Topic: France (Page 3)

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πŸ”— Γ‰variste Galois

πŸ”— Biography πŸ”— Mathematics πŸ”— France πŸ”— Biography/science and academia

Γ‰variste Galois (; French: [evaʁist Ι‘alwa]; 25 October 1811 – 31 May 1832) was a French mathematician and political activist. While still in his teens, he was able to determine a necessary and sufficient condition for a polynomial to be solvable by radicals, thereby solving a problem that had been open for 350 years. His work laid the foundations for Galois theory and group theory, two major branches of abstract algebra.

Galois was a staunch republican and was heavily involved in the political turmoil that surrounded the French Revolution of 1830. As a result of his political activism, he was arrested repeatedly, serving one jail sentence of several months. For reasons that remain obscure, shortly after his release from prison, Galois fought in a duel and died of the wounds he suffered.

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πŸ”— Beauvais Cathedral

πŸ”— France πŸ”— Architecture πŸ”— Catholicism

The Cathedral of Saint Peter of Beauvais (French: CathΓ©drale Saint-Pierre de Beauvais) is a Roman Catholic church in the northern town of Beauvais, Oise, France. It is the seat of the Bishop of Beauvais, Noyon and Senlis.

The cathedral is in the Gothic style, and consists of a 13th-century choir, with an apse and seven polygonal apsidal chapels reached by an ambulatory, joined to a 16th-century transept.

It has the highest Gothic choir in the world: (48.50 m) under vault. From 1569 to 1573 the cathedral of Beauvais was, with its tower of 153 meters, the highest human construction of the world. Its designers had the ambition to make it the largest gothic cathedral in France ahead of Amiens. Victim of two collapses, one in the 13th century, the other in the 16th century, it remains unfinished today; only the choir and the transept have been built.

The planned nave of the cathedral was never constructed. The remnant of the previous 10th-century Romanesque cathedral, known as the Basse Ε’uvre ("Lower Work"), still occupies the intended site of the nave.

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πŸ”— Droit de Suite

πŸ”— France πŸ”— Law

Droit de suite (French for "right to follow") or Artist's Resale Right (ARR) is a right granted to artists or their heirs, in some jurisdictions, to receive a fee on the resale of their works of art. This should be contrasted with policies such as the American first-sale doctrine, where artists do not have the right to control or profit from subsequent sales.

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πŸ”— La Bougie Du Sapeur

πŸ”— France

La Bougie du Sapeur (French: [la bu.Κ’i dy sa.pœʁ]) is a French satirical newspaper launched in 1980 that is published only on Leap Day, making it the world's least frequently published newspaper. The editor-in-chief is Jean d'Indy, who works for France Galop and has been involved in producing the paper since 1992.

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πŸ”— Bal Des Ardents

πŸ”— France πŸ”— Middle Ages πŸ”— Middle Ages/History

The Bal des Ardents (Ball of the Burning Men) or Bal des Sauvages (Ball of the Wild Men) was a masquerade ball held on 28Β January 1393 in Paris at which Charles VI of France performed in a dance with five members of the French nobility. Four of the dancers were killed in a fire caused by a torch brought in by a spectator, Charles's brother Louis I, Duke of OrlΓ©ans. Charles and another of the dancers survived. The ball was one of a number of events intended to entertain the young king, who the previous summer had suffered an attack of insanity. The event undermined confidence in Charles's capacity to rule; Parisians considered it proof of courtly decadence and threatened to rebel against the more powerful members of the nobility. The public's outrage forced the king and his brother OrlΓ©ans, whom a contemporary chronicler accused of attempted regicide and sorcery, to offer penance for the event.

Charles's wife, Isabeau of Bavaria, held the ball to honor the remarriage of a lady-in-waiting. Scholars believe the dance performed at the ball had elements of traditional charivari, with the dancers disguised as wild men, mythical beings often associated with demonology, that were commonly represented in medieval Europe and documented in revels of Tudor England. The event was chronicled by contemporary writers such as the Monk of St Denis and Jean Froissart, and illustrated in a number of 15th-century illuminated manuscripts by painters such as the Master of Anthony of Burgundy. The incident later provided inspiration for Edgar Allan Poe's short story Hop-Frog.

