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🔗 Climate change 🔗 Environment 🔗 Plants 🔗 Arctic 🔗 Palaeontology 🔗 Geology

The Azolla event is a scenario hypothesized to have occurred in the middle Eocene epoch, around 49 million years ago, when blooms of the freshwater fern Azolla are thought to have happened in the Arctic Ocean. As they sank to the stagnant sea floor, they were incorporated into the sediment; the resulting draw-down of carbon dioxide has been speculated to have helped transform the planet from a "greenhouse Earth" state, hot enough for turtles and palm trees to prosper at the poles, to the current icehouse Earth known as the Late Cenozoic Ice Age.

🔗 Environment 🔗 Disaster management 🔗 London 🔗 Ecology 🔗 River Thames

The Great Stink was an event in central London in July and August 1858 during which the hot weather exacerbated the smell of untreated human waste and industrial effluent that was present on the banks of the River Thames. The problem had been mounting for some years, with an ageing and inadequate sewer system that emptied directly into the Thames. The miasma from the effluent was thought to transmit contagious diseases, and three outbreaks of cholera before the Great Stink were blamed on the ongoing problems with the river.

The smell, and fears of its possible effects, prompted action from the local and national administrators who had been considering possible solutions for the problem. The authorities accepted a proposal from the civil engineer Joseph Bazalgette to move the effluent eastwards along a series of interconnecting sewers that sloped towards outfalls beyond the metropolitan area. Work on high-, mid- and low-level systems for the new Northern and Southern Outfall Sewers started at the beginning of 1859 and lasted until 1875. To aid the drainage, pumping stations were placed to lift the sewage from lower levels into higher pipes. Two of the more ornate stations, Abbey Mills in Stratford and Crossness on the Erith Marshes, are listed for protection by English Heritage. Bazalgette's plan introduced the three embankments to London in which the sewers ran—the Victoria, Chelsea and Albert Embankments.

Bazalgette's work ensured that sewage was no longer dumped onto the shores of the Thames and brought an end to the cholera outbreaks; his actions are thought to have saved more lives than the efforts of any other Victorian official. His sewer system operates into the 21st century, servicing a city that has grown to a population of over eight million. The historian Peter Ackroyd argues that Bazalgette should be considered a hero of London.

🔗 Buddhism 🔗 Japan 🔗 Japan/Culture 🔗 Japan/Religion

Hitsuzendō (筆禅道, "way of Zen through brush") is believed by Zen Buddhists to be a method of achieving samādhi (Japanese: 三昧 sanmai), which is a unification with the highest reality. Hitsuzendo refers specifically to a school of Japanese Zen calligraphy to which the rating system of modern calligraphy (well-proportioned and pleasing to the eye) is foreign. Instead, the calligraphy of Hitsuzendo must breathe with the vitality of eternal experience.

🔗 Military history 🔗 Classical Greece and Rome 🔗 Politics 🔗 Military history/Classical warfare

"Ceterum censeo Carthaginem esse delendam", or "Ceterum autem censeo Carthaginem esse delendam" (English: "Furthermore, I consider that Carthage must be destroyed"), often abbreviated to "Carthago delenda est" (English: "Carthage must be destroyed"), is a Latin oratorical phrase pronounced by Cato the Censor, a politician of the Roman Republic. The phrase originates from debates held in the Roman Senate prior to the Third Punic War (149–146 BC) between Rome and Carthage, where Cato is said to have used it as the conclusion to all his speeches in order to push for the war.

🔗 United States 🔗 Computing 🔗 Computing/Software 🔗 Computing/Free and open-source software 🔗 Plan 9 🔗 Computing/Networking

Inferno is a distributed operating system started at Bell Labs and now developed and maintained by Vita Nuova Holdings as free software. Inferno was based on the experience gained with Plan 9 from Bell Labs, and the further research of Bell Labs into operating systems, languages, on-the-fly compilers, graphics, security, networking and portability. The name of the operating system and many of its associated programs, as well as that of the current company, were inspired by Dante Alighieri's Divine Comedy. Interestingly, in Italian, Inferno means "hell" — of which there are nine circles in Dante's Divine Comedy.

🔗 England 🔗 English Royalty

The Groom of the Stool (formally styled: "Groom of the King's Close Stool") was the most intimate of an English monarch's courtiers, responsible for assisting the king in excretion and ablution.

The physical intimacy of the role naturally led to his becoming a man in whom much confidence was placed by his royal master and with whom many royal secrets were shared as a matter of course. This secret information—while it would never have been revealed, for it would have led to the discredit of his honour—in turn led to his becoming feared and respected and therefore powerful within the royal court in his own right. The office developed gradually over decades and centuries into one of administration of the royal finances, and under Henry VII, the Groom of the Stool became a powerful official involved in setting national fiscal policy, under the "chamber system".

