic invasion of Egypt; the 1821 public unwrappings of Egyptian mummies in a theatre near Piccadilly, which she may have attended as a girl; and, very likely, the 1818 novel by Mary Shelley, Frankenstein; or, The Modern Prometheus. As Shelley had written of Frankenstein's creation, "A mummy again endued with animation could not be so hideous as that wretch," which may have triggered her later concept. In any case, at many points she deals in greater clarity with elements from the earlier book such as the loathing for the much-desired object and the immediate arrest for crime and attempt to lie one's way out of it. However, unlike the Frankenstein monster, the hideous revived Cheops is not shuffling around dealing out horror and death, but giving canny advice on politics and life to those who befriend him. In some ways The Mummy! may be seen as her reaction to themes in Frankenstein: her mummy specifically says he is allowed life only by divine favour, rather than being indisputably vivified only by mortal science, and so on, as Hopkins' 2003 essay covers in detail.

Unlike many early science fiction works (Shelley's The Last Man, and The Reign of King George VI, 1900–1925, written anonymously in 1763), Loudon did not portray the future as her own day with only political changes. She filled her world with foreseeable changes in technology, society, and even fashion. The hero, Edric Montague, lived in a peaceful and Catholic England under the rule of Queen Claudia. Her court ladies wear trousers and hair ornaments of controlled flame. Surgeons and lawyers may be steam-powered automatons. Air travel, by balloon, is commonplace. A kind of Internet is predicted in it. Besides trying to account for the revivification of the mummy in scientific terms—galvanic shock rather than incantations—"she embodied ideas of scientific progress and discovery, that now read like prophecies" to those later in the 19th century. Many of the incidents in the book can be seen as satirical or humorous. Her social attitudes have resulted in this book being ranked among feminist novels.

The Mummy!: Or a Tale of the Twenty-Second Century was published anonymously in 1827 by Henry Colburn in three volumes, as was usual in that day so that each small volume could be easily carried around. It drew many favourable reviews, including one in 1829 in The Gardener's Magazine on the inventions proposed in it. In 1830, the 46-year-old reviewer, John Claudius Loudon, sought out the 22-year-old Webb, and they married the next year.

🔗 Biography 🔗 Comedy 🔗 Poland

Stańczyk (c. 1480–1560) (Polish pronunciation: [ˈstaɲt͡ʂɨk]) was a Polish court jester, the most famous in Polish history. He was employed by three Polish kings: Alexander, Sigismund the Old and Sigismund Augustus.

🔗 United States 🔗 Politics 🔗 Spirits

Andrew Johnson was drunk when he made his inaugural address as Vice President of the United States on March 4, 1865. Multiple sources suggest Johnson had been drunk for at least a week prior, he drank heavily the night before the inauguration, and he consumed either three glasses of whisky or one glass of French brandy the morning of the ceremony. Witnesses variously described Johnson's speech as incoherent, inane, self-aggrandizing, repetitive, hostile, sloppy, and overly long. He kissed the Bible when he took the oath of office, and he was too drunk to administer the oath of office to incoming senators. The incident presaged some of Johnson's difficulties as chief executive when he succeeded to the presidency 42 days later, following the assassination of Abraham Lincoln.

🔗 Physics 🔗 Lists 🔗 Statistics 🔗 Astronomy 🔗 Time 🔗 Futures studies 🔗 Geology 🔗 Extinction 🔗 Solar System 🔗 Astronomy/Solar System

While the future can never be predicted with absolute certainty, present understanding in various scientific fields allows for the prediction of some far-future events, if only in the broadest outline. These fields include astrophysics, which has revealed how planets and stars form, interact, and die; particle physics, which has revealed how matter behaves at the smallest scales; evolutionary biology, which predicts how life will evolve over time; and plate tectonics, which shows how continents shift over millennia.

