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A True Story (Ancient Greek: Ἀληθῆ διηγήματα, Alēthē diēgēmata; Latin: Vera Historia or Latin: Verae Historiae) is a novel written in the second century AD by Lucian of Samosata, a Greek-speaking author of Assyrian descent. The novel is a satire of outlandish tales which had been reported in ancient sources, particularly those which presented fantastic or mythical events as if they were true. It is Lucian's best-known work.

It is the earliest known work of fiction to include travel to outer space, alien lifeforms, and interplanetary warfare. As such, A True Story has been described as "the first known text that could be called science fiction". However the work does not fit into typical literary genres: its multilayered plot and characters have been interpreted as science fiction, fantasy, satire or parody, and have been the subject of much scholarly debate.

"The Last Question" is a science fiction short story by American writer Isaac Asimov. It first appeared in the November 1956 issue of Science Fiction Quarterly and was anthologized in the collections Nine Tomorrows (1959), The Best of Isaac Asimov (1973), Robot Dreams (1986), The Best Science Fiction of Isaac Asimov (1986), the retrospective Opus 100 (1969), and in Isaac Asimov: The Complete Stories, Vol. 1 (1990). While he also considered it one of his best works, “The Last Question” was Asimov's favorite short story of his own authorship, and is one of a loosely connected series of stories concerning a fictional computer called Multivac. Asimov's Three Laws of Robotics, which were first formulated in 1940, outline the criteria for robotic existence in relation to humans. Humanity's relationship to Multivac is questioned on the subject of entropy. The story overlaps science fiction, theology, and philosophy.  

" '—All You Zombies—' " is a science fiction short story by American writer Robert A. Heinlein. It was written in one day, July 11, 1958, and first published in the March 1959 issue of Fantasy and Science Fiction magazine after being rejected by Playboy.

The story involves a number of paradoxes caused by time travel. In 1980, it was nominated for the Balrog Award for short fiction.

"'—All You Zombies—'" further develops themes explored by the author in a previous work: "By His Bootstraps", published some 18 years earlier. Some of the same elements also appear later in The Cat Who Walks Through Walls (1985), including the Circle of Ouroboros and the Temporal Corps.

The unusual title of the story, which includes both the quotation marks and dashes shown above, is a quotation from a sentence near the end of the story; the quotation is taken from the middle of the sentence, hence the dashes indicating edited text before and after the title.

The Mummy! A Tale of the Twenty-Second Century is an 1827 three-volume novel written by Jane Webb (later Jane C. Loudon). It concerns the Egyptian mummy of Cheops, who is brought back to life in the year 2126. The novel describes a future filled with advanced technology, and was the first English-language story to feature a reanimated mummy.

After her father's death, making her an orphan at the age of 17, Webb found that:

on the winding up of his affairs that it would be necessary to do something for my support. I had written a strange, wild novel, called the Mummy, in which I had laid the scene in the twenty-second century, and attempted to predict the state of improvement to which this country might possibly arrive.

She may have drawn inspiration from the general fashion for anything pharaonic, inspired by the French researches during the Napoleonic invasion of Egypt; the 1821 public unwrappings of Egyptian mummies in a theatre near Piccadilly, which she may have attended as a girl; and, very likely, the 1818 novel by Mary Shelley, Frankenstein; or, The Modern Prometheus. As Shelley had written of Frankenstein's creation, "A mummy again endued with animation could not be so hideous as that wretch," which may have triggered her later concept. In any case, at many points she deals in greater clarity with elements from the earlier book such as the loathing for the much-desired object and the immediate arrest for crime and attempt to lie one's way out of it. However, unlike the Frankenstein monster, the hideous revived Cheops is not shuffling around dealing out horror and death, but giving canny advice on politics and life to those who befriend him. In some ways The Mummy! may be seen as her reaction to themes in Frankenstein: her mummy specifically says he is allowed life only by divine favour, rather than being indisputably vivified only by mortal science, and so on, as Hopkins' 2003 essay covers in detail.

Unlike many early science fiction works (Shelley's The Last Man, and The Reign of King George VI, 1900–1925, written anonymously in 1763), Loudon did not portray the future as her own day with only political changes. She filled her world with foreseeable changes in technology, society, and even fashion. The hero, Edric Montague, lived in a peaceful and Catholic England under the rule of Queen Claudia. Her court ladies wear trousers and hair ornaments of controlled flame. Surgeons and lawyers may be steam-powered automatons. Air travel, by balloon, is commonplace. A kind of Internet is predicted in it. Besides trying to account for the revivification of the mummy in scientific terms—galvanic shock rather than incantations—"she embodied ideas of scientific progress and discovery, that now read like prophecies" to those later in the 19th century. Many of the incidents in the book can be seen as satirical or humorous. Her social attitudes have resulted in this book being ranked among feminist novels.

