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🔗 United States 🔗 Biography

Archie R. McCardell (August 29, 1926 – July 10, 2008) was an American business leader. He was best known for his tenure as chief executive officer, president, and chairman of the board at the International Harvester farm and heavy equipment manufacturing concern from 1977 to 1982. Although Harvester was the nation's fourth-largest company at the time he assumed control, McCardell triggered a strike by unionized employees which ended disastrously for the company and led to its eventual demise.

🔗 Visual arts

Rhythm 0 was a six-hour work of performance art by Serbian artist Marina Abramović in Naples in 1974. The work involved Abramović standing still while the audience was invited to do to her whatever they wished, using one of 72 objects she had placed on a table. These included a rose, feather, perfume, honey, bread, grapes, wine, scissors, a scalpel, nails, a metal bar, a gun, and a bullet.

There were no separate stages. Abramović and the visitors stood in the same space, making it clear that the latter were part of the work. The purpose of the piece, she said, was to find out how far the public would go: "What is the public about and what are they going to do in this kind of situation?"

🔗 Spaceflight 🔗 Astronomy 🔗 Astronomy/Solar System 🔗 Astronomy/Moon

On April 11, 2019, the Israeli spacecraft Beresheet crashed into the Moon during a failed landing attempt. Its payload included a few thousand tardigrades. Initial reports suggested they could have survived the crash landing. If any of them did survive, they would be the second animal species to reach the Moon, after humans.

We believe the chances of survival for the tardigrades... are extremely high.

🔗 London 🔗 British Museum 🔗 BBC 🔗 Classical Greece and Rome 🔗 Archaeology 🔗 Rome 🔗 East Anglia 🔗 East Anglia/Suffolk

The Hoxne Hoard ( HOK-sən) is the largest hoard of late Roman silver and gold discovered in Britain, and the largest collection of gold and silver coins of the fourth and fifth centuries found anywhere within the former Roman Empire. It was found by Eric Lawes, a metal detectorist in the village of Hoxne in Suffolk, England in 1992. The hoard consists of 14,865 Roman gold, silver, and bronze coins and approximately 200 items of silver tableware and gold jewellery. The objects are now in the British Museum in London, where the most important pieces and a selection of the rest are on permanent display. In 1993, the Treasure Valuation Committee valued the hoard at £1.75 million (about £3.79 million in 2021).

The hoard was buried in an oak box or small chest filled with items in precious metal, sorted mostly by type, with some in smaller wooden boxes and others in bags or wrapped in fabric. Remnants of the chest and fittings, such as hinges and locks, were recovered in the excavation. The coins of the hoard date it after AD 407, which coincides with the end of Britain as a Roman province. The owners and reasons for burial of the hoard are unknown, but it was carefully packed and the contents appear consistent with what a single very wealthy family might have owned. It is likely that the hoard represents only a part of the wealth of its owner, given the lack of large silver serving vessels and of some of the most common types of jewellery.

The Hoxne Hoard contains several rare and important objects, such as a gold body-chain and silver-gilt pepper-pots (piperatoria), including the Empress pepper pot. The hoard is also of particular archaeological significance because it was excavated by professional archaeologists with the items largely undisturbed and intact. The find helped to improve the relationship between metal detectorists and archaeologists, and influenced a change in English law regarding finds of treasure.

🔗 Novels 🔗 Novels/Science fiction

The Carpet Makers (German original title: Die Haarteppichknüpfer), also published under the title The Hair Carpet Weavers, is a science fiction novel by German writer Andreas Eschbach, originally published in 1995. The first English language edition, released in 2005 by Tor Books, features a foreword by Orson Scott Card.

The book is set on a planet whose sole industry is weaving elaborate rugs. The carpets are made of human hair and require a lifetime of work to complete. The book is a series of inter-related stories that give increasingly more detail on the nature and purpose of the rugs and why the universe has tens of thousands of planets solely devoted to making such a thing, each thinking they are the only one.

There is a prequel to The Carpet Makers titled Quest (2001), which has not been translated into English so far.

🔗 Pink Floyd

The Publius Enigma is an Internet phenomenon and an unsolved problem that began with cryptic messages posted by a user identifying only as "Publius" to the unmoderated Usenet newsgroup alt.music.pink-floyd through the Penet remailer, a now defunct anonymous information exchange service. The messenger proposed a riddle in connection with the 1994 Pink Floyd album The Division Bell, promising that the answer would lead to a reward.