All projections of the future of Earth, the Solar System, and the universe must account for the second law of thermodynamics, which states that entropy, or a loss of the energy available to do work, must rise over time. Stars will eventually exhaust their supply of hydrogen fuel and burn out. Close encounters between astronomical objects gravitationally fling planets from their star systems, and star systems from galaxies.

Physicists expect that matter itself will eventually come under the influence of radioactive decay, as even the most stable materials break apart into subatomic particles. Current data suggest that the universe has a flat geometry (or very close to flat), and thus will not collapse in on itself after a finite time, and the infinite future allows for the occurrence of a number of massively improbable events, such as the formation of Boltzmann brains.

The timelines displayed here cover events from the beginning of the 11th millennium to the furthest reaches of future time. A number of alternative future events are listed to account for questions still unresolved, such as whether humans will become extinct, whether protons decay, and whether the Earth survives when the Sun expands to become a red giant.

🔗 United States 🔗 Germany 🔗 Ethnic groups 🔗 United States/Texas

The Texas Wends or Wends of Texas are a group of people descended from a congregation of 558 Sorbian/Wendish people under the leadership and pastoral care of John Kilian (Sorbian languages: Jan Kilian, German: Johann Killian) who emigrated from Lusatia (part of modern-day Germany) to Texas in 1854. The term also refers to the other emigrations (and all descendants) occurring before and after this group. However, none came close to the size or importance of the Wendish culture in Texas.

🔗 Ships

A sea anchor (also known as a parachute anchor, drift anchor, drift sock, para-anchor or boat brake) is a device that is streamed from a boat in heavy weather. Its purpose is to stabilize the vessel and to limit progress through the water. Rather than tethering the boat to the seabed with a conventional anchor, a sea anchor provides hydrodynamic drag, thereby acting as a brake. Normally attached to a vessel's bows, a sea anchor can prevent the vessel from turning broadside to the waves and being overwhelmed by them.

Early sea anchors were crude devices, but today most take the form of a marine drogue parachute. These are so efficient that they need a tripping line to collapse the parachute for retrieval. Being made of fabric, a sea parachute may be bagged and easily stowed when not in use.

A similar device to the sea anchor is the much smaller drogue, which is streamed from a vessel's stern in strong winds so as to slow the boat to prevent pitchpoling or broaching in an overtaking sea. The fundamental difference between the sea anchor and the drogue is that the drogue will slow the boat while keeping the heading steady, and is intended to be launched from the stern. The parachute anchor is designed to be launched from the bow and effectively stop the boat's progress relative to the current in an open sea.

🔗 Home Living

The Monobloc (From mono- (“one”) + bloc (“block”), meaning an object forged in a single piece) chair is a lightweight stackable polypropylene chair, usually white in colour, often described as the world's most common plastic chair.

Based on original designs by the Canadian designer D.C. Simpson in 1946, variants of the one-piece plastic chair went into production with Allibert Group and Grosfillex Group in the 1970s. They were inspired by the Chair Universal 4867 design by Joe Colombo in 1965, but no patents were filed for a monobloc chair design. Since then, millions have been manufactured in countries including Russia, Taiwan, Australia, Mexico, the United States, Italy, France, Germany, Morocco, Turkey, Israel, India and China. The Monobloc chair is named because it is injection moulded from thermoplastic polypropylene, the granules being heated to about 220 degrees Celsius, and the melt injected into a mold. The gate of the mould is usually located in the seat, so ensuring smooth flow to all parts of the tool.

Close to a billion Monoblocs have been sold in Europe alone, with one Italian manufacturer producing over ten million a year. Many design variants of the basic idea exist. The chairs cost approximately $3.50 to produce, making them affordable across the world. The stackable design aids setting up large gatherings and storage of the chairs afterwards. In developing countries with high population growth, monoblocs are used to seat thousands of church attendees at a time. Social theorist Ethan Zuckerman describes the chair as having achieved a cultural global ubiquity.

