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πŸ”— Collective Action Problem

πŸ”— Politics πŸ”— Psychology πŸ”— Sociology

A collective action problem or social dilemma is a situation in which all individuals would be better off cooperating but fail to do so because of conflicting interests between individuals that discourage joint action. The collective action problem has been addressed in political philosophy for centuries, but was most clearly established in 1965 in Mancur Olson's The Logic of Collective Action.

Problems arise when too many group members choose to pursue individual profit and immediate satisfaction rather than behave in the group's best long-term interests. Social dilemmas can take many forms and are studied across disciplines such as psychology, economics, and political science. Examples of phenomena that can be explained using social dilemmas include resource depletion and low voter turnout. The collective action problem can be understood through the analysis of game theory and the free-rider problem, which results from the provision of public goods. Additionally, the collective problem can be applied to numerous public policy concerns that countries across the world currently face.

πŸ”— Eric Roberts (Spy)

πŸ”— Biography πŸ”— Espionage πŸ”— Germany πŸ”— Military history πŸ”— Military history/Military biography πŸ”— Biography/military biography πŸ”— United Kingdom πŸ”— Military history/World War II

Eric Arthur Roberts (18 June 1907 – 17 or 18 December 1972) was an MI5 agent during the Second World War under the alias Jack King. By posing as a Gestapo agent and infiltrating fascist groups in the UK, Roberts was able to prevent secret information finding its way to Germany. Roberts continued to work for the security services after the war, particularly in Vienna, but it was a time of great anxiety in the services because of the suspicions surrounding double agents such as the Cambridge spy ring.

Roberts never felt completely accepted by MI5 because of his social background and a desk role did not suit him as well as his wartime role had. He is the subject of the biography Agent Jack (2018) by Robert Hutton, and his adventures were the inspiration for the novel Our Friends In Berlin by Anthony Quinn and for a major character in the novel Transcription by Kate Atkinson.

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πŸ”— Wall of Sound

πŸ”— Professional sound production πŸ”— Record Production πŸ”— The Beatles πŸ”— Pop music

The Wall of Sound (also called the Spector Sound) is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as "the Wrecking Crew". The intention was to exploit the possibilities of studio recording to create an unusually dense orchestral aesthetic that came across well through radios and jukeboxes of the era. Spector explained in 1964: "I was looking for a sound, a sound so strong that if the material was not the greatest, the sound would carry the record. It was a case of augmenting, augmenting. It all fit together like a jigsaw."

A popular misconception holds that the Wall of Sound was created simply through a maximum of noise and distortion, but the method was actually more nuanced. To attain the Wall of Sound, Spector's arrangements called for large ensembles (including some instruments not generally used for ensemble playing, such as electric and acoustic guitars), with multiple instruments doubling or tripling many of the parts to create a fuller, richer tone. For example, Spector often duplicated a part played by an acoustic piano with an electric piano and a harpsichord. Mixed well enough, the three instruments would then be indistinguishable to the listener.

Among other features of the sound, Spector incorporated an array of orchestral instruments (strings, woodwind, brass and percussion) not previously associated with youth-oriented pop music. Reverb from an echo chamber was also highlighted for additional texture. He characterized his methods as "a Wagnerian approach to rock & roll: little symphonies for the kids". The combination of large ensembles with reverberation effects also increased the average audio power in a way that resembles compression. By 1979, the use of compression had become common on the radio, marking the trend that led to the loudness war in the 1980s.

The intricacies of the technique were unprecedented in the field of sound production for popular music. According to Beach Boys leader Brian Wilson, who used the formula extensively: "In the '40s and '50s, arrangements were considered 'OK here, listen to that French horn' or 'listen to this string section now.' It was all a definite sound. There weren't combinations of sound and, with the advent of Phil Spector, we find sound combinations, whichβ€”scientifically speakingβ€”is a brilliant aspect of sound production."

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πŸ”— CDC 6600

πŸ”— Computing

The CDC 6600 was the flagship of the 6000 series of mainframe computer systems manufactured by Control Data Corporation. Generally considered to be the first successful supercomputer, it outperformed the industry's prior recordholder, the IBM 7030 Stretch, by a factor of three. With performance of up to threeΒ megaFLOPS, the CDC 6600 was the world's fastest computer from 1964 to 1969, when it relinquished that status to its successor, the CDC 7600.

The first CDC 6600s were delivered in 1965 to Livermore and Los Alamos. They quickly became a must-have system in high-end scientific and mathematical computing, with systems being delivered to Courant Institute of Mathematical Sciences, CERN, the Lawrence Radiation Laboratory, and many others. At least 100 were delivered in total.

A CDC 6600 is on display at the Computer History Museum in Mountain View, California. The only running CDC 6000 series machine has been restored by Living Computers: Museum + Labs.

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πŸ”— Culture-Bound Syndrome

πŸ”— Medicine πŸ”— Skepticism πŸ”— Anthropology πŸ”— Medicine/Psychiatry

In medicine and medical anthropology, a culture-bound syndrome, culture-specific syndrome, or folk illness is a combination of psychiatric and somatic symptoms that are considered to be a recognizable disease only within a specific society or culture. There are no objective biochemical or structural alterations of body organs or functions, and the disease is not recognized in other cultures. The term culture-bound syndrome was included in the fourth version of the Diagnostic and Statistical Manual of Mental Disorders (American Psychiatric Association, 1994) which also includes a list of the most common culture-bound conditions (DSM-IV: Appendix I). Counterpart within the framework of ICD-10 (Chapter V) are the culture-specific disorders defined in Annex 2 of the Diagnostic criteria for research.

