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🔗 Archaeology 🔗 Wiltshire

The Stonehenge Archer is the name given to a Bronze Age man whose body was discovered in the outer ditch of Stonehenge. Unlike most burials in the Stonehenge Landscape, his body was not in a barrow, although it did appear to have been deliberately and carefully buried in the ditch.

Examination of the skeleton indicated that the man was local to the area and aged about 30 when he died. Radiocarbon dating suggests that he died around 2300 BCE, making his death roughly contemporary with the Amesbury Archer and the Boscombe Bowmen buried 3 miles away in Amesbury.

He came to be known as an archer because of the stone wrist-guard and a number of flint arrowheads buried with him. In fact, several of the arrowheads' tips were located in the skeleton's bones, suggesting that the man had been killed by them.

His body was excavated in 1978 by Richard Atkinson and John G. Evans who had been re-examining an older trench in the ditch and bank of Stonehenge. His remains are now housed in the Salisbury Museum in Salisbury.

🔗 Skepticism 🔗 Indonesia 🔗 Archaeology

Gunung Padang is a megalithic site located in Karyamukti, Campaka, Cianjur Regency, West Java, Indonesia, 30 kilometres (19 mi) southwest of the regency seat or 8 kilometres (5.0 mi) from Lampegan station. Located at 885 metres (2,904 ft) above sea level, the site covers a hill, an extinct volcano, in a series of five terraces bordered by retaining walls of stone that are accessed by 370 successive andesite steps rising about 95 metres (312 ft). It is covered with massive hexagonal stone columns of volcanic origin. The Sundanese people consider the site sacred and believe it was the result of King Siliwangi's attempt to build a palace in one night.

Gunung Padang consists of a series of five artificial terraces, one rectangular and four trapezoidal, that occur, one through five, at successively higher elevations. These terraces also become sucessively smaller with elevation with the first terrace as the lowest and largest and the fifth terrace as the highest and smallest. These terraces lie along the a central, longitudinal NW-SE axis. They are artificial platforms created by lowering high spots and filling in low spots with fill until a flat surface was achieved. The terrace perimeters consist of perimeter retaining walls formed by volcanic polygonal columns stacked horizontally and posted vertically as posts. This terrace complex is accessed by a central stairway with 370 steps, an inclination of 45 degrees, and a length of 110 m (360 ft).

🔗 Military history 🔗 Military history/Fortifications 🔗 Archaeology 🔗 Military history/European military history 🔗 Military history/British military history 🔗 Sussex

The Trundle is an Iron Age hillfort on St Roche's Hill about 4 miles (6 km) north of Chichester, Sussex, England, built on the site of a causewayed enclosure, a form of early Neolithic earthwork found in northwestern Europe. Causewayed enclosures were built in England from shortly before 3700 BC until about 3300 BC; they are characterized by the full or partial enclosure of an area with ditches that are interrupted by gaps, or causeways. Their purpose is not known; they may have been settlements, meeting places, or ritual sites. Hillforts were built as early as 1000 BC, in the Late Bronze Age, and continued to be built through the Iron Age until shortly before the Roman occupation. A chapel dedicated to St Roche was built on the hill around the end of the 14th century; it was in ruins by 1570. A windmill and a beacon were subsequently built on the hill. The site was occasionally used as a meeting place in the post-medieval period.

The hillfort is still a substantial earthwork, but the Neolithic site was unknown until 1925 when archaeologist O.G.S. Crawford obtained an aerial photograph of the Trundle, clearly showing additional structures inside the ramparts of the hillfort. Causewayed enclosures were new to archaeology at the time, with only five known by 1930, and the photograph persuaded archaeologist E. Cecil Curwen to excavate the site in 1928 and 1930. These early digs established a construction date of about 500 BC to 100 BC for the hillfort and proved the existence of the Neolithic site. In 2011, the Gathering Time project published an analysis of radiocarbon dates from almost forty British causewayed enclosures, including some from the Trundle. The conclusion was that the Neolithic part of the site was probably constructed no earlier than the mid-fourth millennium BC. A review of the site in 1995 by Alastair Oswald noted the presence of fifteen possible Iron Age house platforms within the hillfort's ramparts.

🔗 Archaeology 🔗 Paranormal

A thunderstone is a flint tool or fossil turned up by farmer's plow that was thought to have fallen from the sky. They were often thought to be thunderbolts. It was not until travelers returned from far-away places where these implements were in use among primitive cultures that the origins of these objects became known. Even then, these travelers' tales received little popular credence.

🔗 Writing systems 🔗 Archaeology 🔗 Romania

The Vinča symbols, sometimes known as the Danube script, Vinča signs, Vinča script, Vinča–Turdaș script, Old European script, etc., are a set of symbols found on Neolithic era (6th to 5th millennia BC) artifacts from the Vinča culture of Central Europe and Southeastern Europe. The vast majority of historians agree that those symbols are not a writing system, but private symbols or ornaments of some kind. A minority of historians claim that this is the earliest known writing system that has influenced other early writing systems.

