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The Hagia Triada Sarcophagus is a late Minoan 137 cm (54 in)-long limestone sarcophagus, dated to about 1400 BC or some decades later, excavated from a chamber tomb at Hagia Triada, Crete in 1903, and now on display in the Heraklion Archaeological Museum ("AMH") in Crete.

Uniquely for such a piece from this date on Crete, it is coated in plaster and painted in fresco on all faces. Otherwise the Minoans (unlike the ancient Egyptians) only used frescoes to decorate palaces and houses for the enjoyment of the living and not in funerary practice. It is the only limestone sarcophagus of its era discovered to date; there are a number of smaller terracotta "ash-chests" (larnax), painted far more crudely, usually in a single colour. It is the only object with a series of narrative scenes of Minoan funerary ritual (later sarcophagi found in the Aegean were decorated with abstract designs and patterns). It was probably originally used for the burial of a prince.

It provides probably the most comprehensive iconography of a pre-Homeric thysiastikis ceremony and one of the best pieces of information on noble burial customs when Crete was under Mycenaean rule, combining features of Minoan and Mycenaean style and subject matter, as well as probable influence from Ancient Egyptian religion.

Polybolos, meaning "multi thrower" in Greek, was an ancient Greek repeating ballista reputedly invented by Dionysius of Alexandria, a 3rd-century BC Greek engineer at the Rhodes arsenal, and used in antiquity.

Philo of Byzantium encountered and described a weapon similar to the polybolos, a catapult that like a modern machine gun could fire again and again without a need to reload. Philo left a detailed description of the gears that powered its chain drive, the oldest known application of such a mechanism, and that placed bolt after bolt into its firing slot.

The Appian Way (Latin and Italian: Via Appia) is one of the earliest and strategically most important Roman roads of the ancient republic. It connected Rome to Brindisi, in southeast Italy. Its importance is indicated by its common name, recorded by Statius, of Appia longarum... regina viarum ("the Appian Way, the queen of the long roads").

The road is named after Appius Claudius Caecus, the Roman censor who began and completed the first section as a military road to the south in 312 BC during the Samnite Wars.

Pankration (; Greek: παγκράτιον) was a sporting event introduced into the Greek Olympic Games in 648 BC and was an empty-hand submission sport with scarcely any rules. The athletes used boxing and wrestling techniques, but also others, such as kicking and holds, locks and chokes on the ground. The term comes from the Greek παγκράτιον [paŋkrátion], literally meaning "all of power" from πᾶν (pan) "all" and κράτος (kratos) "strength, might, power".

It was known in ancient times for its ferocity and allowance of such tactics as knees to the head and eye gouging. One ancient account tells of a situation in which the judges were trying to determine the winner of a match. The difficulty lay in that fact that both men had died in the arena from their injuries, making it hard to determine a victor. Eventually, the judges decided the winner was the one who didn't have his eyes gouged out. Over time, however, maneuvers like eye gouging were discouraged to prevent such unpleasant incidents.

The Duenos inscription is one of the earliest known Old Latin texts, variously dated from the 7th to the 5th century BC. It is inscribed on the sides of a kernos, in this case a trio of small globular vases adjoined by three clay struts. It was found by Heinrich Dressel in 1880 on the Quirinal Hill in Rome. The kernos is part of the collection of the Staatliche Museen in Berlin (inventory no. 30894,3).

The inscription is written right to left in three units, without spaces to separate words. It is difficult to translate, as some letters are hard to distinguish, particularly since they cannot always be deduced by context. The absence of spaces causes additional difficulty in assigning the letters to the respective words.

Greco-Buddhism, or Graeco-Buddhism, is the cultural syncretism between Hellenistic culture and Buddhism, which developed between the 4th century BC and the 5th century AD in Gandhara, in present-day north-western Pakistan and parts of north-east Afghanistan.

It was a cultural consequence of a long chain of interactions begun by Greek forays into the Indian subcontinent from the time of Alexander the Great. A few years after Alexander's death, the Easternmost fringes of the empire of his general Seleucus were lost in a war with the Mauryan Empire, under the reign of Chandragupta Maurya. The Mauryan Emperor Ashoka would convert to Buddhism and spread the religious philosophy throughout his domain, as recorded in the Edicts of Ashoka. This spread to the Greco-Bactrian kingdom, which itself seceded from the Seleucid empire. Within its borders, the Greek fondness for statuary produced the first statues of the Buddha, leading ultimately to the modern tradition.

Following the collapse of the Mauryan Empire, Greco-Buddhism continued to flourish under the Greco-Bactrian Kingdom, Indo-Greek Kingdoms, and Kushan Empire. Mahayana Buddhism was spread from the Gangetic plains in India into Gandhara and then Central Asia during the Mauryan Era, where it became the most prevalent branch of Buddhism in Central Asia. Mahayana Buddhism was later transmitted through the Silk Road into the Han Dynasty during the Kushan era under the reign of Emperor Kanishka. Buddhist tradition details the monk, Majjhantika of Varanasi, was made responsible for spreading Buddhism in the region by Emperor Ashoka.