Guitarist David Gilmour denied any involvement, while album artist Storm Thorgerson was bemused. According to drummer Nick Mason, EMI Records were responsible. It remains unclear if the enigma involves a genuinely solvable puzzle as part of an early Internet-based contest or was a convoluted hoax.

🔗 Computing 🔗 Computer science 🔗 Computing/Software

Unums (universal numbers) are a family of number formats and arithmetic for implementing real numbers on a computer, proposed by John L. Gustafson in 2015. They are designed as an alternative to the ubiquitous IEEE 754 floating-point standard. The latest version is known as posits.

🔗 Books 🔗 Urban studies and planning

The High Cost of Free Parking is an urban planning book by UCLA professor Donald Shoup dealing with the costs of free parking on society. It is structured as a criticism of the planning and regulation of parking and recommends that parking be built and allocated according to its fair market value. It incorporates elements of Shoup's Georgist philosophy.

The book was originally published in 2005 by the American Planning Association and the Planners Press. A revised edition was released in 2011 by Routledge.

🔗 Military history 🔗 Military history/Military aviation 🔗 Military history/North American military history 🔗 Military history/United States military history 🔗 Military history/Maritime warfare 🔗 Military history/World War II 🔗 Ships 🔗 Military history/Asian military history 🔗 Military history/Japanese military history 🔗 Military history/European military history 🔗 Military history/British military history

The escort carrier or escort aircraft carrier (U.S. hull classification symbol CVE), also called a "jeep carrier" or "baby flattop" in the United States Navy (USN) or "Woolworth Carrier" by the Royal Navy, was a small and slow type of aircraft carrier used by the Royal Navy, the Royal Canadian Navy, the United States Navy, the Imperial Japanese Navy and Imperial Japanese Army Air Force in World War II. They were typically half the length and a third the displacement of larger fleet carriers, slower, more-lightly armed and armored, and carried fewer planes. Escort carriers were most often built upon a commercial ship hull, so they were cheaper and could be built quickly. This was their principal advantage as they could be completed in greater numbers as a stop-gap when fleet carriers were scarce. However, the lack of protection made escort carriers particularly vulnerable, and several were sunk with great loss of life. The light carrier (U.S. hull classification symbol CVL) was a similar concept to the escort carrier in most respects, but was fast enough to operate alongside fleet carriers.

Escort carriers were too slow to keep up with the main forces consisting of fleet carriers, battleships, and cruisers. Instead, they were used to escort merchant ship convoys, defending them from enemy threats such as submarines and planes. In the invasions of mainland Europe and Pacific islands, escort carriers provided air support to ground forces during amphibious operations. Escort carriers also served as backup aircraft transports for fleet carriers, and ferried aircraft of all military services to points of delivery.

In the Battle of the Atlantic, escort carriers were used to protect convoys against U-boats. Initially escort carriers accompanied the merchant ships and helped to fend off attacks from aircraft and submarines. As numbers increased later in the war, escort carriers also formed part of hunter-killer groups that sought out submarines instead of being attached to a particular convoy.

In the Pacific theater, CVEs provided air support of ground troops in the Battle of Leyte Gulf. They lacked the speed and weapons to counter enemy fleets, relying on the protection of a Fast Carrier Task Force. However, at the Battle off Samar, one U.S. task force of escort carriers and destroyers managed to successfully defend itself against a much larger Japanese force of battleships and cruisers. The Japanese met a furious defense of carrier aircraft, screening destroyers, and destroyer escorts.

Of the 151 aircraft carriers built in the U.S. during World War II, 122 were escort carriers, though no examples survive. The Casablanca class was the most numerous class of aircraft carrier, with 50 launched. Second was the Bogue class, with 45 launched.

🔗 Poetry

"The Gods of the Copybook Headings" is a poem by Rudyard Kipling, characterized by biographer Sir David Gilmour as one of several "ferocious post-war eruptions" of Kipling's souring sentiment concerning the state of Anglo-European society. It was first published in the Sunday Pictorial of London on 26 October 1919; in America, it was published as "The Gods of the Copybook Maxims" in Harper's Magazine in January 1920.

In the poem, Kipling's narrator counterposes the "Gods" of the title, who embody eternal truths, against "the Gods of the Market-Place", who represent an optimistic self-deception into which it supposes society has fallen in the early 20th century.

The "copybook headings" to which the title refers were proverbs or maxims, often drawn from sermons and scripture extolling virtue and wisdom, that were printed at the top of the pages of copybooks, special notebooks used by 19th-century British schoolchildren. The students had to copy the maxims repeatedly, by hand, down the page. The exercise was thought to serve simultaneously as a form of moral education and penmanship practice.