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🔗 Film 🔗 Television 🔗 Skepticism 🔗 Film/British cinema

Alternative 3 is a television programme, broadcast once only in the United Kingdom in 1977, and later broadcast in Australia, Canada, and New Zealand, as a fictional hoax, an heir to Orson Welles' radio production of The War of the Worlds. Purporting to be an investigation into the UK's contemporary "brain drain", Alternative 3 uncovered a plan to make the Moon and Mars habitable in the event of climate change and a terminal environmental catastrophe on Earth.

The programme was originally meant to be broadcast on April Fools' Day, 1977. While its broadcast was delayed until 20 June, the credits explicitly date the film to 1 April. Alternative 3 ended with credits for the actors involved in the production and featured interviews with a fictitious American astronaut.

🔗 Film 🔗 Film/American cinema 🔗 Film/Filmmaking 🔗 Fictional characters

Alan Smithee (also Allen Smithee) is an official pseudonym used by film directors who wish to disown a project. Coined in 1968 and used until it was formally discontinued in 2000, it was the sole pseudonym used by members of the Directors Guild of America (DGA) when a director, dissatisfied with the final product, proved to the satisfaction of a guild panel that they had not been able to exercise creative control over a film. The director was also required by guild rules not to discuss the circumstances leading to the movie or even to acknowledge being the project's director.

🔗 Film 🔗 Law 🔗 Film/American cinema 🔗 Film/Filmmaking

The Writers Guild of America (WGA) writing credit system for motion pictures and television programs covers all works under the jurisdiction of the Writers Guild of America, East (WGAE) and the Writers Guild of America, West (WGAW). Since 1941, the Screen Writers Guild and then the WGA has been the final arbiter of who receives credit for writing a theatrical, television or new media motion picture written under their jurisdiction. Though the system has been a standard since before the WGA's inception, it has seen criticism.

🔗 Mass surveillance 🔗 Film 🔗 Germany 🔗 Film/American cinema 🔗 Film/German cinema

The Lives of Others (German: Das Leben der Anderen, pronounced [das ˈleːbm̩ deːɐ̯ ˈʔandəʁən] ) is a 2006 German drama film written and directed by Florian Henckel von Donnersmarck marking his feature film directorial debut. The plot is about the monitoring of East Berlin residents by agents of the Stasi, East Germany's secret police. It stars Ulrich Mühe as Stasi Captain Gerd Wiesler, Ulrich Tukur as his superior Anton Grubitz, Sebastian Koch as the playwright Georg Dreyman, and Martina Gedeck as Dreyman's lover, a prominent actress named Christa-Maria Sieland.

The film was released by Buena Vista International in Germany on 23 March 2006. At the same time, the screenplay was published by Suhrkamp Verlag. The Lives of Others won the Academy Award for Best International Feature Film. The film had earlier won seven Deutscher Filmpreis awards—including those for best film, best director, best screenplay, best actor, and best supporting actor—after setting a new record with 11 nominations. It also won the BAFTA Award for Best Film Not in the English Language and European Film Award for Best Film, while it was nominated for the Golden Globe Award for Best Foreign Language Film. The Lives of Others cost US$2 million and grossed more than US$77 million worldwide.

Released 17 years after the fall of the Berlin Wall, marking the end of the German Democratic Republic, it was the first notable drama film about the subject after a series of comedies such as Good Bye, Lenin! and Sonnenallee. This approach was widely applauded in Germany, and the film was complimented for its accurate tone despite some criticism that Wiesler's character was depicted unrealistically and with undue sympathy. The film's authenticity was considered praiseworthy given that the director grew up outside of East Germany and was 16 when the Berlin Wall fell.

🔗 Film 🔗 Film/American cinema 🔗 Comedy 🔗 Chicago

Windy City Heat is a made-for-TV reality film produced by Comedy Central. It first aired on October 12, 2003.

🔗 Film 🔗 Film/Filmmaking

The zoöpraxiscope (initially named zoographiscope and zoogyroscope) is an early device for displaying moving images and is considered an important predecessor of the movie projector. It was conceived by photographic pioneer Eadweard Muybridge in 1879 (and built for him by January 1880 to project his famous chronophotographic pictures in motion and thus prove that these were authentic). Muybridge used the projector in his public lectures from 1880 to 1895. The projector used 16" glass disks onto which Muybridge had an unidentified artist paint the sequences as silhouettes. This technique eliminated the backgrounds and enabled the creation of fanciful combinations and additional imaginary elements. Only one disk used photographic images, of a horse skeleton posed in different positions. A later series of 12" discs, made in 1892–1894, used outlines drawn by Erwin F. Faber that were printed onto the discs photographically, then colored by hand. These colored discs were probably never used in Muybridge's lectures. All images of the known 71 disks, including those of the photographic disk, were rendered in elongated form to compensate the distortion of the projection. The projector was related to other projecting phenakistiscopes and used some slotted metal shutter discs that were interchangeable for different picture disks or different effects on the screen. The machine was hand-cranked.

The device appears to have been one of the primary inspirations for Thomas Edison and William Kennedy Dickson's Kinetoscope, the first commercial film exhibition system. Images from all of the known seventy-one surviving zoopraxiscope discs have been reproduced in the book Eadweard Muybridge: The Kingston Museum Bequest (The Projection Box, 2004).

