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πŸ”— Mumps (Programming Language)

πŸ”— Computing πŸ”— Computing/Software πŸ”— Computing/Early computers πŸ”— Project-independent assessment

MUMPS ("Massachusetts General Hospital Utility Multi-Programming System"), or M, is an imperative, high-level programming language with an integrated transaction processing key–value database. It was originally developed at Massachusetts General Hospital for managing patient medical records and hospital laboratory information systems.

MUMPS technology has since expanded as the predominant database for health information systems and electronic health records in the United States. MUMPS-based information systems, such as Epic Systems', provide health information services for over 78% of patients across the U.S.

A unique feature of the MUMPS technology is its integrated database language, allowing direct, high-speed read-write access to permanent disk storage.

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πŸ”— The Ondioline

πŸ”— Musical Instruments πŸ”— Electronic music

The Ondioline is an electronic keyboard instrument, invented in 1941 by the Frenchman Georges Jenny, and is a forerunner of today's synthesizers. It is sometimes called the "Jenny Ondioline."

The Ondioline is capable of creating a wide variety of sounds. Its keyboard has an unusual feature: it is suspended on special springs which makes it possible to introduce a natural vibrato if the player moves the keyboard (not the entire instrument) from side to side (laterally) with their playing hand. The result is an almost human-like vibrato that lends a wide range of expression to the Ondioline. The keyboard is also pressure-sensitive, and the instrument has a knee volume lever, as well.

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πŸ”— Everywhere at the End of Time

πŸ”— Internet culture πŸ”— Medicine πŸ”— Psychology πŸ”— Electronic music πŸ”— Neuroscience πŸ”— Medicine/Neurology πŸ”— Medicine/Society and Medicine πŸ”— Albums

Everywhere at the End of Time is the eleventh recording by the Caretaker, an alias of English electronic musician Leyland Kirby. Released between 2016 and 2019, its six studio albums use degrading loops of sampled ballroom music to portray the progression of Alzheimer's disease. Inspired by the success of An Empty Bliss Beyond This World (2011), Kirby produced Everywhere as his final major work under the alias. The albums were produced in Krakow and released over six-month periods to "give a sense of time passing". The album covers are abstract paintings by his friend Ivan Seal. The series drew comparisons to the works of composer William Basinski and electronic musician Burial; later stages were influenced by avant-gardist composer John Cage.

The series comprises six hours of music, portraying a range of emotions and characterised by noise throughout. Although the first three stages are similar to An Empty Bliss, the last three stages depart from Kirby's earlier ambient works. The albums reflect the patient's disorder and death, their feelings, and the phenomenon of terminal lucidity. To promote the series, Kirby partnered with anonymous visual artist Weirdcore to make music videos. At first, concerned about whether the series would seem pretentious, Kirby thought of not creating Everywhere at all; he spent more time producing it than any of his other releases. The album covers received attention from a French art exhibition named after the Caretaker's Everywhere, an Empty Bliss (2019), a compilation of archived songs.

As each stage was released, the series received increasingly positive reviews from critics; its length and dementia-driven concept led many reviewers to feel emotional about the complete edition. Considered to be Kirby's magnum opus, Everywhere was one of the most praised music releases of the 2010s. Caregivers of people with dementia also praised the albums for increasing empathy for patients among younger listeners, although some medics felt the series was too linear. It became an Internet phenomenon in the early 2020s, emerging in TikTok videos as a listening challenge, being transformed into a mod for the video game Friday Night Funkin' (2020), and appearing in internet memes.

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πŸ”— Run Commands, the 'rc' in '.bashrc'

πŸ”— Software πŸ”— Software/Computing

In the context of Unix-like systems, the term rc stands for the phrase "run commands". It is used for any file that contains startup information for a command. It is believed to have originated sometime in 1965 at a runcom facility from the MIT Compatible Time-Sharing System (CTSS).

From Brian Kernighan and Dennis Ritchie:

There was a facility that would execute a bunch of commands stored in a file; it was called runcom for "run commands", and the file began to be called "a runcom". rc in Unix is a fossil from that usage.

