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πŸ”— Narcissistic Number

πŸ”— Numbers

In number theory, a narcissistic number (also known as a pluperfect digital invariant (PPDI), an Armstrong number (after Michael F. Armstrong) or a plus perfect number) in a given number base b {\displaystyle b} is a number that is the sum of its own digits each raised to the power of the number of digits.

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πŸ”— British Pet Massacre

πŸ”— Military history πŸ”— United Kingdom πŸ”— Military history/World War II πŸ”— Animal rights πŸ”— Animals πŸ”— Military history/European military history πŸ”— Military history/British military history

The British pet massacre was an event in 1939 in the United Kingdom where over 750,000 pets were killed in preparation for food shortages during World War II. It was referred to at the time as the September Holocaust, and later sources describe it as a "holocaust of pets". In London alone, during the first week of the Second World War around 400,000 companion animals, about 26% of all cats and dogs were killed.

No bombs were to fall on the UK mainland until April 1940.

Similar events happened in mainland Europe, for example, the killing of millions of farm animals in Denmark due to the lack of imported fodder for them.

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πŸ”— Bibi-binary

πŸ”— Computing πŸ”— Mathematics

The Bibi-binary system for numeric notation (in French systΓ¨me Bibi-binaire, or abbreviated "systΓ¨me Bibi") is a hexadecimal numeral system first described in 1968 by singer/mathematician Robert "Boby" Lapointe (1922–1972). At the time, it attracted the attention of AndrΓ© Lichnerowicz, then engaged in studies at the University of Lyon. It found some use in a variety of unforeseen applications: stochastic poetry, stochastic art, colour classification, aleatory music, architectural symbolism, etc.

The notational system directly and logically encodes the binary representations of the digits in a hexadecimal (base sixteen) numeral. In place of the Arabic numerals 0–9 and letters A–F currently used in writing hexadecimal numerals, it presents sixteen newly devised symbols (thus evading any risk of confusion with the decimal system). The graphical and phonetic conception of these symbols is meant to render the use of the Bibi-binary "language" simple and fast.

The description of the language first appeared in Les Cerveaux non-humains ("Non-human brains"), and the system can also be found in Boby Lapointe by Huguette Long Lapointe.

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πŸ”— 18F

πŸ”— United States/U.S. Government πŸ”— United States

18F was a digital services agency within the Technology Transformation Services department of the General Services Administration (GSA) of the United States Government. 18F helped other government agencies build, buy, and share technology products. The team consisted of designers, software engineers, strategists, and product managers who collaborated with other agencies to fix technical problems, build products, and improve public service through technology. As part of wide-sweeping federal layoffs at the beginning of the second Trump administration that were carried out in connection with the Department of Government Efficiency, the agency was eliminated in March, 2025.

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  • "18F" | 2025-03-03 | 59 Upvotes 2 Comments

πŸ”— Wall of Sound

πŸ”— Professional sound production πŸ”— Record Production πŸ”— The Beatles πŸ”— Pop music

The Wall of Sound (also called the Spector Sound) is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as "the Wrecking Crew". The intention was to exploit the possibilities of studio recording to create an unusually dense orchestral aesthetic that came across well through radios and jukeboxes of the era. Spector explained in 1964: "I was looking for a sound, a sound so strong that if the material was not the greatest, the sound would carry the record. It was a case of augmenting, augmenting. It all fit together like a jigsaw."

A popular misconception holds that the Wall of Sound was created simply through a maximum of noise and distortion, but the method was actually more nuanced. To attain the Wall of Sound, Spector's arrangements called for large ensembles (including some instruments not generally used for ensemble playing, such as electric and acoustic guitars), with multiple instruments doubling or tripling many of the parts to create a fuller, richer tone. For example, Spector often duplicated a part played by an acoustic piano with an electric piano and a harpsichord. Mixed well enough, the three instruments would then be indistinguishable to the listener.

Among other features of the sound, Spector incorporated an array of orchestral instruments (strings, woodwind, brass and percussion) not previously associated with youth-oriented pop music. Reverb from an echo chamber was also highlighted for additional texture. He characterized his methods as "a Wagnerian approach to rock & roll: little symphonies for the kids". The combination of large ensembles with reverberation effects also increased the average audio power in a way that resembles compression. By 1979, the use of compression had become common on the radio, marking the trend that led to the loudness war in the 1980s.

The intricacies of the technique were unprecedented in the field of sound production for popular music. According to Beach Boys leader Brian Wilson, who used the formula extensively: "In the '40s and '50s, arrangements were considered 'OK here, listen to that French horn' or 'listen to this string section now.' It was all a definite sound. There weren't combinations of sound and, with the advent of Phil Spector, we find sound combinations, whichβ€”scientifically speakingβ€”is a brilliant aspect of sound production."

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πŸ”— Beach theft

πŸ”— Crime πŸ”— Mining

Sand theft or unauthorised or illegal sand mining leads to a widely unknown global example of natural and non-renewable resource depletion problem comparable in extent to global water scarcity. Beach theft is illegal removal of large quantities of sand from a beach leading to full or partial disappearance of the beach.

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πŸ”— Rimac Concept One

πŸ”— Environment πŸ”— Automobiles πŸ”— Croatia πŸ”— Environment/Green vehicle

The Rimac Concept One, sometimes stylized as Concept_One, is a two-seat high-performance electric car designed and manufactured in Croatia by Rimac Automobili. With a total output of 913Β kW (1,241Β PS; 1,224Β hp) and an acceleration time from 0–62Β mph (0–100Β km/h) in 2.5 seconds.

The Rimac Concept One was claimed to be the world's fastest accelerating electric vehicle in 2013.

To advertise both Rimac Automobili and Formula E, the Concept One was used as the official zero-emission race director's car during the first season of Formula E championship in 2014.

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πŸ”— Zalgo Text

πŸ”— Internet culture

Zalgo text, also known as cursed text due to the nature of its use, is digital text that has been modified with numerous combining characters, Unicode symbols used to add diacritics above or below letters, to appear frightening or glitchy.

Named for a 2004 Internet creepypasta story that ascribes it to the influence of an eldritch deity, Zalgo text has become a significant component of many Internet memes, particularly in the "surreal meme" culture. The formatting of Zalgo text also allows it to be used to halt or impair certain computer functions, whether intentionally or not.

πŸ”— Game Oriented Assembly Lisp

πŸ”— Video games

Game Oriented Assembly Lisp (GOAL) is a programming language, a dialect of the language Lisp, made for video games developed by Andy Gavin and the Jak and Daxter team at the company Naughty Dog.

It was written using Allegro Common Lisp and used in the development of the entire Jak and Daxter series of games.

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πŸ”— Pizza Effect

πŸ”— Religion πŸ”— Sociology

In religious studies and sociology, the pizza effect is the phenomenon of elements of a nation or people's culture being transformed or at least more fully embraced elsewhere, then re-imported back to their culture of origin, or the way in which a community's self-understanding is influenced by (or imposed by, or imported from) foreign sources. It is named after the idea that modern pizza toppings were developed among Italian immigrants in the United States (rather than in native Italy, where in its simpler form it was originally looked down upon), and was later exported back to Italy to be interpreted as a delicacy in Italian cuisine.

Related phrases include "hermeneutical feedback loop", "re-enculturation", and "self-orientalization". The term "pizza effect" was coined by the Austrian-born Hindu monk and professor of Anthropology at Syracuse University, Agehananda Bharati in 1970.

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