Topic: Record Labels

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πŸ”— 1942–1944 Musicians' Strike

πŸ”— United States πŸ”— Organized Labour πŸ”— Record Labels πŸ”— United States/American music

On August 1, 1942, the American Federation of Musicians, at the instigation of union president James C. Petrillo, began a strike against the major American record companies because of disagreements over royalty payments. Beginning at midnight, July 31, 1942, no union musician could make commercial recordings for any commercial record company. That meant that a union musician was allowed to participate on radio programs and other kinds of musical entertainment, but not in a recording session. The 1942–1944 musicians' strike remains the longest strike in entertainment history.

The strike did not affect musicians performing on live radio shows, in concerts, or, after October 27, 1943, on special recordings made by the record companies for V-Discs for distribution to the armed forces fighting World War II, because V-Discs were not available to the general public. However, the union did frequently threaten to withdraw musicians from the radio networks to punish individual network affiliates who were deemed "unfair" for violating the union's policy on recording network shows for repeat broadcasts.

The strike had a major impact on the American musical scene. At the time, union bands dominated popular music; after the strike, and partly as a result of it, the big bands began to decline and vocalists began to dominate popular music.

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πŸ”— The Edison Disc Record

πŸ”— United States πŸ”— Brands πŸ”— Record Labels πŸ”— United States/American music

The Edison Diamond Disc Record is a type of phonograph record marketed by Thomas A. Edison, Inc. on their Edison Record label from 1912 to 1929. They were named Diamond Discs because the matching Edison Disc Phonograph was fitted with a permanent conical diamond stylus for playing them. Diamond Discs were incompatible with lateral-groove disc record players, e.g. the Victor Victrola, the disposable steel needles of which would damage them while extracting hardly any sound. Uniquely, they are just under 1⁄4Β in (6.0Β mm; 0.235Β in) thick.

Edison had previously made only phonograph cylinders but decided to add a disc format to the product line because of the increasingly dominant market share of the shellac disc records (later called 78s because of their typical rotational speed in revolutions per minute) made by competitors such as the Victor Talking Machine Company. Victor and most other makers recorded and played sound by a lateral or side-to-side motion of the stylus in the record groove, while in the Edison system the motion was vertical or up-and-down, known as vertical recording, as used for cylinder records. An Edison Disc Phonograph is distinguished by the diaphragm of the reproducer being parallel to the surface of the record. The diaphragm of a reproducer used for playing lateral records is at a right angle to the surface.

In the late summer and early fall of 1929 Edison also briefly produced a high-quality series of thin electrically recorded lateral-cut "Needle Type" disc records for use on standard record players.

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