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Chekhov's gun (Russian: Чеховское ружьё) is a dramatic principle that states that every element in a story must be necessary, and irrelevant elements should be removed. Elements should not appear to make "false promises" by never coming into play. The statement is recorded in letters by Anton Chekhov several times, with some variation:

• "Remove everything that has no relevance to the story. If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it's not going to be fired, it shouldn't be hanging there."
• "One must never place a loaded rifle on the stage if it isn't going to go off. It's wrong to make promises you don't mean to keep." Chekhov, letter to Aleksandr Semenovich Lazarev (pseudonym of A. S. Gruzinsky), 1 November 1889. Here the "gun" is a monologue that Chekhov deemed superfluous and unrelated to the rest of the play.
• "If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there." From Gurlyand's Reminiscences of A. P. Chekhov, in Teatr i iskusstvo 1904, No. 28, 11 July, p. 521.

Ernest Hemingway mocked the interpretation given by English instructors to the principle. He gives in his essay "The Art of the Short Story" an example of two characters that are introduced and then never again mentioned in his short story "Fifty Grand". Hemingway valued inconsequential details, but conceded that readers will inevitably seek symbolism and significance in these inconsequential details.

Before he became a Bolshevik revolutionary and the leader of the Soviet Union, Joseph Stalin was a promising poet.

In politics and economics, a Potemkin village is any construction (literal or figurative) whose sole purpose is to provide an external façade to a country which is faring poorly, making people believe that the country is faring better, although statistics and charts would state otherwise. The term comes from stories of a fake portable village built solely to impress Empress Catherine II by her former lover Grigory Potemkin, during her journey to Crimea in 1787. While modern historians claim accounts of this portable village are exaggerated, the original story was that Potemkin erected phony portable settlements along the banks of the Dnieper River in order to impress the Russian Empress; the structures would be disassembled after she passed, and re-assembled farther along her route to be viewed again as if another example. The term is a translation of the Russian: потёмкинские деревни (IPA: /pɐˈtʲɵmkʲɪnskʲɪɪ dʲɪˈrʲɛvnʲɪ/; romanization: potyómkinskiye derévni).

Padonkaffsky jargon (Russian: язык падонкафф, yazyk padonkaff) or Olbanian (олбанский, olbanskiy) is a cant language developed by a subculture of Runet called padonki (Russian: падонки). It started as an Internet slang language originally used in the Russian Internet community. It is comparable to the English-based Leet. Padonkaffsky jargon became so popular that the former President of Russia Dmitry Medvedev jokingly suggested that Olbanian be taught in schools.

Russian political jokes are a part of Russian humour and can be grouped into the major time periods: Imperial Russia, Soviet Union and finally post-Soviet Russia. Quite a few political themes can be found among other standard categories of Russian joke, most notably Rabinovich jokes and Radio Yerevan.

Russian cosmism is a philosophical and cultural movement that emerged in Russia in the turn of the 19th and 20th centuries.

Dené–Yeniseian is a proposed language family consisting of the Yeniseian languages of central Siberia and the Na-Dené languages of northwestern North America.

Reception among experts has been largely, though not universally, favorable; thus, Dené–Yeniseian has been called "the first demonstration of a genealogical link between Old World and New World language families that meets the standards of traditional comparative-historical linguistics," besides the Eskimo–Aleut languages spoken in far eastern Siberia and North America.