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🔗 Mass surveillance 🔗 Film 🔗 Film/American cinema 🔗 Science Fiction

THX 1138 is a 1971 American social science fiction film directed by George Lucas in his feature film directorial debut. It is set in a dystopian future in which the populace is controlled through android police and mandatory use of drugs that suppress emotions. Produced by Francis Ford Coppola and written by Lucas and Walter Murch, it stars Robert Duvall and Donald Pleasence.

THX 1138 was developed from Lucas's student film Electronic Labyrinth: THX 1138 4EB, which he made in 1967 while attending the USC School of Cinematic Arts. The feature film was produced in a joint venture between Warner Bros. and American Zoetrope. A novelization by Ben Bova was published in 1971. The film received mixed reviews from critics and failed to find box-office success on initial release; however, the film has subsequently received critical acclaim and gained a cult following, particularly in the aftermath of Lucas' success with Star Wars in 1977.

🔗 United States 🔗 Film 🔗 Television 🔗 New York City 🔗 Library of Congress 🔗 Film/American cinema 🔗 United States/Film - American cinema 🔗 Film/Core 🔗 Television/Television stations 🔗 Film/Canadian cinema

Network is a 1976 American satirical black comedy-drama film released by Metro-Goldwyn-Mayer, written by Paddy Chayefsky and directed by Sidney Lumet. It is about a fictional television network, UBS, and its struggle with poor ratings. The film stars Faye Dunaway, William Holden, Peter Finch (in his final film role), Robert Duvall, Wesley Addy, Ned Beatty, and Beatrice Straight.

Network received widespread critical acclaim, with particular praise for the performances. The film was a commercial success, with nine Oscar nominations at the 49th Academy Awards, including Best Picture, that led to four wins: Best Actor (Finch), Best Actress (Dunaway), Best Supporting Actress (Straight), and Best Original Screenplay.

In 2000, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". In 2002, it was inducted into the Producers Guild of America Hall of Fame as a film that has "set an enduring standard for American entertainment". In 2005, the two Writers Guilds of America voted Chayefsky's script one of the 10 greatest screenplays in the history of cinema. In 2007, the film was 64th among the 100 greatest American films as chosen by the American Film Institute, a ranking slightly higher than the one AFI had given it ten years earlier.