🔗 Internet culture 🔗 Medicine 🔗 Psychology 🔗 Electronic music 🔗 Neuroscience 🔗 Medicine/Neurology 🔗 Medicine/Society and Medicine 🔗 Albums

Everywhere at the End of Time is the eleventh recording by the Caretaker, an alias of English electronic musician Leyland Kirby. Released between 2016 and 2019, its six studio albums use degrading loops of sampled ballroom music to portray the progression of Alzheimer's disease. Inspired by the success of An Empty Bliss Beyond This World (2011), Kirby produced Everywhere as his final major work under the alias. The albums were produced in Krakow and released over six-month periods to "give a sense of time passing". The album covers are abstract paintings by his friend Ivan Seal. The series drew comparisons to the works of composer William Basinski and electronic musician Burial; later stages were influenced by avant-gardist composer John Cage.

The series comprises six hours of music, portraying a range of emotions and characterised by noise throughout. Although the first three stages are similar to An Empty Bliss, the last three stages depart from Kirby's earlier ambient works. The albums reflect the patient's disorder and death, their feelings, and the phenomenon of terminal lucidity. To promote the series, Kirby partnered with anonymous visual artist Weirdcore to make music videos. At first, concerned about whether the series would seem pretentious, Kirby thought of not creating Everywhere at all; he spent more time producing it than any of his other releases. The album covers received attention from a French art exhibition named after the Caretaker's Everywhere, an Empty Bliss (2019), a compilation of archived songs.

As each stage was released, the series received increasingly positive reviews from critics; its length and dementia-driven concept led many reviewers to feel emotional about the complete edition. Considered to be Kirby's magnum opus, Everywhere was one of the most praised music releases of the 2010s. Caregivers of people with dementia also praised the albums for increasing empathy for patients among younger listeners, although some medics felt the series was too linear. It became an Internet phenomenon in the early 2020s, emerging in TikTok videos as a listening challenge, being transformed into a mod for the video game Friday Night Funkin' (2020), and appearing in internet memes.

🔗 Physiology 🔗 Physiology/neuro

The majority of studies on sleep creativity have shown that sleep can facilitate insightful behavior and flexible reasoning, and there are several hypotheses about the creative function of dreams. On the other hand, a few recent studies have supported a theory of creative insomnia, in which creativity is significantly correlated with sleep disturbance.

🔗 Chemicals 🔗 Occupational Safety and Health 🔗 Food and drink 🔗 Rocks and minerals 🔗 Chemicals/Chemicals worklist

Borax, also known as sodium borate, sodium tetraborate, or disodium tetraborate, is an important boron compound, a mineral, and a salt of boric acid. Powdered borax is white, consisting of soft colorless crystals that dissolve in water. A number of closely related minerals or chemical compounds that differ in their crystal water content are referred to as borax, and the word is usually used to refer to the octahydrate. Commercially sold borax is partially dehydrated.

Borax is a component of many detergents, cosmetics, and enamel glazes. It is used to make buffer solutions in biochemistry, as a fire retardant, as an anti-fungal compound, in the manufacture of fiberglass, as a flux in metallurgy, neutron-capture shields for radioactive sources, a texturing agent in cooking, as a cross-linking agent in Slime, as an alkali in photographic developers, as a precursor for other boron compounds, and along with its inverse, boric acid, is useful as an insecticide.

In artisanal gold mining, borax is sometimes used as part of a process (as a flux) meant to eliminate the need for toxic mercury in the gold extraction process, although it cannot directly replace mercury. Borax was reportedly used by gold miners in parts of the Philippines in the 1900s.

Borax was first discovered in dry lake beds in Tibet and was imported via the Silk Road to the Arabian Peninsula in the 8th century AD. Borax first came into common use in the late 19th century when Francis Marion Smith's Pacific Coast Borax Company began to market and popularize a large variety of applications under the 20 Mule Team Borax trademark, named for the method by which borax was originally hauled out of the California and Nevada deserts.