More broadly, an endemic that can be attributed to certain behavior patterns within a specific culture by suggestion may be referred to as a potential behavioral epidemic. As in the cases of drug use, or alcohol and smoking abuses, transmission can be determined by communal reinforcement and person-to-person interactions. On etiological grounds, it can be difficult to distinguish the causal contribution of culture upon disease from other environmental factors such as toxicity.

πŸ”— New England's Dark Day

πŸ”— Meteorology πŸ”— Paranormal

New England's Dark Day occurred on May 19, 1780, when an unusual darkening of the day sky was observed over the New England states and parts of Canada. The primary cause of the event is believed to have been a combination of smoke from forest fires, a thick fog, and cloud cover. The darkness was so complete that candles were required from noon on. It did not disperse until the middle of the next night.

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πŸ”— 60% of medal of honor recipients are Irish or Irish-American

πŸ”— United States πŸ”— Biography πŸ”— Military history πŸ”— Military history/North American military history πŸ”— Military history/United States military history πŸ”— Lists πŸ”— Military history/World War I πŸ”— Military history/World War II πŸ”— Military history/American Civil War

The following is a list of Irish-American soldiers, sailors, airmen and Marines who were awarded the American military's highest decorationΒ β€” the Medal of Honor. The Medal of Honor is bestowed "for conspicuous gallantry and intrepidity at the risk of life, above and beyond the call of duty, in actual combat against an armed enemy force." The medal is awarded by the President of the United States on behalf of the Congress.

Of the 3,464 Medals of Honor awarded as of September 17, 2009, an estimated 2,021 (58%) have been awarded to Irish-American recipients, more than twice the number awarded any other ethnic group; 257 Irish-born Americans have received the Medal of Honor which represents more than half of foreign-born MOH recipients. A monument to these Irish-born Medal of Honor recipients is located at Valley Forge's Medal of Honor Grove; erected by the Ancient Order of Hibernians. The first Irish American to receive the Medal was Michael Madden, who received it for his actions in the American Civil War (Note that the earliest action for which the Medal of Honor was awarded was to Irish American U.S. Army Assistant Surgeon Bernard J.D. Irwin for the engagement at Apache Pass, February 1861. The award was made three decades after the event and after Madden's award).

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πŸ”— Game Oriented Assembly Lisp

πŸ”— Video games

Game Oriented Assembly Lisp (GOAL) is a programming language, a dialect of the language Lisp, made for video games developed by Andy Gavin and the Jak and Daxter team at the company Naughty Dog.

It was written using Allegro Common Lisp and used in the development of the entire Jak and Daxter series of games.

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πŸ”— How trains avoid colliding with each other

πŸ”— Trains πŸ”— Trains/Operations

Signalling block systems enable the safe and efficient operation of railways by preventing collisions between trains. The basic principle is that a route is broken up into a series of sections or "blocks". Only one train may occupy a block at a time, and the blocks are sized to allow a train to stop within them. That ensures that a train always has time to stop before getting dangerously close to another train on the same line. The block system is referred to in the UK as the method of working, in the US as the method of operation, and in Australia as safeworking.

In most situations, a system of signals is used to control the passage of trains between the blocks. When a train enters a block, signals at both ends change to indicate that the block is occupied, typically using red lamps or indicator flags. When a train first enters a block, the rear of the same train has not yet left the previous block, so both blocks are marked as occupied. That ensures there is slightly less than one block length on either end of the train that is marked as occupied, so any other train approaching that section will have enough room to stop in time, even if the first train has stopped dead on the tracks. The previously-occupied block will only be marked unoccupied when the end of the train has entirely left it, leaving the entire block clear.

Block systems have the disadvantage that they limit the number of trains on a particular route to something fewer than the number of blocks. Since the route has a fixed length, increasing the number of trains requires the creation of more blocks, which means the blocks are shorter and trains have to operate at lower speeds in order to stop safely. As a result, the number and size of blocks are closely related to the overall route capacity, and cannot be changed easily because expensive alterations to the signals along the line would be required.

Block systems are used to control trains between stations and yards, but not normally within the yards, where some other method is used. Any block system is defined by its associated physical equipment and by the application of a relevant set of rules. Some systems involve the use of signals while others do not. Some systems are specifically designed for single track railways, on which there is a danger of both head-on and rear-end collision, as opposed to double track, on which the main danger is rear-end collisions.

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πŸ”— Mechanical television

πŸ”— Television

Mechanical television or mechanical scan television is a television system that relies on a mechanical scanning device, such as a rotating disk with holes in it or a rotating mirror, to scan the scene and generate the video signal, and a similar mechanical device at the receiver to display the picture. This contrasts with modern television technology, which uses electronic scanning methods, for example electron beams in cathode ray tube (CRT) televisions, and liquid-crystal displays (LCD), to create and display the picture.

Mechanical-scanning methods were used in the earliest experimental television systems in the 1920s and 1930s. One of the first experimental wireless television transmissions was by John Logie Baird on November 25, 1925, in London. By 1928 many radio stations were broadcasting experimental television programs using mechanical systems. However the technology never produced images of sufficient quality to become popular with the public. Mechanical-scan systems were largely superseded by electronic-scan technology in the mid-1930s, which was used in the first commercially successful television broadcasts which began in the late 1930s in Great Britain.

A mechanical television receiver is also called a televisor in some countries.

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