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Sonoluminescence is the emission of short bursts of light from imploding bubbles in a liquid when excited by sound.

In acoustics, a beat is an interference pattern between two sounds of slightly different frequencies, perceived as a periodic variation in volume whose rate is the difference of the two frequencies.

With tuning instruments that can produce sustained tones, beats can be readily recognized. Tuning two tones to a unison will present a peculiar effect: when the two tones are close in pitch but not identical, the difference in frequency generates the beating. The volume varies like in a tremolo as the sounds alternately interfere constructively and destructively. As the two tones gradually approach unison, the beating slows down and may become so slow as to be imperceptible. As the two tones get further apart, their beat frequency starts to approach the range of human pitch perception, the beating starts to sound like a note, and a combination tone is produced. This combination tone can also be referred to as a missing fundamental, as the beat frequency of any two tones is equivalent to the frequency of their implied fundamental frequency.

Thermoacoustic engines (sometimes called "TA engines") are thermoacoustic devices which use high-amplitude sound waves to pump heat from one place to another (this requires work, which is provided by the loudspeaker) or use a heat difference to produce work in the form of sound waves (these waves can then be converted into electrical current the same way as a microphone does).

These devices can be designed to use either standing wave or travelling wave.

Compared to vapor refrigerators, thermoacoustic refrigerators have no coolant and few moving parts (only the loudspeaker), therefore require no dynamic sealing or lubrication.

Singing sand, also called whistling sand, barking sand or singing dune, is sand that produces sound. The sound emission may be caused by wind passing over dunes or by walking on the sand.

Certain conditions have to come together to create singing sand:

1. The sand grains have to be round and between 0.1 and 0.5 mm in diameter.
2. The sand has to contain silica.
3. The sand needs to be at a certain humidity.

The most common frequency emitted seems to be close to 450 Hz.

There are various theories about the singing sand mechanism. It has been proposed that the sound frequency is controlled by the shear rate. Others have suggested that the frequency of vibration is related to the thickness of the dry surface layer of sand. The sound waves bounce back and forth between the surface of the dune and the surface of the moist layer, creating a resonance that increases the sound's volume. The noise may be generated by friction between the grains or by the compression of air between them.

Other sounds that can be emitted by sand have been described as "roaring" or "booming".