Topic: Military history/Korean military history

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πŸ”— United States military and prostitution in South Korea

πŸ”— United States πŸ”— International relations πŸ”— Russia πŸ”— Military history πŸ”— Military history/North American military history πŸ”— Military history/United States military history πŸ”— United States/Military history - U.S. military history πŸ”— Korea πŸ”— Women's History πŸ”— Sexology and sexuality πŸ”— Military history/Asian military history πŸ”— Organized crime πŸ”— Gender Studies πŸ”— Feminism πŸ”— Sexology and sexuality/Sex work πŸ”— Tambayan Philippines πŸ”— Military history/Korean military history

During and following the Korean War, the United States military used regulated prostitution services in South Korean military camptowns. Despite prostitution being illegal since 1948, women in South Korea were the fundamental source of sex services for the U.S. military as well as a component of American and Korean relations. The women in South Korea who served as prostitutes are known as kijichon (κΈ°μ§€μ΄Œ) women, also called as "Korean Military Comfort Women", and were visited by the U.S. military, Korean soldiers and Korean civilians. Kijich'on women were from Korea, Philippines, China, Vietnam, Thailand, Sri Lanka, Nepal, Indonesia and the Commonwealth of Independent States, specifically Russia and Kazakhstan.

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πŸ”— Massacre in Korea by Pablo Picasso

πŸ”— Military history πŸ”— Korea πŸ”— Visual arts πŸ”— Military history/Asian military history πŸ”— Spain πŸ”— Military history/Korean military history

Massacre in Korea (French: Massacre en CorΓ©e) is an expressionistic painting completed on 18 January 1951 by Pablo Picasso. It is Picasso's third anti-war painting and depicts a scene of a massacre of a group of naked women and children by a firing squad. It has been considered to be a condemnation of American intervention in the Korean War. The painting is exhibited in the MusΓ©e Picasso in Paris.