Topic: Classical Greece and Rome (Page 4)

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🔗 Band-e Kaisar – “Caesar's dam”‎‎

🔗 Iran 🔗 Classical Greece and Rome 🔗 Dams 🔗 Bridges and Tunnels

The Band-e Kaisar (Persian: بند قیصر, "Caesar's dam"‎), Pol-e Kaisar ("Caesar's bridge"), Bridge of Valerian or Shadirwan was an ancient arch bridge in Shushtar, Iran, and the first in the country to combine it with a dam. Built by the Sassanids, using Roman prisoners of war as workforce, in the 3rd century AD on Sassanid order, it was also the most eastern example of Roman bridge design and Roman dam, lying deep in Persian territory. Its dual-purpose design exerted a profound influence on Iranian civil engineering and was instrumental in developing Sassanid water management techniques.

The approximately 500 m long overflow dam over the Karun, Iran's most effluent river, was the core structure of the Shushtar Historical Hydraulic System (سازه‌های آبی شوشتر) from which the city derived its agricultural productivity, and which has been designated by the UNESCO as Iran's 10th World Heritage Site in 2009. The arched superstructure carried across the important road between Pasargadae and the Sassanid capital Ctesiphon. Many times repaired in the Islamic period, the dam bridge remained in use until the late 19th century.

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🔗 Lycurgus Cup

🔗 London 🔗 British Museum 🔗 Classical Greece and Rome 🔗 History of Science 🔗 Archaeology 🔗 Visual arts 🔗 Glass

The Lycurgus Cup is a 4th-century Roman glass cage cup made of a dichroic glass, which shows a different colour depending on whether or not light is passing through it: red when lit from behind and green when lit from in front. It is the only complete Roman glass object made from this type of glass, and the one exhibiting the most impressive change in colour; it has been described as "the most spectacular glass of the period, fittingly decorated, which we know to have existed".

The cup is also a very rare example of a complete Roman cage-cup, or diatretum, where the glass has been painstakingly cut and ground back to leave only a decorative "cage" at the original surface-level. Many parts of the cage have been completely undercut. Most cage-cups have a cage with a geometric abstract design, but here there is a composition with figures, showing the mythical King Lycurgus, who (depending on the version) tried to kill Ambrosia, a follower of the god Dionysus (Bacchus to the Romans). She was transformed into a vine that twined around the enraged king and restrained him, eventually killing him. Dionysus and two followers are shown taunting the king. The cup is the "only well-preserved figural example" of a cage cup.

The dichroic effect is achieved by making the glass with tiny proportions of nanoparticles of gold and silver dispersed in colloidal form throughout the glass material. The process used remains unclear, and it is likely that it was not well understood or controlled by the makers, and was probably discovered by accidental "contamination" with minutely ground gold and silver dust. The glass-makers may not even have known that gold was involved, as the quantities involved are so tiny; they may have come from a small proportion of gold in any silver added (most Roman silver contains small proportions of gold), or from traces of gold or gold leaf left by accident in the workshop, as residue on tools, or from other work. The very few other surviving fragments of Roman dichroic glass vary considerably in their two colours.

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🔗 Laconic Phrase

🔗 Classical Greece and Rome 🔗 Linguistics

A laconic phrase or laconism is a concise or terse statement, especially a blunt and elliptical rejoinder. It is named after Laconia, the region of Greece including the city of Sparta, whose ancient inhabitants had a reputation for verbal austerity and were famous for their blunt and often pithy remarks.

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🔗 Aristotle's Views on Women

🔗 Philosophy 🔗 Classical Greece and Rome 🔗 Greece 🔗 Philosophy/Social and political philosophy 🔗 Women's History 🔗 Philosophy/Ancient philosophy

Aristotle's views on women influenced later Western thinkers, as well as Islamic thinkers, who quoted him as an authority until the end of the Middle Ages, influencing women's history.

In his Politics, Aristotle saw women as subject to men, but as higher than slaves, and lacking authority; he believed the husband should exert political rule over the wife. Among women's differences from men were that they were, in his view, more impulsive, more compassionate, more complaining, and more deceptive. He gave the same weight to women's happiness as to men's, and in his Rhetoric stated that society could not be happy unless women were happy too. Whereas Plato was open to the potential equality of men and women, stating both that women were not equal to men in terms of strength and virtue, but were equal to men in terms of rational and occupational capacity, and hence in the ideal Republic should be educated and allowed to work alongside men without differentiation, Aristotle appears to have disagreed.

In his theory of inheritance, Aristotle considered the mother to provide a passive material element to the child, while the father provided an active, ensouling element with the form of the human species.

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🔗 Nika Riots (532 C.E.)

🔗 Classical Greece and Rome 🔗 Greece 🔗 Middle Ages 🔗 Middle Ages/History 🔗 Sociology 🔗 Sports 🔗 Greece/Byzantine world

The Nika riots (Greek: Στάσις τοῦ Νίκα, romanized: Stásis toû Níka), Nika revolt or Nika sedition took place against Byzantine emperor Justinian I in Constantinople over the course of a week in 532 C.E. They are often regarded as the most violent riots in the city's history, with nearly half of Constantinople being burned or destroyed and tens of thousands of people killed.

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🔗 Eirôn

🔗 Classical Greece and Rome 🔗 Greece 🔗 Theatre

In the theatre of ancient Greece, the eirôn (Ancient Greek: εἴρων) was one of three stock characters in comedy. The eirôn usually succeeded in bringing down his braggart opponent (the alazôn) by understating his own abilities.

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