Topic: Film/American cinema (Page 2)

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πŸ”— WGA screenwriting credit system

πŸ”— Film πŸ”— Law πŸ”— Film/American cinema πŸ”— Film/Filmmaking

The Writers Guild of America (WGA) writing credit system for motion pictures and television programs covers all works under the jurisdiction of the Writers Guild of America, East (WGAE) and the Writers Guild of America, West (WGAW). Since 1941, the Screen Writers Guild and then the WGA has been the final arbiter of who receives credit for writing a theatrical, television or new media motion picture written under their jurisdiction. Though the system has been a standard since before the WGA's inception, it has seen criticism.

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πŸ”— Windy City Heat

πŸ”— Film πŸ”— Film/American cinema πŸ”— Comedy πŸ”— Chicago

Windy City Heat is a made-for-TV reality film produced by Comedy Central. It first aired on October 12, 2003.

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πŸ”— The first motion picture production studio: Edison’s Black Maria

πŸ”— Film πŸ”— Film/American cinema

The Black Maria ( mΙ™-RY-Ι™) was Thomas Edison's film production studio in West Orange, New Jersey. It was the world's first film studio.

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πŸ”— My Dinner with Andre

πŸ”— Film πŸ”— Film/French cinema πŸ”— Film/American cinema

My Dinner with Andre is a 1981 American comedy-drama film directed by Louis Malle, and written by and starring AndrΓ© Gregory (Andre) and Wallace Shawn (Wally). The actors play fictionalized versions of themselves sharing a conversation at CafΓ© des Artistes in Manhattan. The film's dialogue covers topics such as experimental theatre, the nature of theatre, and the nature of life, and contrasts Wally's modest humanism with Andre's spiritual experiences.

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πŸ”— THX 1138

πŸ”— Mass surveillance πŸ”— Film πŸ”— Film/American cinema πŸ”— Science Fiction

THX 1138 is a 1971 American social science fiction film directed by George Lucas in his feature film directorial debut. It is set in a dystopian future in which the populace is controlled through android police and mandatory use of drugs that suppress emotions. Produced by Francis Ford Coppola and written by Lucas and Walter Murch, it stars Robert Duvall and Donald Pleasence.

THX 1138 was developed from Lucas's student film Electronic Labyrinth: THX 1138 4EB, which he made in 1967 while attending the USC School of Cinematic Arts. The feature film was produced in a joint venture between Warner Bros. and American Zoetrope. A novelization by Ben Bova was published in 1971. The film received mixed reviews from critics and failed to find box-office success on initial release; however, the film has subsequently received critical acclaim and gained a cult following, particularly in the aftermath of Lucas' success with Star Wars in 1977.

πŸ”— Network (1976 Film)

πŸ”— United States πŸ”— Film πŸ”— Television πŸ”— New York City πŸ”— Library of Congress πŸ”— Film/American cinema πŸ”— United States/Film - American cinema πŸ”— Film/Core πŸ”— Television/Television stations πŸ”— Film/Canadian cinema

Network is a 1976 American satirical black comedy-drama film released by Metro-Goldwyn-Mayer, written by Paddy Chayefsky and directed by Sidney Lumet. It is about a fictional television network, UBS, and its struggle with poor ratings. The film stars Faye Dunaway, William Holden, Peter Finch (in his final film role), Robert Duvall, Wesley Addy, Ned Beatty, and Beatrice Straight.

Network received widespread critical acclaim, with particular praise for the performances. The film was a commercial success, with nine Oscar nominations at the 49th Academy Awards, including Best Picture, that led to four wins: Best Actor (Finch), Best Actress (Dunaway), Best Supporting Actress (Straight), and Best Original Screenplay.

In 2000, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". In 2002, it was inducted into the Producers Guild of America Hall of Fame as a film that has "set an enduring standard for American entertainment". In 2005, the two Writers Guilds of America voted Chayefsky's script one of the 10 greatest screenplays in the history of cinema. In 2007, the film was 64th among the 100 greatest American films as chosen by the American Film Institute, a ranking slightly higher than the one AFI had given it ten years earlier.

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