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🔗 Skepticism 🔗 History of Science 🔗 Sociology

The Sokal affair, also called the Sokal hoax, was a scholarly publishing sting perpetrated by Alan Sokal, a physics professor at New York University and University College London. In 1996, Sokal submitted an article to Social Text, an academic journal of postmodern cultural studies. The submission was an experiment to test the journal's intellectual rigor and, specifically, to investigate whether "a leading North American journal of cultural studies—whose editorial collective includes such luminaries as Fredric Jameson and Andrew Ross—[would] publish an article liberally salted with nonsense if (a) it sounded good and (b) it flattered the editors' ideological preconceptions".

The article, "Transgressing the Boundaries: Towards a Transformative Hermeneutics of Quantum Gravity", was published in the Social Text spring/summer 1996 "Science Wars" issue. It proposed that quantum gravity is a social and linguistic construct. At that time, the journal did not practice academic peer review and it did not submit the article for outside expert review by a physicist. Three weeks after its publication in May 1996, Sokal revealed in Lingua Franca that the article was a hoax.

The hoax sparked a debate about the scholarly merit of commentary on the physical sciences by those in the humanities; the influence of postmodern philosophy on social disciplines in general; academic ethics, including whether Sokal was wrong to deceive the editors and readers of Social Text; and whether Social Text had exercised appropriate intellectual rigor.

🔗 Philosophy 🔗 Philosophy/Logic 🔗 Philosophy/Epistemology

In epistemology, the Münchhausen trilemma is a thought experiment used to demonstrate the impossibility of proving any truth, even in the fields of logic and mathematics. If it is asked how any given proposition is known to be true, proof may be provided. Yet that same question can be asked of the proof, and any subsequent proof. The Münchhausen trilemma is that there are only three options when providing further proof in response to further questioning:

• The circular argument, in which the proof of some proposition is supported only by that proposition
• The regressive argument, in which each proof requires a further proof, ad infinitum
• The axiomatic argument, which rests on accepted precepts which are merely asserted rather than defended

The trilemma, then, is the decision among the three equally unsatisfying options.

The name Münchhausen-Trilemma was coined by the German philosopher Hans Albert in 1968 in reference to a trilemma of "dogmatism versus infinite regress versus psychologism" used by Karl Popper. It is a reference to the problem of "bootstrapping", based on the story of Baron Munchausen (in German, "Münchhausen") pulling himself and the horse on which he was sitting out of a mire by his own hair.

It is also known as Agrippa's trilemma or the Agrippan trilemma after a similar argument reported by Sextus Empiricus, which was attributed to Agrippa the Skeptic by Diogenes Laërtius, as well as Fries's trilemma after German philosopher Jakob Friedrich Fries. Sextus' argument, however, consists of five (not three) "modes". Popper in his original 1935 publication mentions neither Sextus nor Agrippa, but attributes his trilemma to Fries.

In contemporary epistemology, advocates of coherentism are supposed to accept the "circular" horn of the trilemma; foundationalists rely on the axiomatic argument. The view that accepts infinite regress is called infinitism.

🔗 Internet culture 🔗 Climate change 🔗 Environment 🔗 United Kingdom 🔗 Antarctica 🔗 Arctic 🔗 Oceans 🔗 Antarctica/British Antarctic Territory

Boaty McBoatface (also known as Boaty) is the British lead boat in a fleet of three robotic lithium battery–powered autonomous underwater vehicles (AUVs) of the Autosub Long Range (ALR) class. Launched in 2017 and carried on board the polar scientific research vessel RRS Sir David Attenborough, she is a focal point of the Polar Explorer Programme of the UK Government.

Boaty and her two fleet-mates are part of the UK National Marine Equipment Pool and owned by the National Oceanography Centre in Southampton. She is classified as an "autosub long range (ALR) autonomous underwater vehicle", and will use her onboard sensors to map the movement of deep waters that play a vital role in regulating the Earth's climate.

🔗 Linguistics

Oi is an interjection used in various varieties of the English language, particularly Australian English, British English, Indian English, Irish English, New Zealand English, and South African English, as well as non-English languages such as Chinese, Tagalog, Tamil, Hindi/Urdu, Japanese, and Portuguese to get the attention of another person or to express surprise or disapproval. It is sometimes used in Canadian English and very rarely in American English. The word is also common in the Indian subcontinent, where it has varied pronunciations of "O-ee" and "O-ye".

"Oi" has been particularly associated with working class and Cockney speech. It is effectively a local pronunciation of "hoy" (see H-dropping), an older expression. A study of the Cockney dialect in the 1950s found that whether it was being used to call attention or as a challenge depended on its tone and abruptness. The study's author noted that the expression is "jaunty and self-assertive" as well as "intensely cockney".

