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🔗 Russia 🔗 Russia/demographics and ethnography of Russia 🔗 Ukraine 🔗 Visual arts 🔗 Russia/history of Russia 🔗 Russia/visual arts in Russia

Reply of the Zaporozhian Cossacks to Sultan Mehmed IV of the Ottoman Empire, also known as Cossacks of Saporog Are Drafting a Manifesto (Russian: Запорожцы пишут письмо турецкому султану), is a painting by Russian artist Ilya Repin. The 2.03 m (6 foot 7 inch) by 3.58 m (11 foot 9 inch) canvas was started in 1880 and finished in 1891. Repin recorded the years of work along the lower edge of the canvas. Alexander III bought the painting for 35,000 rubles, at the time the greatest sum ever paid for a Russian painting. Since then, the canvas has been exhibited in the State Russian Museum in Saint Petersburg.

🔗 Russia 🔗 Russia/technology and engineering in Russia 🔗 Russia/history of Russia 🔗 Gemology and Jewelry 🔗 Russia/visual arts in Russia 🔗 Gemology and Jewelry/Jewelry

A Fabergé egg (Russian: яйцо Фаберже́, romanized: yaytso Faberzhe) is a jewelled egg created by the jewellery firm House of Fabergé, in Saint Petersburg, Russia. As many as 69 were created, of which 57 survive today. Virtually all were manufactured under the supervision of Peter Carl Fabergé between 1885 and 1917. The most famous are his 52 "Imperial" eggs, 46 of which survive, made for the Russian Tsars Alexander III and Nicholas II as Easter gifts for their wives and mothers. Fabergé eggs are worth millions of dollars and have become symbols of opulence.

🔗 Russia 🔗 Architecture 🔗 Russia/politics and law of Russia 🔗 Russia/history of Russia 🔗 Russia/visual arts in Russia

The Amber Room (Russian: Янтарная комната, romanized: Yantarnaya Komnata, German: Bernsteinzimmer) was a chamber decorated in amber panels backed with gold leaf and mirrors, located in the Catherine Palace of Tsarskoye Selo near Saint Petersburg.

Constructed in the 18th century in Prussia, the room was dismantled and eventually disappeared during World War II. Before its loss, it was considered an "Eighth Wonder of the World". A reconstruction was made, starting in 1979 and completed and installed in the Catherine Palace in 2003.

The Amber Room was intended in 1701 for the Charlottenburg Palace, in Berlin, Prussia, but was eventually installed at the Berlin City Palace. It was designed by German baroque sculptor Andreas Schlüter and Danish amber craftsman Gottfried Wolfram. Schlüter and Wolfram worked on the room until 1707, when work was continued by amber masters Gottfried Turau and Ernst Schacht from Danzig (Gdańsk).

It remained in Berlin until 1716, when it was given by the Prussian King Frederick William I to his ally Tsar Peter the Great of the Russian Empire. In Russia, the room was installed in the Catherine Palace. After expansion and several renovations, it covered more than 55 square metres (590 ft²) and contained over 6 tonnes (13,000 lb) of amber.

The Amber Room was looted during World War II by the Army Group North of Nazi Germany, and taken to Königsberg for reconstruction and display. Some time in early 1944, with Allied forces closing in on Germany, the room was disassembled and crated for storage in the Castle basement. Königsberg was destroyed by Allied bombers in August 1944 and documentation of the room location ends there. Its eventual fate and current whereabouts, if it survives, remain a mystery. In 1979, the decision was taken to create a reconstructed Amber Room at the Catherine Palace in Pushkin. After decades of work by Russian craftsmen and donations from Germany, it was completed and inaugurated in 2003.