Have a deep view into what people are curious about.

🔗 United States 🔗 Companies 🔗 Law 🔗 Marketing & Advertising 🔗 Google

Jedi Blue is an agreement between Alphabet and Meta Platforms that allegedly gave Facebook an illegal advantage in Google's ad auctions in exchange for Facebook's word that it would end its own ad service plans.

🔗 Paranormal

The Eltanin Antenna is an object photographed on the sea floor by the Antarctic oceanographic research ship USNS Eltanin in 1964, while photographing the sea bottom west of Cape Horn.

Due to its regular antenna-like structure and upright position on the seafloor at a depth of 3,904 metres (12,808 ft), some proponents of fringe and UFO-related theories including Bruce Cathie have suggested that it might be an extraterrestrial artifact. Other authorities have suggested that the object photographed by the Eltanin was an unusual carnivorous sponge, Chondrocladia concrescens (formerly Cladorhiza concrescens).

🔗 Linguistics 🔗 Linguistics/Applied Linguistics 🔗 Writing systems

The orthographic depth of an alphabetic orthography indicates the degree to which a written language deviates from simple one-to-one letter–phoneme correspondence. It depends on how easy it is to predict the pronunciation of a word based on its spelling: shallow orthographies are easy to pronounce based on the written word, and deep orthographies are difficult to pronounce based on how they are written.

In shallow orthographies, the spelling-sound correspondence is direct: from the rules of pronunciation, one is able to pronounce the word correctly. In other words, shallow (transparent) orthographies, also called phonemic orthographies, have a one-to-one relationship between its graphemes and phonemes, and the spelling of words is very consistent. Such examples include Hindi, Spanish, Finnish, Turkish, Latin and Italian.

In contrast, in deep (opaque) orthographies, the relationship is less direct, and the reader must learn the arbitrary or unusual pronunciations of irregular words. In other words, deep orthographies are writing systems that do not have a one-to-one correspondence between sounds (phonemes) and the letters (graphemes) that represent them. They may reflect etymology (English, Faroese, Mongolian script, Thai, French, or Franco-Provençal) or be morphophonemic (Korean or Russian).

Written Korean represents an unusual hybrid; each phoneme in the language is represented by a letter but the letters are packaged into "square" units of two to four phonemes, each square representing a syllable. Korean has very complex phonological variation rules, especially regarding the consonants rather than the vowels, in contrast to English. For example, the Korean word 훗일, which should be pronounced as [husil] based on standard pronunciations of the components of the grapheme, is actually pronounced as [hunnil]. Among the consonants of the Korean language, only one is always pronounced exactly as it is written.

Italian offers clear examples of differential directionality in depth. Even in a very shallow orthographic system, spelling-to-pronunciation and pronunciation-to-spelling may not be equally clear. There are two major imperfect matches of vowels to letters: in stressed syllables, e can represent either open [ɛ] or closed [e], and o stands for either open [ɔ] or closed [o]. According to the orthographic principles used for the language, [ˈsɛtta] 'sect', for example, with open [ɛ] can only be spelled setta, and [ˈvetta] 'summit' with closed [e] can only be vetta — if a listener can hear it, they can spell it. But since the letter e is assigned to represent both [ɛ] and [e], there is no principled way to know whether to pronounce the written words setta and vetta with [ɛ] or [e] — the spelling does not present the information needed for accurate pronunciation. A second lacuna in Italian's shallow orthography is that although stress position in words is only very partially predictable, it is normally not indicated in writing. For purposes of spelling, it makes no difference which syllable is stressed in the place names Arsoli and Carsoli, but the spellings offer no clue that they are ARsoli and CarSOli (and as with the letter e above, the stressed o of Carsoli, which is [ɔ], is unknown from the spelling).

🔗 Film 🔗 Television 🔗 Novels 🔗 Screenwriters

In fiction, a MacGuffin (sometimes McGuffin) is an object, device, or event that is necessary to the plot and the motivation of the characters, but insignificant, unimportant, or irrelevant in itself. The term was originated by Angus MacPhail for film, adopted by Alfred Hitchcock, and later extended to a similar device in other fiction.

The MacGuffin technique is common in films, especially thrillers. Usually, the MacGuffin is revealed in the first act, and thereafter declines in importance. It can reappear at the climax of the story but may actually be forgotten by the end of the story. Multiple MacGuffins are sometimes derisively identified as plot coupons.