🔗 Polynesia 🔗 Anthropology 🔗 Norway 🔗 Archaeology 🔗 South America 🔗 Sailing

The Kon-Tiki expedition was a 1947 journey by raft across the Pacific Ocean from South America to the Polynesian islands, led by Norwegian explorer and writer Thor Heyerdahl. The raft was named Kon-Tiki after the Inca god Viracocha, for whom "Kon-Tiki" was said to be an old name. Kon-Tiki is also the name of Heyerdahl's book, the Academy Award-winning 1950 documentary film chronicling his adventures, and the 2012 dramatized feature film nominated for the Academy Award for Best Foreign Language Film.

Heyerdahl believed that people from South America could have reached Polynesia during pre-Columbian times. His aim in mounting the Kon-Tiki expedition was to show, by using only the materials and technologies available to those people at the time, that there were no technical reasons to prevent them from having done so. Although the expedition carried some modern equipment, such as a radio, watches, charts, sextant, and metal knives, Heyerdahl argued they were incidental to the purpose of proving that the raft itself could make the journey.

Heyerdahl's hypothesis of a South American origin of the Polynesian peoples, as well as his "drift voyaging" hypothesis, is generally rejected by scientists today. Archaeological, linguistic, cultural, and genetic evidence tends to support a western origin for Polynesians, from Island Southeast Asia, using sophisticated multihull sailing technologies and navigation techniques during the Austronesian expansion. However, there is evidence of some gene flow from South America to Easter Island.

The Kon-Tiki expedition was funded by private loans, along with donations of equipment from the United States Army. Heyerdahl and a small team went to Peru, where, with the help of dockyard facilities provided by the Peruvian authorities, they constructed the raft out of balsa logs and other native materials in an indigenous style as recorded in illustrations by Spanish conquistadores. The trip began on April 28, 1947. Heyerdahl and five companions sailed the raft for 101 days over 6,900 km (4,300 miles) across the Pacific Ocean before smashing into a reef at Raroia in the Tuamotus on August 7, 1947. The crew made successful landfall and all returned safely.

Thor Heyerdahl's book about his experience became a bestseller. It was published in Norwegian in 1948 as The Kon-Tiki Expedition: By Raft Across the South Seas, later reprinted as Kon-Tiki: Across the Pacific in a Raft. It appeared with great success in English in 1950, also in many other languages. A documentary motion picture about the expedition, also called Kon-Tiki, was produced from a write-up and expansion of the crew's filmstrip notes and won an Academy Award in 1951. It was directed by Heyerdahl and edited by Olle Nordemar. The voyage was also chronicled in the documentary TV-series The Kon-Tiki Man: The Life and Adventures of Thor Heyerdahl, directed by Bengt Jonson.

The original Kon-Tiki raft is now on display in the Kon-Tiki Museum at Bygdøy in Oslo.

🔗 United States 🔗 Middle Ages 🔗 Middle Ages/History 🔗 Archaeology 🔗 Indigenous peoples of North America 🔗 Cities 🔗 World Heritage Sites 🔗 Illinois 🔗 National Register of Historic Places 🔗 Historic sites 🔗 Protected areas 🔗 St. Louis

The Cahokia Mounds (also simply known as Cahokia) (11 MS 2) is the site of a Native American city (which existed c. 1050–1350 CE) directly across the Mississippi River from present-day St. Louis. The state archaeology park lies in south-western Illinois between East St. Louis and Collinsville. The park covers 2,200 acres (890 ha), or about 3.5 square miles (9 km²), and contains about 80 manmade mounds, but the ancient city was much larger. At its apex around 1100 CE, the city covered about 6 square miles (16 km²), included about 120 earthworks in a wide range of sizes, shapes, and functions, and had a population of between 15,000 and 20,000 people.

Cahokia was the largest and most influential urban settlement of the Mississippian culture, which developed advanced societies across much of what is now the Central and the Southeastern United States, beginning around 1000 CE. Today, the Cahokia Mounds are considered to be the largest and most complex archaeological site north of the great pre-Columbian cities in Mexico.

The city's original name is unknown. The mounds were later named after the Cahokia tribe, a historic Illiniwek people living in the area when the first French explorers arrived in the 17th century. As this was centuries after Cahokia was abandoned by its original inhabitants, the Cahokia tribe was not necessarily descended from the earlier Mississippian-era people. Most likely, multiple indigenous ethnic groups settled in the Cahokia Mounds area during the time of the city's apex.