A poll of non-English speakers by the British Council in 2004 found that "oi" was considered the 61st most beautiful word in the English language. A spokesman commented that "Oi is not a word that I would've thought turned up in English manuals all that often." "Oi" was added to the list of acceptable words in US Scrabble in 2006.

🔗 United States 🔗 Mathematics 🔗 Law 🔗 History of Science 🔗 United States/Indiana

The Indiana Pi Bill is the popular name for bill #246 of the 1897 sitting of the Indiana General Assembly, one of the most notorious attempts to establish mathematical truth by legislative fiat. Despite its name, the main result claimed by the bill is a method to square the circle, rather than to establish a certain value for the mathematical constant π, the ratio of the circumference of a circle to its diameter. The bill, written by the crank Edward J. Goodwin, does imply various incorrect values of π, such as 3.2. The bill never became law, due to the intervention of Professor C. A. Waldo of Purdue University, who happened to be present in the legislature on the day it went up for a vote.

The impossibility of squaring the circle using only compass and straightedge constructions, suspected since ancient times, was rigorously proven in 1882 by Ferdinand von Lindemann. Better approximations of π than those implied by the bill have been known since ancient times.

🔗 United States 🔗 Biography 🔗 Criminal Biography 🔗 United States/Colorado

Marvin John Heemeyer (October 28, 1951 – June 4, 2004) was an automobile muffler repair shop owner who demolished numerous buildings with a modified bulldozer in Granby, Colorado, on June 4, 2004.

Heemeyer had feuded with Granby town officials, particularly over fines for violating city health ordinances after local officials disconnected Heemeyer's business from the city sewage system to make way for a concrete plant on an adjacent parcel. He was subsequently fined for improperly dumping sewage from his business instead of connecting to the city sewer system. Over about eighteen months Heemeyer had secretly modified a Komatsu D355A bulldozer by adding layers of steel and concrete, intended to serve as armor. On June 4, 2004, Heemeyer's feud with Granby culminated in a spree in which he used the armored bulldozer to demolish the Granby town hall, the former mayor's house, and several other buildings. Heemeyer's rampage concluded with his suicide, after his bulldozer became trapped in the basement of a hardware store he had been in the process of destroying.

🔗 Africa 🔗 Writing systems 🔗 Africa/Niger 🔗 Morocco 🔗 Berbers 🔗 Tunisia 🔗 Africa/Algeria 🔗 Africa/Mali

Tifinagh (Tuareg Berber language: ⵜⴼⵏⵗ or ⵜⴼⵉⵏⵗ, Berber pronunciation: [tifinaɣ]) or Tuareg Tifinagh is an abjad script used to write the Tuareg Berber language by the Tuareg Berbers of the Sahara desert in southern Algeria, northeastern Mali, northern Niger and northern Burkina Faso. Tuareg Tifinagh is descended from the ancient Libyco-Berber alphabet.

Neo-Tifinagh (ⵜⵉⴼⵉⵏⴰⵖ) is an alphabet that was created in northern Algeria around the 1980s as a modified version of the traditional Tuareg Tifinagh. Neo-Tifinagh has been used since the 1980s by Algerians and later by Moroccans for the symbolic promotion of the Berber language, while mainly using the Berber Latin alphabet in most publications. Neo-Tifinagh is often simply called "Tifinagh" by non-academics in Berber countries and in the media, thus confusing it with the traditional and distinct "Tuareg Tifinagh" which is the actual "Tifinagh".

There are significant differences between the ancient Libyco-Berber script and the Tuareg Tifinagh script, but also many similarities. Many letters from the ancient Libyco-Berber script do not exist (anymore) in the Tuareg Tifinagh, while other letters evolved into a different pronunciation in the current Tuareg Tifinagh script.

There are also significant differences between the Tuareg Tifinagh script and the newly created Neo-Tifinagh alphabet. Many Tuareg Tifinagh letters are discarded in Neo-Tifinagh, and other ones are modified in form or in pronunciation. The Neo-Tifinagh alphabet also features invented vowels and other letters not found in Tuareg Tifinagh. About half of the letters in the Neo-Tifinagh alphabet were either completely invented (ⵥ,ⴻ,ⵕ,ⵄ,ⵃ,ⵞ,ⵯ,ⵇ,ⵚ,ⴽ,ⵅ,ⴿ,ⵖ,ⵠ), modified in form (ⴰ,ⵓ,ⴼ,ⵁ,ⵍ) or repurposed for a different pronunciation (ⵀ,ⵡ,ⴵ). All traditional Tuareg Tifinagh letters that consist entirely of dots (ⵗ,ⵈ,ⴾ,ⵆ,ⵘ,ⵂ) were discarded by the creators of Neo-Tifinagh and were replaced by newly invented ones. Tuareg people in the Sahara desert continue to use these dotted letters as an integral part of their traditional Tuareg Tifinagh script, thus deliberately distinguishing themselves and their writings from the northern Berbers of Morocco and northern Algeria who use the Neo-Tifinagh alphabet or the Berber Latin alphabet in writing the Berber language.