Tom Van Vleck, a Multics engineer, has also reminisced about the extension rc: "The idea of having the command processing shell be an ordinary slave program came from the Multics design, and a predecessor program on CTSS by Louis Pouzin called RUNCOM, the source of the '.rc' suffix on some Unix configuration files."

This is also the origin of the name of the Plan 9 from Bell Labs shell by Tom Duff, the rc shell. It is called "rc" because the main job of a shell is to "run commands".

While not historically precise, rc may also be expanded as "run control", because an rc file controls how a program runs. For instance, the editor Vim looks for and reads the contents of the .vimrc file to determine its initial configuration. In The Art of Unix Programming, Eric S. Raymond consistently refers to rc files as "run-control" files.

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πŸ”— Today is Everybody Draw Mohammed Day

πŸ”— Human rights πŸ”— Internet πŸ”— Religion πŸ”— Comedy πŸ”— Freedom of speech πŸ”— Islam πŸ”— Journalism πŸ”— Animation πŸ”— Comics πŸ”— South Park

Everybody Draw Mohammed Day (or Draw Mohammed Day) was a 2010 event in support of artists threatened with violence for drawing representations of the Islamic prophet Muhammad. It stemmed from a protest against censorship of the American television show South Park episode "201", led by the show's distributor Comedy Central, in response to death threats that had been made against some of those responsible for two segments broadcast in April 2010. A drawing representing Mohammed was posted on the Internet on April 20, 2010, with a message suggesting that "everybody" create a drawing depicting Mohammad on May 20 in support of free speech.

U.S. cartoonist Molly Norris of Seattle, Washington created the artwork in reaction to Internet death threats that had been made against animators Trey Parker and Matt Stone for depicting Muhammad in an episode of South Park. Postings on RevolutionMuslim.com (under the pen name Abu Talha al-Amrikee; later identified as Zachary Adam Chesser) had said that Parker and Stone could wind up like Theo van Gogh, a Dutch filmmaker who was stabbed and shot to death.

Norris claimed that, if people draw pictures of Muhammad, radical Islamist terrorists would not be able to murder them all, and threats to do so would become unrealistic. Within a week, Norris' idea became popular on Facebook, was supported by numerous bloggers, and generated coverage on the blog websites of major U.S. newspapers. As the publicity mounted, Norris and the man who created the first Facebook page promoting the May 20 event disassociated themselves from it. Nonetheless, planning for the protest continued with others "taking up the cause". Facebook had an "Everybody Draw Mohammed Day" page, which grew to over 100,000 participants (101,870 members by May 20). A protest page on Facebook against the initiative named "Against β€˜Everybody Draw Mohammed Day'" attracted slightly more supporters (106,000 by May 20). Subsequently, Facebook was temporarily blocked by Pakistan; the ban was lifted after Facebook agreed to block the page for users in India and Pakistan.

In the media, Everybody Draw Mohammed Day attracted support from commentators who felt that the campaign represented important issues of freedom of speech, and the need to stand up for this freedom.

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πŸ”— Tymnet

πŸ”— California πŸ”— Computing πŸ”— Computing/Networking

Tymnet was an international data communications network headquartered in Cupertino, California that used virtual call packet-switched technology and X.25, SNA/SDLC, BSC and Async interfaces to connect host computers (servers) at thousands of large companies, educational institutions, and government agencies. Users typically connected via dial-up connections or dedicated asynchronous connections.

The business consisted of a large public network that supported dial-up users and a private network that allowed government agencies and large companies (mostly banks and airlines) to build their own dedicated networks. The private networks were often connected via gateways to the public network to reach locations not on the private network. Tymnet was also connected to dozens of other public networks in the United States and internationally via X.25/X.75 gateways.

As the Internet grew and became almost universally accessible in the late 1990s, the need for services such as Tymnet migrated to the Internet style connections, but still had some value in the Third World and for specific legacy roles. However the value of these links continued to decrease, and Tymnet shut down in 2004.