Cahokia Mounds is a National Historic Landmark and a designated site for state protection. It is also one of the 26 UNESCO World Heritage Sites within the United States. The largest pre-Columbian earthen construction in the Americas north of Mexico, the site is open to the public and administered by the Illinois Historic Preservation Division and supported by the Cahokia Mounds Museum Society. In celebration of the 2018 Illinois state bicentennial, the Cahokia Mounds were selected as one of the Illinois 200 Great Places by the American Institute of Architects Illinois component (AIA Illinois). It was recognized by USA Today Travel magazine, as one of the selections for 'Illinois 25 Must See Places'.

🔗 Religion 🔗 Central Asia 🔗 Archaeology 🔗 Visual arts 🔗 Buddhism 🔗 World Heritage Sites 🔗 Religion/Interfaith 🔗 Public Art 🔗 Afghanistan 🔗 Sculpture 🔗 Hazara

The Buddhas of Bamiyan were two 6th-century monumental statues of Vairocana Buddha and Gautama Buddha carved into the side of a cliff in the Bamyan valley of central Afghanistan, 130 kilometres (81 mi) northwest of Kabul at an elevation of 2,500 metres (8,200 ft). Carbon dating of the structural components of the Buddhas has determined that the smaller 38 m (125 ft) "Eastern Buddha" was built around 570 AD, and the larger 55 m (180 ft) "Western Buddha" was built around 618 AD.

The statues represented a later evolution of the classic blended style of Gandhara art. The statues consisted of the male Salsal ("light shines through the universe") and the (smaller) female Shamama ("Queen Mother"), as they were called by the locals. The main bodies were hewn directly from the sandstone cliffs, but details were modeled in mud mixed with straw, coated with stucco. This coating, practically all of which wore away long ago, was painted to enhance the expressions of the faces, hands, and folds of the robes; the larger one was painted carmine red and the smaller one was painted multiple colors. The lower parts of the statues' arms were constructed from the same mud-straw mix supported on wooden armatures. It is believed that the upper parts of their faces were made from great wooden masks or casts. The rows of holes that can be seen in photographs held wooden pegs that stabilized the outer stucco.

The Buddhas are surrounded by numerous caves and surfaces decorated with paintings. It is thought that the period of florescence was from the 6th to 8th century AD, until the onset of Islamic invasions. These works of art are considered as an artistic synthesis of Buddhist art and Gupta art from India, with influences from the Sasanian Empire and the Byzantine Empire, as well as the country of Tokharistan.

The statues were blown up and destroyed in March 2001 by the Taliban, on orders from leader Mullah Mohammed Omar, after the Taliban government declared that they were idols. International and local opinion strongly condemned the destruction of the Buddhas. Some Taliban sources credited Omar's decision to blow up the Buddha statues to the growing influence of Osama bin Laden.

🔗 London 🔗 British Museum 🔗 Classical Greece and Rome 🔗 History of Science 🔗 Archaeology 🔗 Visual arts 🔗 Glass

The Lycurgus Cup is a 4th-century Roman glass cage cup made of a dichroic glass, which shows a different colour depending on whether or not light is passing through it: red when lit from behind and green when lit from in front. It is the only complete Roman glass object made from this type of glass, and the one exhibiting the most impressive change in colour; it has been described as "the most spectacular glass of the period, fittingly decorated, which we know to have existed".

The cup is also a very rare example of a complete Roman cage-cup, or diatretum, where the glass has been painstakingly cut and ground back to leave only a decorative "cage" at the original surface-level. Many parts of the cage have been completely undercut. Most cage-cups have a cage with a geometric abstract design, but here there is a composition with figures, showing the mythical King Lycurgus, who (depending on the version) tried to kill Ambrosia, a follower of the god Dionysus (Bacchus to the Romans). She was transformed into a vine that twined around the enraged king and restrained him, eventually killing him. Dionysus and two followers are shown taunting the king. The cup is the "only well-preserved figural example" of a cage cup.

The dichroic effect is achieved by making the glass with tiny proportions of nanoparticles of gold and silver dispersed in colloidal form throughout the glass material. The process used remains unclear, and it is likely that it was not well understood or controlled by the makers, and was probably discovered by accidental "contamination" with minutely ground gold and silver dust. The glass-makers may not even have known that gold was involved, as the quantities involved are so tiny; they may have come from a small proportion of gold in any silver added (most Roman silver contains small proportions of gold), or from traces of gold or gold leaf left by accident in the workshop, as residue on tools, or from other work. The very few other surviving fragments of Roman dichroic glass vary considerably in their two colours.

🔗 Mathematics 🔗 Archaeology

The Ishango bone is a bone tool and possible mathematical object, dated to the Upper Paleolithic era. It is a dark brown length of bone, the fibula of a baboon, with a sharp piece of quartz affixed to one end, perhaps for engraving. It is thought by some to be a tally stick, as it has a series of what has been interpreted as tally marks carved in three columns running the length of the tool, though it has also been suggested that the scratches might have been to create a better grip on the handle or for some other non-mathematical reason. Others argue that the marks on the object are non-random and that it was likely a kind of counting tool and used to perform simple mathematical procedures.