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🔗 Color 🔗 Physiology

Eigengrau (German: "intrinsic gray", lit. "own gray"; pronounced [ˈʔaɪ̯gn̩ˌgʁaʊ̯]), also called Eigenlicht (Dutch and German: "own light"), dark light, or brain gray, is the uniform dark gray background that many people report seeing in the absence of light. The term Eigenlicht dates back to the nineteenth century, but has rarely been used in recent scientific publications. Common scientific terms for the phenomenon include "visual noise" or "background adaptation". These terms arise due to the perception of an ever-changing field of tiny black and white dots seen in the phenomenon.

Eigengrau is perceived as lighter than a black object in normal lighting conditions, because contrast is more important to the visual system than absolute brightness. For example, the night sky looks darker than Eigengrau because of the contrast provided by the stars.

🔗 Mathematics 🔗 Systems 🔗 Systems/Chaos theory

In mathematics, the Cantor function is an example of a function that is continuous, but not absolutely continuous. It is a notorious counterexample in analysis, because it challenges naive intuitions about continuity, derivative, and measure. Though it is continuous everywhere and has zero derivative almost everywhere, its value still goes from 0 to 1 as its argument reaches from 0 to 1. Thus, in one sense the function seems very much like a constant one which cannot grow, and in another, it does indeed monotonically grow, by construction.

It is also referred to as the Cantor ternary function, the Lebesgue function, Lebesgue's singular function, the Cantor–Vitali function, the Devil's staircase, the Cantor staircase function, and the Cantor–Lebesgue function. Georg Cantor (1884) introduced the Cantor function and mentioned that Scheeffer pointed out that it was a counterexample to an extension of the fundamental theorem of calculus claimed by Harnack. The Cantor function was discussed and popularized by Scheeffer (1884), Lebesgue (1904) and Vitali (1905).

🔗 Computing 🔗 Computer science 🔗 Computing/Software 🔗 Computing/Computer science

Cargo cult programming is a style of computer programming characterized by the ritual inclusion of code or program structures that serve no real purpose. Cargo cult programming is symptomatic of a programmer not understanding either a bug they were attempting to solve or the apparent solution (compare shotgun debugging, deep magic). The term cargo cult programmer may apply when an unskilled or novice computer programmer (or one inexperienced with the problem at hand) copies some program code from one place to another with little understanding of how it works or whether it is required.

Cargo cult programming can also refer to the practice of applying a design pattern or coding style blindly without understanding the reasons behind that design principle. Examples being adding unnecessary comments to self-explanatory code, overzealous adherence to the conventions of a programming paradigm, or adding deletion code for objects that garbage collection automatically collect.

Obsessive and redundant checks for null values or testing whether a collection is empty before iterating its values may be a sign of cargo cult programming. Such obsessive checks make the code less readable, and often prevent the output of proper error messages, obscuring the real cause of a misbehaving program.

🔗 Biography 🔗 Children's literature 🔗 New York (state) 🔗 Chicago 🔗 Illinois 🔗 Biography/Actors and Filmmakers 🔗 New York (state)/Columbia University 🔗 Screenwriters 🔗 Musical Theatre

William Goldman (August 12, 1931 – November 16, 2018) was an American novelist, playwright, and screenwriter. He first came to prominence in the 1950s as a novelist before turning to screenwriting. He won Academy Awards for his screenplays Butch Cassidy and the Sundance Kid (1969) and All the President's Men (1976). His other works include his thriller novel Marathon Man and comedy/fantasy novel The Princess Bride, both of which he adapted for the film versions.

Author Sean Egan has described Goldman as "one of the late twentieth century's most popular storytellers."

🔗 Role-playing games

Tunnels & Trolls (abbreviated T&T) is a fantasy role-playing game designed by Ken St. Andre and first published in 1975 by Flying Buffalo. The second modern role-playing game published, it was written by Ken St. Andre to be a more accessible alternative to Dungeons & Dragons and is suitable for solitaire, group, and play-by-mail gameplay.

🔗 Mathematics

In geometry, the problem of dividing a circle into areas by means of an inscribed polygon with n sides in such a way as to maximise the number of areas created by the edges and diagonals, sometimes called Moser's circle problem, has a solution by an inductive method. The greatest possible number of regions, r_G = ( ⁿ
₄ ) + ( ⁿ
₂ ) + 1, giving the sequence 1, 2, 4, 8, 16, 31, 57, 99, 163, 256, ... (OEIS: A000127). Though the first five terms match the geometric progression 2^{n − 1}, it diverges at n = 6, showing the risk of generalising from only a few observations.

🔗 Military history 🔗 Military history/Military science, technology, and theory 🔗 Military history/World War I 🔗 Military history/German military history 🔗 Birds 🔗 Photography 🔗 Photography/History of photography 🔗 Military history/European military history

Pigeon photography is an aerial photography technique invented in 1907 by the German apothecary Julius Neubronner, who also used pigeons to deliver medications. A homing pigeon was fitted with an aluminium breast harness to which a lightweight time-delayed miniature camera could be attached. Neubronner's German patent application was initially rejected, but was granted in December 1908 after he produced authenticated photographs taken by his pigeons. He publicized the technique at the 1909 Dresden International Photographic Exhibition, and sold some images as postcards at the Frankfurt International Aviation Exhibition and at the 1910 and 1911 Paris Air Shows.

