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The Scottish play and the Bard's play are euphemisms for William Shakespeare's Macbeth. The first is a reference to the play's Scottish setting, the second a reference to Shakespeare’s popular nickname. According to a theatrical superstition, called the Scottish curse, speaking the name Macbeth inside a theatre, other than as called for in the script while rehearsing or performing, will cause disaster. A variation of the superstition also forbids quoting lines from the play within a theatre except as part of an actual rehearsal or performance of the play.

Because of this superstition, the lead character is often referred to as the Scottish King or Scottish Lord. Lady Macbeth is often referred to as the Scottish Lady. Sometimes Mackers or MacB is used to avoid saying the name.

R.U.R. is a 1920 science-fiction play by the Czech writer Karel Čapek. "R.U.R." stands for Rossumovi Univerzální Roboti (Rossum's Universal Robots, a phrase that has been used as a subtitle in English versions). The play had its world premiere on 2 January 1921 in Hradec Králové; it introduced the word "robot" to the English language and to science fiction as a whole. R.U.R. soon became influential after its publication. By 1923 it had been translated into thirty languages. R.U.R. was successful in its time in Europe and North America. Čapek later took a different approach to the same theme in his 1936 novel War with the Newts, in which non-humans become a servant-class in human society.

In the theatre of ancient Greece, the eirôn (Ancient Greek: εἴρων) was one of three stock characters in comedy. The eirôn usually succeeded in bringing down his braggart opponent (the alazôn) by understating his own abilities.