🔗 Religion 🔗 Japan 🔗 Japan/Religion 🔗 Japan/Shinto

Sangaku or San Gaku (算額; lit. translation: calculation tablet) are Japanese geometrical problems or theorems on wooden tablets which were placed as offerings at Shinto shrines or Buddhist temples during the Edo period by members of all social classes.

🔗 United States 🔗 Finance & Investment 🔗 Economics 🔗 Business

The Panic of 1907 – also known as the 1907 Bankers' Panic or Knickerbocker Crisis – was a financial crisis that took place in the United States over a three-week period starting in mid-October, when the New York Stock Exchange fell almost 50% from its peak the previous year. Panic occurred, as this was during a time of economic recession, and there were numerous runs on banks and trust companies. The 1907 panic eventually spread throughout the nation when many state and local banks and businesses entered bankruptcy. Primary causes of the run included a retraction of market liquidity by a number of New York City banks and a loss of confidence among depositors, exacerbated by unregulated side bets at bucket shops.

The panic was triggered by the failed attempt in October 1907 to corner the market on stock of the United Copper Company. When this bid failed, banks that had lent money to the cornering scheme suffered runs that later spread to affiliated banks and trusts, leading a week later to the downfall of the Knickerbocker Trust Company—New York City's third-largest trust. The collapse of the Knickerbocker spread fear throughout the city's trusts as regional banks withdrew reserves from New York City banks. Panic extended across the nation as vast numbers of people withdrew deposits from their regional banks. It is the 9th largest decline in U.S. stock market history.

The panic might have deepened if not for the intervention of financier J. P. Morgan, who pledged large sums of his own money, and convinced other New York bankers to do the same, to shore up the banking system. This highlighted the impotence of the nation's Independent Treasury system, which managed the nation's money supply yet was unable to inject liquidity back into the market. By November, the financial contagion had largely ended, only to be replaced by a further crisis. This was due to the heavy borrowing of a large brokerage firm that used the stock of Tennessee Coal, Iron and Railroad Company (TC&I) as collateral. Collapse of TC&I's stock price was averted by an emergency takeover by Morgan's U.S. Steel Corporation—a move approved by anti-monopolist president Theodore Roosevelt. The following year, Senator Nelson W. Aldrich, a leading Republican, established and chaired a commission to investigate the crisis and propose future solutions, leading to the creation of the Federal Reserve System.

🔗 Philosophy 🔗 Education 🔗 Philosophy/Analytic philosophy

In philosophy, Wittgenstein's ladder is a metaphor set out by Ludwig Wittgenstein about learning. In what may be a deliberate reference to Søren Kierkegaard's Concluding Unscientific Postscript to Philosophical Fragments, the penultimate proposition of the Tractatus Logico-Philosophicus (translated from the original German) reads:

6.54

   My propositions serve as elucidations in the following way: anyone who understands me eventually recognizes them as nonsensical, when he has used them—as steps—to climb beyond them. (He must, so to speak, throw away the ladder after he has climbed up it.)

   He must transcend these propositions, and then he will see the world aright.

Given the preceding problematic at work in his Tractatus, this passage suggests that, if a reader understands Wittgenstein's aims in the text, then those propositions the reader would have just read would be recognized as nonsense. From Propositions 6.4–6.54, the Tractatus shifts its focus from primarily logical considerations to what may be considered more traditionally philosophical topics (God, ethics, meta-ethics, death, the will) and, less traditionally along with these, the mystical. The philosophy presented in the Tractatus attempts to demonstrate just what the limits of language are—and what it is to run up against them. Among what can be said for Wittgenstein are the propositions of natural science, and to the nonsensical, or unsayable, those subjects associated with philosophy traditionally—ethics and metaphysics, for instance.

Curiously, the penultimate proposition of the Tractatus, proposition 6.54, states that once one understands the propositions of the Tractatus, one will recognize that they are nonsensical (unsinnig), and that they must be thrown away. Proposition 6.54, then, presents a difficult interpretative problem. If the so-called picture theory of language is correct, and it is impossible to represent logical form, then the theory, by trying to say something about how language and the world must be for there to be meaning, is self-undermining. This is to say that the picture theory of language itself requires that something be said about the logical form sentences must share with reality for meaning to be possible. This requires doing precisely what the picture theory of language precludes. It would appear, then, that the metaphysics and the philosophy of language endorsed by the Tractatus give rise to a paradox: for the Tractatus to be true, it will necessarily have to be nonsense by self-application; but for this self-application to render the propositions of the Tractatus nonsense (in the Tractarian sense), then the Tractatus must be true.