Initially, the military potential of pigeon photography for aerial reconnaissance appeared interesting. Battlefield tests in World War I provided encouraging results, but the ancillary technology of mobile dovecotes for messenger pigeons had the greatest impact. Owing to the rapid perfection of aviation during the war, military interest in pigeon photography faded and Neubronner abandoned his experiments. The idea was briefly resurrected in the 1930s by a Swiss clockmaker, and reportedly also by the German and French militaries. Although war pigeons were deployed extensively during World War II, it is unclear to what extent, if any, birds were involved in aerial reconnaissance. The United States Central Intelligence Agency (CIA) later developed a battery-powered camera designed for espionage pigeon photography; details of its use remain classified.

The construction of sufficiently small and light cameras with a timer mechanism, and the training and handling of the birds to carry the necessary loads, presented major challenges, as did the limited control over the pigeons' position, orientation and speed when the photographs were being taken. In 2004, the British Broadcasting Corporation (BBC) used miniature television cameras attached to falcons and goshawks to obtain live footage, and today some researchers, enthusiasts and artists similarly deploy crittercams with various species of animals.

🔗 Computing

FILE_ID.DIZ is a plain text file containing a brief content description of the archive in which it is included. It was originally used in archives distributed through bulletin board systems (BBS), and still in the warez scene.

Bulletin boards commonly accept uploaded files from their users. The BBS software would prompt the user to supply a description for the uploaded file, but these descriptions were often less than useful. BBS system operators spent many hours going over the upload descriptions correcting and editing the descriptions. The FILE_ID.DIZ inclusion in archives was designed to address this problem.

FILE_ID stands for "file identification". DIZ stands for Description In Zipfile.

Clark Development and the Association of Shareware Professionals supported the idea of this becoming a standard for file descriptions. Clark rewrote the PCBDescribe program and included it with their PCBoard BBS software. The ASP urged their members to use this description file format in their distributions. Michael Leavitt, an employee of Clark Development, released the file specification and his PCBDescribe program source code to the public domain and urged other BBS software companies to support the DIZ file.

SysOps could add a common third-party script written in PPL, called "DIZ/2-PCB" that would process, rewrite, verify, and format DIZ files from archives as they were uploaded to a BBS. The software would extract the archive, examine the contents, compile a report, import the DIZ description file and then format it according to your liking. During this time, it was usual practice to add additional lines to the description, such as ads exclaiming the source of the uploaded BBS.

Traditionally, a FILE_ID.DIZ should be "up to 10 lines of text, each line being no more than 45 characters long." according to the specification v1.9.

The concept of DIZ files was to allow a concise description of uploaded files to be automatically applied. Advertisements and "high ASCII" artwork were specifically prohibited.

Even since the decline of the dial-up bulletin board system, FILE_ID.DIZ files are still utilized by the warez scene in their releases of unlicensed software. They are commonly bundled as part of the complete packaging by self-described pirate groups, and indicate the number of disks, and other basic information. Along with the NFO file, it is essential to the release. Especially in terms of unlicensed software ("warez"), it was common for each file in a sequential compressed archive (an archive intentionally split into multiple parts at creation so the parts can then be individually downloaded by slower connections like dial-up. Example: .rar, .r00, .r01, .r02, etc.), to contain this file. This probably contributed to its extended popularity after the decline of the bulletin board system in the late 1990s and early 2000s until now, since even casual consumers of unlicensed software would have stumbled upon it due to its abundance.

🔗 Biography 🔗 Syria

Bassel Khartabil (Arabic: باسل خرطبيل‎), also known as Bassel Safadi (Arabic: باسل صفدي‎), (22 May 1981, Damascus – 3 October 2015) was a Palestinian Syrian open-source software developer. On 15 March 2012, the one-year anniversary of the Syrian uprising, he was detained by the Syrian government at Adra Prison in Damascus. Between then and 3 October 2015, he had been transferred to an unknown location, probably to be judged by a military court. On 7 October 2015, Human Rights Watch and 30 other human rights organizations issued a letter demanding that Khartabil's whereabouts be disclosed. On 11 November 2015, rumors surfaced that Khartabil had been secretly sentenced to death. In August 2017, his wife made public that Khartabil had been executed by the Syrian regime shortly after his disappearance in 2015.

Khartabil was born in Damascus and raised in Syria, where he specialized in open source software development. He was chief technology officer (CTO) and co-founder of collaborative research company Aiki Lab and was CTO of Al-Aous, a publishing and research institution dedicated to archaeological sciences and arts in Syria. He has served as project lead and public affiliate for Creative Commons Syria, and has contributed to Mozilla Firefox, Wikipedia, Openclipart, Fabricatorz, and Sharism. He "is credited with opening up the Internet in Syria and vastly extending online access and knowledge to the Syrian people."

His last work included an open, 3D virtual reconstruction of the ancient city of Palmyra in Syria, real time visualization, and development with Fabricatorz for the web programming framework Aiki Framework. This was later created and displayed in his honor.

On February 7, 2018, the Bassel Khartabil Free Culture Fellowship was announced in Bassel's memory. The fellowship awards $50,000, including additional support, to outstanding individuals developing open culture in their communities. The fellowship was created by Creative Commons, Fabricatorz Foundation, Jimmy Wales Foundation, Mozilla, #NEWPALMYRA, and Wikimedia.