Later, the office was renamed Groom of the Stole. The Tudor historian David Starkey classes this change as classic Victorianism: "When the Victorians came to look at this office, they spelt it s-t-o-l-e, and imagined all kinds of fictions about elaborate robes draped around the neck of the monarch at the coronation;" however, the change is in fact seen as early as the 17th century.

🔗 Law 🔗 Lists

A 999-year lease, under historic common law, is an essentially permanent lease of property. The lease locations are mainly in Britain, its former colonies, and the Commonwealth.

A former colony, the Republic of Mauritius (The Raphael Fishing Company Ltd v. The State of Mauritius & Anor (Mauritius) [2008] UKPC 43 (30 July 2008)) established legal precedent on 30 July 2008 in respect of a 'permanent lease' on St. Brandon.

🔗 Trains

The symmetry minute is a significant time point in the clock face timetables used by many public transport operators. At this point in the cycle, a train in a clock-face timetable meets its counterpart travelling in the opposite direction on the same line. If this crossing time is constant across a network, connecting times between lines are kept consistent in both directions.

At the symmetry time, the timetable is mirrored in both directions. At the ends of the line, the center of the turnaround time coincides with the symmetry minute. The distance between two consecutive symmetry times is equal to half the cycle time, so on an hourly schedule, opposite trains on the same line cross every 30 minutes. On a two-hour cycle, there is a symmetry time every hour.

In principle, a train-encounter can be set at any time. However, at the transition between two networks or lines, it is expedient to set uniform symmetry minutes, to create a symmetrical connection relation. For the long-distance cycle systems of ÖBB and SBB, the Forschungsgesellschaft für Straßen- und Verkehrswesen für Deutschland (Research Association for Roads and Traffic for Germany) recommends minute 58, so a four-minute minimum connecting time results in a departure at minute 0. Meanwhile, most railways in Central Europe and a number of other transport operators have established the symmetry minute 58½, for a three-minute hold time before a departure at minute 0. Shorter cycles have additional symmetry minutes, shifted by half the cycle time. So an hourly cycle has symmetries at minutes 28½ and 58½, a 30-minute cycle has symmetries at minutes 13½, 28½, 43½ and 58½, and so on.

The following table shows the departure times in opposite directions for an hourly cycle, using the 58½ symmetry minute (the most common in Central Europe). The other departure times for shorter cycles can be calculated from it. The last line gives the meeting times.

🔗 Computing

OpenMusic (OM) is an object-oriented visual programming environment for musical composition based on Common Lisp. It may also be used as an all-purpose visual interface to Lisp programming. At a more specialized level, a set of provided classes and libraries make it a very convenient environment for music composition.

🔗 Skepticism 🔗 Alternative Views 🔗 Archaeology 🔗 Paranormal

An out-of-place artifact (OOPArt) is an artifact of historical, archaeological, or paleontological interest found in an unusual context, which challenges conventional historical chronology by its presence in that context. Such artifacts may appear "too advanced" for the technology known to have existed at the time, or may suggest human presence at a time before humans are known to have existed. Other examples may suggest contact between different cultures that is hard to account for with conventional historical understanding.

The term is used in fringe science such as cryptozoology, as well as by proponents of ancient astronaut theories, young Earth creationists, and paranormal enthusiasts. It can describe a wide variety of objects, from anomalies studied by mainstream science to pseudoarchaeology far outside the mainstream to objects that have been shown to be hoaxes or to have mundane explanations.

Critics argue that most purported OOPArts which are not hoaxes are the result of mistaken interpretation and wishful thinking, such as a mistaken belief that a particular culture could not have created an artifact or technology due to a lack of knowledge or materials. In some cases, the uncertainty results from inaccurate descriptions. For example, the Wolfsegg Iron was said to be a perfect cube, but in fact it is not; the Klerksdorp spheres were said to be perfect spheres, but they are not. The Iron pillar of Delhi was said to be "rust proof", but it has some rust near its base; its relative resistance to corrosion is due to slag inclusions left over from the manufacturing conditions and environmental factors.

Supporters regard OOPArts as evidence that mainstream science is overlooking huge areas of knowledge, either willfully or through ignorance. Many writers or researchers who question conventional views of human history have used purported OOPArts in attempts to bolster their arguments. Creation science often relies on allegedly anomalous finds in the archaeological record to challenge scientific chronologies and models of human evolution. Claimed OOPArts have been used to support religious descriptions of prehistory, ancient astronaut theories, and the notion of vanished civilizations that possessed knowledge or technology more advanced than that known in modern times.