The ancient Libyco-Berber script (or the Libyc script) was used by the ancient northern Berbers known as Libyco-Berbers, also known as Libyc people, Numidians, Afri and Mauretanians who inhabited the northern parts of Morocco, Algeria, Tunisia and Libya as well as the Canary Islands west of Morocco.

From the ancient Libyco-Berber script came the Tifinagh script (Tuareg Tifinagh) through a long evolution. And then from the Tifinagh script was the modern Neo-Tifinagh alphabet created.

The name Tifinagh is stylized as Tifinaɣ in the Berber Latin alphabet, and in the Neo-Tifinagh alphabet it is written as ⵜⵉⴼⵉⵏⴰⵖ, while in the Tuareg people's traditional Tifinagh it's written as ⵜⴼⵉⵏⵗ or ⵜⴼⵏⵗ.

Neo-Tifinagh, which was created in northern Algeria around the 1980s, is a heavily modified version of the traditional Tuareg Tifinagh script. This newly created Neo-Tifinagh script spread from Algeria to Morocco and was rebranded by the Moroccan Royal Institute of the Amazigh Culture (IRCAM) as "Tifinaghe-Ircam" or simply "Tifinaghe", and is used in a small part of Moroccan and some Libyan elementary schools to teach the Berber language to children, as well as in a number of literary publications and some websites and media. In Algeria, most Berber language education programs in elementary schools, high schools and university use the Berber Latin alphabet, while a small number of schools use Neo-Tifinagh, Tuareg Tifinagh in the south, or even the Arabic alphabet.

The word tifinagh is thought by some scholars to be a Berberized feminine plural cognate or adaptation of the Latin word "Punicus", (meaning "Punic" or "Phoenician") through the Berber feminine prefix ti- and Latin Punicus; thus tifinagh could possibly mean "the Phoenician (letters)" or "the Punic letters". Others support an etymology involving the Tuareg verb efnegh, meaning to write. However, the Tuareg verb efnegh is probably derived from the noun "Tifinagh" because all the northern Berbers of Morocco, northern Algeria, Tunisia and northern Libya have a different (and probably older) verb "ari, aru, ara" which means "to write".

🔗 Religion 🔗 Visual arts 🔗 Buddhism 🔗 Asia

The Greco-Buddhist art or Gandhara art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara, located in the northwestern fringe of the Indian subcontinent.

The series of interactions leading to Gandhara art occurred over time, beginning with Alexander the Great's brief incursion into the area, followed by the Mauryan Emperor Ashoka converting the region to Buddhism. Buddhism became the prominent religion in the Indo-Greek Kingdoms. However, Greco-Buddhist art truly flowered and spread under the Kushan Empire, when the first surviving devotional images of the Buddha were created during the 1st-3rd centuries CE. Gandhara art reached its zenith from the 3rd-5th century CE, when most surviving motifs and artworks were produced.

Gandhara art is characterized by Buddhist subject matter, sometimes adapting Greco-Roman elements, rendered in a style and forms that are heavily influenced by Greco-Roman art. It has the strong idealistic realism and sensuous description of Hellenistic art, and it is believed to have produced the first representations of Gautama Buddha in human form, ending the early period of aniconism in Buddhism.

The representation of the human form in large sculpture had a considerable influence, both to the south in the rest of India, and to the east, where the spread of Buddhism carried its influence as far as Japan.

🔗 Computing

Macintosh Common Lisp (MCL) is an implementation and IDE for the Common Lisp programming language. Various versions of MCL run under the classic Mac OS (m68k and PPC) and Mac OS X.

Versions of MCL up to and including 5.1 are proprietary. Version 5.2 has been open sourced.

In 2009 a new different version of MCL has been open sourced: RMCL. RMCL is based on MCL 5.1 and does run under Rosetta on Intel-based Macs.

🔗 Music theory 🔗 Classical music 🔗 Music/Music genres

Aleatoric music (also aleatory music or chance music; from the Latin word alea, meaning "dice") is music in which some element of the composition is left to chance, and/or some primary element of a composed work's realization is left to the determination of its performer(s). The term is most often associated with procedures in which the chance element involves a relatively limited number of possibilities.

The term became known to European composers through lectures by acoustician Werner Meyer-Eppler at the Darmstadt International Summer Courses for New Music in the beginning of the 1950s. According to his definition, "a process is said to be aleatoric ... if its course is determined in general but depends on chance in detail". Through a confusion of Meyer-Eppler's German terms Aleatorik (noun) and aleatorisch (adjective), his translator created a new English word, "aleatoric" (rather than using the existing English adjective "aleatory"), which quickly became fashionable and has persisted. More recently, the variant "aleatoriality" has been introduced.