Other philosophers before Wittgenstein, including Zhuang Zhou, Schopenhauer and Fritz Mauthner, had used a similar metaphor.

In his notes of 1930 Wittgenstein returns to the image of a ladder with a different perspective:

I might say: if the place I want to get could only be reached by way of a ladder, I would give up trying to get there. For the place I really have to get to is a place I must already be at now.
Anything that I might reach by climbing a ladder does not interest me.

🔗 Law

In legal parlance, a peppercorn is a metaphor for a very small cash payment or other nominal consideration, used to satisfy the requirements for the creation of a legal contract. It is featured in Chappell & Co Ltd v Nestle Co Ltd ([1960] AC 87), which stated that "a peppercorn does not cease to be good consideration if it is established that the promisee does not like pepper and will throw away the corn". However, the cited passage is mere dicta, and not the basis for the decision.

🔗 Russia 🔗 Russia/technology and engineering in Russia 🔗 Russia/science and education in Russia 🔗 Geology

The Kola Superdeep Borehole (Russian: Кольская сверхглубокая скважина) is the result of a scientific drilling project of the Soviet Union in the Pechengsky District, on the Kola Peninsula. The project attempted to drill as deep as possible into the Earth's crust. Drilling began on 24 May 1970 using the Uralmash-4E, and later the Uralmash-15000 series drilling rig. Boreholes were drilled by branching from a central hole. The deepest, SG-3, reached 12,262 metres (40,230 ft; 7.619 mi) in 1989 and is the deepest artificial point on Earth. The borehole is 23 centimetres (9 in) in diameter.

In terms of true vertical depth, it is the deepest borehole in the world. For two decades it was also the world's longest borehole in terms of measured depth along the well bore, until it was surpassed in 2008 by the 12,289-metre-long (40,318 ft) Al Shaheen oil well in Qatar, and in 2011 by the 12,345-metre-long (40,502 ft) Sakhalin-I Odoptu OP-11 Well (offshore from the Russian island of Sakhalin).

🔗 Military history 🔗 Military history/Military science, technology, and theory 🔗 Military history/World War I 🔗 Military history/German military history 🔗 Birds 🔗 Photography 🔗 Photography/History of photography 🔗 Military history/European military history

Pigeon photography is an aerial photography technique invented in 1907 by the German apothecary Julius Neubronner, who also used pigeons to deliver medications. A homing pigeon was fitted with an aluminium breast harness to which a lightweight time-delayed miniature camera could be attached. Neubronner's German patent application was initially rejected, but was granted in December 1908 after he produced authenticated photographs taken by his pigeons. He publicized the technique at the 1909 Dresden International Photographic Exhibition, and sold some images as postcards at the Frankfurt International Aviation Exhibition and at the 1910 and 1911 Paris Air Shows.

Initially, the military potential of pigeon photography for aerial reconnaissance appeared interesting. Battlefield tests in World War I provided encouraging results, but the ancillary technology of mobile dovecotes for messenger pigeons had the greatest impact. Owing to the rapid perfection of aviation during the war, military interest in pigeon photography faded and Neubronner abandoned his experiments. The idea was briefly resurrected in the 1930s by a Swiss clockmaker, and reportedly also by the German and French militaries. Although war pigeons were deployed extensively during World War II, it is unclear to what extent, if any, birds were involved in aerial reconnaissance. The United States Central Intelligence Agency (CIA) later developed a battery-powered camera designed for espionage pigeon photography; details of its use remain classified.

The construction of sufficiently small and light cameras with a timer mechanism, and the training and handling of the birds to carry the necessary loads, presented major challenges, as did the limited control over the pigeons' position, orientation and speed when the photographs were being taken. In 2004, the British Broadcasting Corporation (BBC) used miniature television cameras attached to falcons and goshawks to obtain live footage, and today some researchers, enthusiasts and artists similarly deploy crittercams with various species of animals.