...it is the first apparatus ever used, or constructed, for synthetically demonstrating movements analytically photographed from life, and in its resulting effects is the prototype of the various instruments which, under a variety of names, are used for a similar purpose at the present day.

As stipulated in Muybridge's will the original machine and disks in his possession were left to Kingston upon Thames, where they are still kept in the Kingston Museum Muybridge Bequest Collection (except for four discs that are in other collections, including those of the Cinémathèque française and the National Technical Museum in Prague).

Muybridge also produced a series of 50 different paper 'Zoopraxiscope discs' (basically phenakistiscopes), again with pictures drawn by Erwin F. Faber. The discs were intended for sale at the 1893 World's Fair at Chicago, but seem to have sold very poorly and are quite rare. The discs were printed in black-and-white, with twelve different discs also produced as chromolithographed versions. Of the coloured versions only four different ones are known to still exist with a total of five or six extant copies.

🔗 Film 🔗 Film/Filmmaking 🔗 Photography 🔗 Photography/History of photography

The Zone System is a photographic technique for determining optimal film exposure and development, formulated by Ansel Adams and Fred Archer. Adams described the Zone System as "[...] not an invention of mine; it is a codification of the principles of sensitometry, worked out by Fred Archer and myself at the Art Center School in Los Angeles, around 1939–40."

The technique is based on the late 19th century sensitometry studies of Hurter and Driffield. The Zone System provides photographers with a systematic method of precisely defining the relationship between the way they visualize the photographic subject and the final results. Although it originated with black-and-white sheet film, the Zone System is also applicable to roll film, both black-and-white and color, negative and reversal, and to digital photography.

🔗 Film 🔗 Film/American cinema 🔗 Science Fiction 🔗 Comedy

Dark Star is a 1974 American independent science fiction comedy film produced, scored and directed by John Carpenter and co-written with Dan O'Bannon. It follows the crew of the deteriorating starship Dark Star, twenty years into their mission to destroy unstable planets that might threaten future colonization of other planets.

Beginning as a University of Southern California (USC) student film produced from 1970 to 1972, it was gradually expanded with reshoots in 1973, eventually appearing in its current feature-length form at Filmex in March 1974, and subsequently received a limited theatrical release in 1975. Its final budget is estimated at $60,000. While initially unsuccessful with audiences, it was relatively well received by critics, and continued to be shown in theaters as late as 1980. The home video revolution of the early 1980s helped the movie achieve "cult classic" status. O'Bannon collaborated with home video distributor VCI in the production of releases on VHS, LaserDisc, DVD, and eventually Blu-ray.

Dark Star was Carpenter's feature directorial debut; he also scored the film. It was also the feature debut for O'Bannon, who also served as editor, production designer, and visual effects supervisor, and appeared as Sergeant Pinback.

🔗 Film 🔗 Film/American cinema

The Black Maria ( mə-RY-ə) was Thomas Edison's film production studio in West Orange, New Jersey. It was the world's first film studio.

🔗 United States 🔗 Film 🔗 Film/American cinema 🔗 United States/Film - American cinema 🔗 Fictional characters 🔗 Animation 🔗 Disney 🔗 United States/Animation - American animation 🔗 Film/Animated films 🔗 Animation/Animated films 🔗 Animation/American animation

Oswald the Lucky Rabbit (also known as Oswald the Rabbit, Oswald Rabbit, and Ozzie) is an animated cartoon character created in 1927 by Walt Disney and Ub Iwerks for Universal Pictures. He starred in several animated short films released to theaters from 1927 to 1938. Twenty-seven animated Oswald shorts were produced at the Walt Disney Studio. After Universal took control of Oswald's character in 1928, Disney created Mickey Mouse as a replacement to Oswald.

In 2003, Buena Vista Games pitched a concept for an Oswald-themed video game to then-Disney President and future-CEO Bob Iger, who became committed to acquiring the rights to Oswald. In 2006, The Walt Disney Company acquired the trademark of Oswald (with NBCUniversal effectively trading Oswald for the services of Al Michaels as play-by-play announcer on NBC Sunday Night Football).

Oswald returned in Disney's 2010 video game, Epic Mickey. The game's metafiction plot parallels Oswald's real-world history, dealing with the character's feelings of abandonment by Disney and envy toward Mickey Mouse. He has since appeared in Disney theme parks and comic books, as well as two follow-up games, Epic Mickey 2: The Power of Two and Epic Mickey: Power of Illusion. Oswald made his first appearance in an animated production in 85 years through his cameo appearance in the 2013 animated short Get a Horse! He was the subject of the 2015 feature film Walt Before Mickey. Oswald also appears as a townsperson in Disney Infinity 2.0. In 2022, Oswald appeared in a new short produced by Disney. He also has a cameo appearance in Once Upon a Studio.

In January 2023, the copyrights on several of the original Oswald shorts, as well as the character, expired. Those films and the character are now in the public domain. In 2024, it was announced that the character will appear in Oswald: Down the Rabbit Hole, an upcoming horror film directed by Lilton Stewart III, starring Ernie Hudson as the titular character.