Topic: Textile Arts

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πŸ”— Smuggling of silkworm eggs into the Byzantine Empire

πŸ”— Greece πŸ”— Middle Ages πŸ”— Middle Ages/History πŸ”— Greece/Byzantine world πŸ”— Textile Arts

In the mid-6th century CE, two monks, with the support of the Byzantine emperor Justinian I, acquired and smuggled living silkworms into the Byzantine Empire, which led to the establishment of an indigenous Byzantine silk industry that long held a silk monopoly in Europe.

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πŸ”— Shibori

πŸ”— Japan πŸ”— Japan/Culture πŸ”— Textile Arts

Shibori (γ—γΌγ‚Š / η΅žγ‚Š) is a Japanese manual resist dyeing technique, which produces a number of different patterns on fabric.

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πŸ”— The inventor of microfleece refused to patent it.

πŸ”— Textile Arts

Polar fleece is a soft napped insulating fabric made from polyester.

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πŸ”— Jacquard Machine

πŸ”— Textile Arts

The Jacquard machine (French:Β [Κ’akaʁ]) is a device fitted to a power loom that simplifies the process of manufacturing textiles with such complex patterns as brocade, damask and matelassΓ©. It was invented by Joseph Marie Jacquard in 1804, based on earlier inventions by the Frenchmen Basile Bouchon (1725), Jean Baptiste Falcon (1728), and Jacques Vaucanson (1740). The machine was controlled by a "chain of cards"; a number of punched cards laced together into a continuous sequence. Multiple rows of holes were punched on each card, with one complete card corresponding to one row of the design. Several such paper cards, generally white in color, can be seen in the images below. Chains, like Bouchon's earlier use of paper tape, allowed sequences of any length to be constructed, not limited by the size of a card.

Both the Jacquard process and the necessary loom attachment are named after their inventor. This mechanism is probably one of the most important weaving inventions as Jacquard shedding made possible the automatic production of unlimited varieties of pattern weaving. The term "Jacquard" is not specific or limited to any particular loom, but rather refers to the added control mechanism that automates the patterning. The process can also be used for patterned knitwear and machine-knitted textiles, such as jerseys.

This use of replaceable punched cards to control a sequence of operations is considered an important step in the history of computing hardware.

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πŸ”— Oriental Carpets in Renaissance Painting

πŸ”— Visual arts πŸ”— Textile Arts

Carpets of Middle-Eastern origin, either from Anatolia, Persia, Armenia, Azerbaijan, the Levant, the Mamluk state of Egypt or Northern Africa, were used as decorative features in Western European paintings from the 14th century onwards. More depictions of Oriental carpets in Renaissance painting survive than actual carpets contemporary with these paintings. Few Middle-Eastern carpets produced before the 17th century remain, though the number of these known has increased in recent decades. Therefore, comparative art-historical research has from its onset in the late 19th century relied on carpets represented in datable European paintings.

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πŸ”— Yarn Bombing

πŸ”— Public Art πŸ”— Textile Arts πŸ”— Graffiti

Yarn bombing (or yarnbombing) is a type of graffiti or street art that employs colourful displays of knitted or crocheted yarn or fibre rather than paint or chalk. It is also called wool bombing, yarn storming, guerrilla knitting, kniffiti, urban knitting, or graffiti knitting.

πŸ”— Portland International Airport Carpet

πŸ”— Aviation πŸ”— Oregon πŸ”— Textile Arts πŸ”— Aviation/airport project

The carpet at Portland International Airport (PDX) in Portland, Oregon, featured geometric shapes on a teal background, representing the intersection of the north and south runways seen by air traffic controllers from the airport's tower at night. SRG Partnership designed it in 1987, and since then, the carpet has received much media attention.

In 2013, the Port of Portland announced the carpet's replacement with a new pattern conceptualized by the Portland-based firm Zimmer Gunsul Frasca Architects. The announcement generated a social media "phenomenon" and gained attention from local and national news outlets. Removal of the original carpet began in January 2015, with the airport recycling worn portions and making remaining pieces available for sale by local retail vendors.

In 2015, Portland Trail Blazers point guard Damian Lillard released his first PDX carpet colorway on the Adidas D Lillard 1 sneaker. In 2016, Lillard released the colorway on the D Lillard 2, also inspired by the carpet.

In February of 2022, it was announced that the iconic carpet would be returning to the airport when a new terminal opens in 2024.

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