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πŸ”— Pourquoi-Pas (1908)

πŸ”— France πŸ”— Ships πŸ”— Shipwrecks

Pourquoi Pas? IV (English: Why Not? IV) was the fourth ship built for Jean-Baptiste Charcot, which completed the second Charcot expedition of the Antarctic regions from 1908 to 1910. Charcot died aboard when the ship was wrecked on 16 September 1936, off the coast of Iceland. Of the forty men on board, only one survived.

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πŸ”— Bouvier Affair

πŸ”— France πŸ”— Crime πŸ”— Visual arts

The Bouvier Affair was a number of international lawsuits that started in 2015, and subsequent events. The lawsuits allege that Swiss art shipper and dealer Yves Bouvier defrauded his clients by misrepresenting the original cost of art works and subsequently overcharging them. The affair has played out in courts in Monaco, Switzerland, France, the US, Hong Kong and Singapore.

The alleged victims are "high net worth individuals" in the UK, the US, Asia and Europe, most notably Monaco-based Russian oligarch Dmitry Rybolovlev.

As of FebruaryΒ 2018, Bouvier was facing criminal charges in France, Monaco and also in Switzerland after the Geneva Prosecutor opened a new case there.

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πŸ”— The Great Plague of Marseille

πŸ”— France πŸ”— Death

The Great Plague of Marseille was the last major outbreak of bubonic plague in western Europe. Arriving in Marseille, France in 1720, the disease killed a total of 100,000 people: 50,000 in the city during the next two years and another 50,000 to the north in surrounding provinces and towns.

While economic activity took only a few years to recover, as trade expanded to the West Indies and Latin America, it was not until 1765 that the population returned to its pre-1720 level.

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πŸ”— Boirault Machine

πŸ”— France πŸ”— Military history πŸ”— Military history/Military science, technology, and theory πŸ”— Military history/Weaponry πŸ”— Military history/World War I πŸ”— Military history/French military history πŸ”— Military history/Military land vehicles πŸ”— Military history/European military history

The Boirault machine (French: Appareil Boirault), was an early French experimental landship, designed in 1914 and built in early 1915. It has been considered as "another interesting ancestor of the tank", and described as a "rhomboid-shaped skeleton tank without armour, with single overhead track". Ultimately, the machine was deemed impractical and was nicknamed Diplodocus militaris. It preceded the design and development of the English Little Willie tank by six months.

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πŸ”— Cluny: The Google of 1000

πŸ”— France πŸ”— Architecture πŸ”— Middle Ages πŸ”— Middle Ages/History πŸ”— Catholicism

Cluny Abbey (French:Β [klyni]; formerly also Cluni, or Clugny) is a former Benedictine monastery in Cluny, SaΓ΄ne-et-Loire, France. It was dedicated to St Peter.

The abbey was constructed in the Romanesque architectural style, with three churches built in succession from the 4th to the early 12th centuries. The earliest basilica was the world's largest church until the St. Peter's Basilica construction began in Rome.

Cluny was founded by Duke William I of Aquitaine in 910. He nominated Berno as the first abbot of Cluny, subject only to Pope Sergius III. The abbey was notable for its stricter adherence to the Rule of St. Benedict, whereby Cluny became acknowledged as the leader of western monasticism. The establishment of the Benedictine Order was a keystone to the stability of European society that was achieved in the 11th century. In 1790 during the French Revolution, the abbey was sacked and mostly destroyed, with only a small part surviving.

Starting around 1334, the Abbots of Cluny maintained a townhouse in Paris known as the HΓ΄tel de Cluny, which has been a public museum since 1843. Apart from the name, it no longer possesses anything originally connected with Cluny.

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