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Everybody Draw Mohammed Day (or Draw Mohammed Day) was a 2010 event in support of artists threatened with violence for drawing representations of the Islamic prophet Muhammad. It stemmed from a protest against censorship of the American television show South Park episode "201", led by the show's distributor Comedy Central, in response to death threats that had been made against some of those responsible for two segments broadcast in April 2010. A drawing representing Mohammed was posted on the Internet on April 20, 2010, with a message suggesting that "everybody" create a drawing depicting Mohammad on May 20 in support of free speech.

U.S. cartoonist Molly Norris of Seattle, Washington created the artwork in reaction to Internet death threats that had been made against animators Trey Parker and Matt Stone for depicting Muhammad in an episode of South Park. Postings on RevolutionMuslim.com (under the pen name Abu Talha al-Amrikee; later identified as Zachary Adam Chesser) had said that Parker and Stone could wind up like Theo van Gogh, a Dutch filmmaker who was stabbed and shot to death.

Norris claimed that, if people draw pictures of Muhammad, radical Islamist terrorists would not be able to murder them all, and threats to do so would become unrealistic. Within a week, Norris' idea became popular on Facebook, was supported by numerous bloggers, and generated coverage on the blog websites of major U.S. newspapers. As the publicity mounted, Norris and the man who created the first Facebook page promoting the May 20 event disassociated themselves from it. Nonetheless, planning for the protest continued with others "taking up the cause". Facebook had an "Everybody Draw Mohammed Day" page, which grew to over 100,000 participants (101,870 members by May 20). A protest page on Facebook against the initiative named "Against ‘Everybody Draw Mohammed Day'" attracted slightly more supporters (106,000 by May 20). Subsequently, Facebook was temporarily blocked by Pakistan; the ban was lifted after Facebook agreed to block the page for users in India and Pakistan.

In the media, Everybody Draw Mohammed Day attracted support from commentators who felt that the campaign represented important issues of freedom of speech, and the need to stand up for this freedom.

Ligne claire (French for "clear line", pronounced [liɲ klɛʁ]; Dutch: klare lijn) is a style of drawing created and pioneered by Hergé, the Belgian creator of The Adventures of Tintin. It uses clear strong lines sometimes of varied width and no hatching, while contrast is downplayed as well. Cast shadows are often illuminated, and the style often features strong colours and a combination of cartoonish characters against a realistic background. All these elements together can result in giving comics drawn this way a flat aspect. The name was coined by Joost Swarte in 1977.

Potrzebie (; Polish pronunciation: [pɔtˈʂɛbʲe] dative/locative of potrzeba, "a need") is a Polish word popularized by its non sequitur use as a running gag in the early issues of Mad not long after the comic book began in 1952.

Stan Lee (born Stanley Martin Lieber ; December 28, 1922 – November 12, 2018) was an American comic book writer, editor, publisher, and producer. He rose through the ranks of a family-run business to become Marvel Comics' primary creative leader for two decades, leading its expansion from a small division of a publishing house to a multimedia corporation that dominated the comics industry.

In collaboration with others at Marvel—particularly co-writer/artists Jack Kirby and Steve Ditko—he co-created numerous popular fictional characters, including superheroes Spider-Man, the X-Men, Iron Man, Thor, the Hulk, Black Widow, the Fantastic Four, Black Panther, Daredevil, Doctor Strange, Scarlet Witch and Ant-Man. In doing so, he pioneered a more naturalistic approach to writing superhero comics in the 1960s, and in the 1970s he challenged the restrictions of the Comics Code Authority, indirectly leading to changes in its policies. In the 1980s he pursued the development of Marvel properties in other media, with mixed results. Following his retirement from Marvel in the 1990s, he remained a public figurehead for the company, and frequently made cameo appearances in films and television shows based on Marvel characters, on which he received an executive producer credit. Meanwhile, he continued independent creative ventures into his 90s, until his death in 2018.

Lee was inducted into the comic book industry's Will Eisner Award Hall of Fame in 1994 and the Jack Kirby Hall of Fame in 1995. He received the NEA's National Medal of Arts in 2008.

Superman: The New Superman Adventures, commonly referred to as Superman 64, is an action-adventure game developed and published by Titus Interactive for the Nintendo 64 and based on the television series Superman: The Animated Series. Released in North America on May 31, 1999, and in Europe on July 23, 1999, it is the first 3D Superman game.

In the game, Lex Luthor has trapped Jimmy Olsen, Lois Lane, and Professor Hamilton in a virtual reality version of Metropolis that he created with the help of Brainiac, leaving it up to Superman to save them and break apart the virtual world. The game shifts between outdoor levels where the player flies through rings while saving civilians, and indoor levels where the player looks for access cards, activates computers, and fights villains such as Brainiac, Mala, Metallo, Darkseid, and Parasite.

The development of Superman began in 1997 and was largely hampered by constraints between Titus and the game's licensors, Warner Bros. and DC Comics, leaving little room for polishing the gameplay. BlueSky Software attempted to redo the game for the PlayStation, but this version was ultimately canceled, as Titus's license with Warner Bros. had expired by the time it was completed. With three E3 presentations and positive press coverage before its release, Superman 64 was released to strong sales and positive consumer reception; however, critical reviews were extremely negative, claiming it to be one of the worst video games ever made and panning its unresponsive controls, technical flaws, repetitive gameplay, overuse of distance fog, and poor graphics.

"Cow tools" is a cartoon from The Far Side by American cartoonist Gary Larson, published in October 1982. It depicts a cow standing behind a table of bizarre, misshapen implements with the caption "cow tools". The cartoon confused many readers, who wrote or phoned in seeking an explanation of the joke. In response to the controversy, Larson issued a press release clarifying that the thrust of the cartoon was simply that, if a cow were to make tools, they would "lack something in sophistication". It has been described as "arguably the most loathed Far Side strip ever" while also becoming a popular internet meme.

A thagomizer () is the distinctive arrangement of four spikes on the tails of stegosaurine dinosaurs. These spikes are believed to have been a defensive measure against predators.

The arrangement of spikes originally had no distinct name; cartoonist Gary Larson invented the name "thagomizer" in 1982 as a joke in his comic strip The Far Side, and it was gradually adopted as an informal term used within scientific circles, research, and education.

The Dilbert principle is a concept in management developed by Scott Adams, creator of the comic strip Dilbert, which states that companies tend to systematically promote incompetent employees to management to get them out of the workflow. The Dilbert principle is inspired by the Peter principle, which holds that employees are promoted based on success in their current position until they reach their "level of incompetence" and are no longer promoted. Under the Dilbert principle, employees who were never competent are promoted to management to limit the damage they can do. Adams first explained the principle in a 1995 Wall Street Journal article, and expanded upon it in his 1996 business book The Dilbert Principle.

Understanding Comics: The Invisible Art is a 1993 non-fiction work of comics by American cartoonist Scott McCloud. It explores formal aspects of comics, the historical development of the medium, its fundamental vocabulary, and various ways in which these elements have been used. It expounds theoretical ideas about comics as an art form and medium of communication, and is itself written in comic book form.

Understanding Comics received praise from notable comic and graphic novel authors such as Art Spiegelman, Will Eisner, Alan Moore, Neil Gaiman, and Garry Trudeau (who reviewed the book for the New York Times). Although the book has prompted debate over many of McCloud’s conclusions, its discussions of "iconic" art and the concept of "closure" between panels have become common reference points in discussions of the medium.

The title of Understanding Comics is an homage to Marshall McLuhan's seminal 1964 work Understanding Media.