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πŸ”— Circle Packing

πŸ”— Mathematics

In geometry, circle packing is the study of the arrangement of circles (of equal or varying sizes) on a given surface such that no overlapping occurs and so that no circle can be enlarged without creating an overlap. The associated packing density, Ξ·, of an arrangement is the proportion of the surface covered by the circles. Generalisations can be made to higher dimensions – this is called sphere packing, which usually deals only with identical spheres.

While the circle has a relatively low maximum packing density of 0.9069 on the Euclidean plane, it does not have the lowest possible. The "worst" shape to pack onto a plane is not known, but the smoothed octagon has a packing density of about 0.902414, which is the lowest maximum packing density known of any centrally-symmetric convex shape. Packing densities of concave shapes such as star polygons can be arbitrarily small.

The branch of mathematics generally known as "circle packing" is concerned with the geometry and combinatorics of packings of arbitrarily-sized circles: these give rise to discrete analogs of conformal mapping, Riemann surfaces and the like.

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πŸ”— Archy

πŸ”— Computing πŸ”— Computing/Software

Archy is a software system whose user interface introduced a different approach for interacting with computers with respect to traditional graphical user interfaces. Designed by human-computer interface expert Jef Raskin, it embodies his ideas and established results about human-centered design described in his book The Humane Interface. These ideas include content persistence, modelessness, a nucleus with commands instead of applications, navigation using incremental text search, and a zooming user interface (ZUI). The system was being implemented at the Raskin Center for Humane Interfaces under Raskin's leadership. Since his death in February 2005 the project was continued by his team, which later shifted focus to the Ubiquity extension for the Firefox browser.

Archy in large part builds on Raskin's earlier work with the Apple Macintosh, Canon Cat, SwyftWare, and Ken Perlin's Pad ZUI system. It can be described as a combination of Canon Cat's text processing functions with a modern ZUI. Archy is more radically different from established systems than are Sun Microsystems' Project Looking Glass and Microsoft Research's "Task Gallery" prototype. While these systems build upon the WIMP desktop paradigm, Archy has been compared as similar to the Emacs text editor, although its design begins from a clean slate.

Archy used to be called The Humane Environment ("THE"). On January 1, 2005, Raskin announced the new name, and that Archy would be further developed by the non-profit Raskin Center for Humane Interfaces. The name "Archy" is a play on the Center's acronym, R-CHI. It is also an allusion to Don Marquis' archy and mehitabel poetry. Jef Raskin jokingly stated: "Yes, we named our software after a bug." (a cockroach), further playing with the meaning of bugs in software.

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  • "Archy" | 2013-07-09 | 76 Upvotes 35 Comments

πŸ”— Stanhope (optical bijou)

πŸ”— Photography πŸ”— Photography/History of photography πŸ”— Gemology and Jewelry

A stanhope or stanho-scope is an optical device that enables the viewing of microphotographs without using a microscope. They were invented by RenΓ© Dagron in 1857. Dagron bypassed the need for an expensive microscope to view the microscopic photographs by attaching the microphotograph at the end of a modified Stanhope lens. He called the devices bijoux photo-microscopiques or microscopic photo-jewelry.

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πŸ”— Women-Are-Wonderful Effect

πŸ”— Psychology πŸ”— Women's History πŸ”— Discrimination πŸ”— Gender Studies πŸ”— Men's Issues

The women-are-wonderful effect is the phenomenon found in psychological and sociological research which suggests that people associate more positive attributes with women compared to men. This bias reflects an emotional bias toward women as a general case. The phrase was coined by Alice Eagly and Antonio Mladinic in 1994 after finding that both male and female participants tend to assign positive traits to women, with female participants showing a far more pronounced bias. Positive traits were assigned to men by participants of both genders, but to a far lesser degree.

The authors supposed that the positive general evaluation of women might derive from the association between women and nurturing characteristics. This bias is suggested as a form of misandry/'benevolent misogyny', the latter being a concept within the theoretical framework of ambivalent sexism.

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