The Mummy!: Or a Tale of the Twenty-Second Century was published anonymously in 1827 by Henry Colburn in three volumes, as was usual in that day so that each small volume could be easily carried around. It drew many favourable reviews, including one in 1829 in The Gardener's Magazine on the inventions proposed in it. In 1830, the 46-year-old reviewer, John Claudius Loudon, sought out the 22-year-old Webb, and they married the next year.

Dune: The Butlerian Jihad is a 2002 science fiction novel by Brian Herbert and Kevin J. Anderson, set in the fictional Dune universe created by Frank Herbert. It is the first book in the Legends of Dune prequel trilogy, which takes place over 10,000 years before the events of Frank Herbert's celebrated 1965 novel Dune. The series chronicles the fictional Butlerian Jihad, a crusade by the last free humans in the universe against the thinking machines, a violent and dominating force led by the sentient computer Omnius.

Dune: The Butlerian Jihad rose to #7 on The New York Times Best Seller list in its second week of publication.

The Invincible (Polish: Niezwyciężony) is a hard science fiction novel by Polish writer Stanisław Lem, published in 1964.

The Invincible originally appeared as the title story in Lem's collection Niezwyciężony i inne opowiadania ("The Invincible and Other Stories"). A translation into German was published in 1967; an English translation by Wendayne Ackerman, based on the German one, was published in 1973. A direct translation into English from Polish, by Bill Johnston, was published in 2006.

It was one of the first novels to explore the ideas of microrobots/smartdust/etc., artificial swarm intelligence and "necroevolution", a term suggested by Lem for evolution of non-living matter.

"The Machine Stops" is a science fiction short story (12,300 words) by E. M. Forster. After initial publication in The Oxford and Cambridge Review (November 1909), the story was republished in Forster's The Eternal Moment and Other Stories in 1928. After being voted one of the best novellas up to 1965, it was included that same year in the populist anthology Modern Short Stories. In 1973 it was also included in The Science Fiction Hall of Fame, Volume Two.

The story, set in a world where humanity lives underground and relies on a giant machine to provide its needs, predicted technologies similar to instant messaging and the Internet.

Last and First Men: A Story of the Near and Far Future is a "future history" science fiction novel written in 1930 by the British author Olaf Stapledon. A work of unprecedented scale in the genre, it describes the history of humanity from the present onwards across two billion years and eighteen distinct human species, of which our own is the first. The book employs a narrative conceit that, under subtle inspiration, the novelist has unknowingly been dictated a channelled text from the last human species.

Stapledon's conception of history is based on the Hegelian Dialectic, following a repetitive cycle with many varied civilisations rising from and descending back into savagery over millions of years, but it is also one of progress, as the later civilisations rise to far greater heights than the first. The book anticipates the science of genetic engineering, and is an early example of the fictional supermind; a consciousness composed of many telepathically linked individuals.

In 1932, Stapledon followed Last and First Men with the far less acclaimed Last Men in London. Another Stapledon novel, Star Maker (1937), could also be considered a sequel to Last and First Men (mentioning briefly man's evolution on Neptune), but is even more ambitious in scope, being a history of the entire universe.

It is the 11th title in the SF Masterworks series.

"The Toynbee Convector" is a science fiction short story by American writer Ray Bradbury. First published in Playboy magazine in 1984, the story was subsequently featured in a 1988 short story collection also titled The Toynbee Convector.

A Canticle for Leibowitz is a post-apocalyptic science fiction novel by American writer Walter M. Miller Jr., first published in 1959. Set in a Catholic monastery in the desert of the southwestern United States after a devastating nuclear war, the book spans thousands of years as civilization rebuilds itself. The monks of the Albertian Order of Leibowitz preserve the surviving remnants of man's scientific knowledge until the world is again ready for it.

The novel is a fixup of three short stories Miller published in The Magazine of Fantasy & Science Fiction that were inspired by the author's participation in the bombing of the monastery at the Battle of Monte Cassino during World War II. The book is considered one of the classics of science fiction and has never been out of print. Appealing to mainstream and genre critics and readers alike, it won the 1961 Hugo Award for best science fiction novel, and its themes of religion, recurrence, and church versus state have generated a significant body of scholarly research. A sequel, Saint Leibowitz and the Wild Horse Woman, was published posthumously in 1997.