Pēdīcābō ego vōs et irrumābō ("I will sodomize and face-fuck you") is the first line, sometimes used as a title, of Carmen 16 in the collected poems of Gaius Valerius Catullus (c. 84 BC – c. 54 BC). The poem, written in a hendecasyllabic (11-syllable) meter, was considered so explicit that a full English translation was not published until the late twentieth century. The first line has been called "one of the filthiest expressions ever written in Latin—or in any other language, for that matter."

Carmen 16 is significant in literary history as an artistic work censored for its obscenity, but also because the poem raises questions about the proper relation of the poet, or his life, to the work. Later Latin poets referenced the poem not for its invective, but as a justification for subject matter that challenged the prevailing decorum or moral orthodoxy. Ovid, Pliny the Younger, Martial, and Apuleius all invoked the authority of Catullus in asserting that while the poet should be a respectable person, his work should not be constrained or restricted.

Papyrus Oxyrhynchus 69 (P. Oxy. 69) is a complaint about a robbery, written in Greek. The manuscript was written on papyrus in the form of a sheet. It was discovered by Grenfell and Hunt in 1897 in Oxyrhynchus. The document was written on 21 November 190. Currently it is housed in the Haskell Oriental Institute at the University of Chicago (2061). The text was published by Grenfell and Hunt in 1898.

The beginning of the letter is lost. It is a petition to an unknown official describing the theft of some barley and asking that an investigation be carried out. The author is unknown. The measurements of the fragment are 178 by 115 mm. The description of the crime scene is quite detailed:

... they broke down a door that led into the public street and had been blocked up with bricks, probably using a log of wood as a battering-ram. They then entered the house and contented themselves with taking what was stored there, 10 artabae of barley, which they carried off by the same way. We guessed that this was removed piecemeal by the said door from the marks of a rope dragged along in that direction, and pointed out this fact to the chief of the police of that village and to the other officials.

10 artabae are equivalent to approximately 30–40 kilograms (66–88 lb) of barley.

The Strategikon or Strategicon (Greek: Στρατηγικόν) is a manual of war traditionally regarded as written in the late 6th century and usually attributed to the Byzantine Emperor Maurice. It is moreover a practical manual, "a rather modest elementary handbook" in the words of its introduction, "for those devoting themselves to generalship". This book gives a general guide, handbook, of the Byzantine military's strategies. In his introduction to his 1984 translation of the text, George T. Dennis noted "The Strategikon is written in a very straightforward and generally uncomplicated Greek."

The Strategikon may have been written in an effort to codify the military reforms brought about by the soldier-emperor Maurice. There is debate in academic circles as to the true author of the Strategikon. Maurice may have only commissioned it; perhaps his brother Peter, or another general of his court, was the true author. The dating is also debated. If it was written in the 6th century, the Strategikon may have been produced to codify the experience of the Balkan and Persian campaigns, or the campaigns may have been carried out in compliance with the manual. However, starting in the late 19th century, some historians have argued for a later date in the eighth or ninth century, on philological or technological grounds. In any case, it is considered one of the most important military texts of the medieval years, along with the 10th century military treatises attributed to the Byzantine emperors Leo VI (Tactica) and Nicephorus Phocas (De velitatione and Praecepta Militaria); Leo's Tactica in particular drew heavily from the Strategikon.

The text consists of 12 chapters, or "books", on various aspects of the tactics employed by the Byzantine military of the 6th and 7th century A.D. It is primarily focused on cavalry tactics and formations, yet it also elaborates on matters of infantry, sieges, baggage trains, drilling and marching. The author was familiar with classical military treatises, especially Onasander and Aelian, which he used as conceptional models rather than sources of content. Each book has a general topic to be discussed, and each book goes into great detail even separating each book further into subsections and including maps. These maps are not large and extravagant but more symbols to show positions and a standard design of the formations the Byzantine military used at this time. Books seven and eight contain practical advice to the General in the form of instructions and maxims. The eleventh book has ethnographic interest, with its portrayal of various Byzantine enemies (Franks, Lombards, Avars, Turks, and Slavs). The Strategikon also belongs to Byzantine legal literature, since it contains a list of military infractions and their suitable penalties.

The Band-e Kaisar (Persian: بند قیصر, "Caesar's dam"‎), Pol-e Kaisar ("Caesar's bridge"), Bridge of Valerian or Shadirwan was an ancient arch bridge in Shushtar, Iran, and the first in the country to combine it with a dam. Built by the Sassanids, using Roman prisoners of war as workforce, in the 3rd century AD on Sassanid order, it was also the most eastern example of Roman bridge design and Roman dam, lying deep in Persian territory. Its dual-purpose design exerted a profound influence on Iranian civil engineering and was instrumental in developing Sassanid water management techniques.

The approximately 500 m long overflow dam over the Karun, Iran's most effluent river, was the core structure of the Shushtar Historical Hydraulic System (سازه‌های آبی شوشتر) from which the city derived its agricultural productivity, and which has been designated by the UNESCO as Iran's 10th World Heritage Site in 2009. The arched superstructure carried across the important road between Pasargadae and the Sassanid capital Ctesiphon. Many times repaired in the Islamic period, the dam bridge remained in use until the late 19th century.