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πŸ”— Bacteria in clouds

πŸ”— Climate change πŸ”— Meteorology πŸ”— Chemistry

In meteorology, a cloud is an aerosol consisting of a visible mass of minute liquid droplets, frozen crystals, or other particles suspended in the atmosphere of a planetary body or similar space. Water or various other chemicals may compose the droplets and crystals. On Earth, clouds are formed as a result of saturation of the air when it is cooled to its dew point, or when it gains sufficient moisture (usually in the form of water vapor) from an adjacent source to raise the dew point to the ambient temperature.

They are seen in the Earth's homosphere (which includes the troposphere, stratosphere, and mesosphere). Nephology is the science of clouds, which is undertaken in the cloud physics branch of meteorology.

The two methods of naming clouds in their respective layers of the atmosphere are Latin and common. Cloud types in the troposphere, the atmospheric layer closest to Earth's surface, have Latin names due to the universal adoption of Luke Howard's nomenclature. Formally proposed in 1802, it became the basis of a modern international system that divides clouds into five physical forms that appear in any or all of three altitude levels (formerly known as Γ©tages). These physical types, in approximate ascending order of convective activity, include stratiform sheets, cirriform wisps and patches, stratocumuliform layers (mainly structured as rolls, ripples, and patches), cumuliform heaps, and very large cumulonimbiform heaps that often show complex structures. The physical forms are divided by altitude level into 10 basic genus-types.

The Latin names for applicable high-level genera in the troposphere carry a cirro- prefix, and an alto- prefix is added to the names of the mid-level genus-types. Clouds with sufficient vertical extent to occupy more than one altitude level are officially classified as low- or mid-level according to the altitude range at which each initially forms. However they are also more informally classified as multi-level or vertical, which along with low level clouds, do not carry any altitude related prefixes. Most of the genera can be subdivided into species and further subdivided into varieties. Very low stratiform clouds that extend down to the Earth's surface are given the common names fog and mist, but have no Latin names.

Several cloud types that form higher up in the stratosphere and mesosphere have common names for their main types, which may have the appearance of stratiform sheets, cirriform wisps, or statocumuliform bands or ripples. They are seen infrequently, mostly in the polar regions of Earth. Clouds have been observed in the atmospheres of other planets and moons in the Solar System and beyond. However, due to their different temperature characteristics, they are often composed of other substances such as methane, ammonia, and sulfuric acid, as well as water.

The tabular overview that follows is very broad in scope. It draws from several methods of cloud classification, both formal and informal, used in different levels of the Earth's homosphere by a number of cited authorities. Despite some differences in methodologies and terminologies, the classification schemes seen in this article can be harmonized by using a cross-classifation of form and level to derive the 10 tropospheric genera, the fog and mist that forms at surface level, and several additional major types above the troposphere. The cumulus genus includes four species that indicate vertical size and structure. This table should therefore not be seen as a strict or singular classification, but as an illustration of how various major cloud types are related to each other and defined through a full range of altitude levels from Earth's surface to the "edge of space".

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πŸ”— Doomsday Clock at the shortest distance to midnight ever

πŸ”— United States πŸ”— International relations πŸ”— Politics πŸ”— Cold War

The Doomsday Clock is a symbol that represents the likelihood of a man-made global catastrophe. Maintained since 1947 by the members of the Bulletin of the Atomic Scientists, the Clock is a metaphor for threats to humanity from unchecked scientific and technical advances. The Clock represents the hypothetical global catastrophe as "midnight" and the Bulletin's opinion on how close the world is to a global catastrophe as a number of "minutes" to midnight, assessed in January of each year. The main factors influencing the Clock are nuclear risk and global warming (climate change). The Bulletin's Science and Security Board also monitors new developments in the life sciences and technology that could inflict irrevocable harm to humanity.

The Clock's original setting in 1947 was seven minutes to midnight. It has been set backward and forward 24 times since then, the largest-ever number of minutes to midnight being 17 (in 1991), and the smallest 100 seconds (1 minute and 40 seconds) in January 2020.

The clock was set at two minutes to midnight in January 2018, and left unchanged in 2019 due to the twin threats of nuclear weapons and the increasing effects of global warming. On 23 January 2020, it was moved forward to 100 seconds (1 minute 40 seconds) before midnight, based on the increased threats to global stability posed by "a nuclear blunder", exacerbated by the rate of climate change.

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πŸ”— Preferred number

πŸ”— Industrial design

In industrial design, preferred numbers (also called preferred values or preferred series) are standard guidelines for choosing exact product dimensions within a given set of constraints. Product developers must choose numerous lengths, distances, diameters, volumes, and other characteristic quantities. While all of these choices are constrained by considerations of functionality, usability, compatibility, safety or cost, there usually remains considerable leeway in the exact choice for many dimensions.

Preferred numbers serve two purposes:

  1. Using them increases the probability of compatibility between objects designed at different times by different people. In other words, it is one tactic among many in standardization, whether within a company or within an industry, and it is usually desirable in industrial contexts (unless the goal is vendor lock-in or planned obsolescence)
  2. They are chosen such that when a product is manufactured in many different sizes, these will end up roughly equally spaced on a logarithmic scale. They therefore help to minimize the number of different sizes that need to be manufactured or kept in stock.

Preferred numbers represent preferences of simple numbers (such as 1, 2, and 5) multiplied by the powers of a convenient basis, usually 10.

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πŸ”— The Clacks - discworld semaphore

πŸ”— Discworld

The technology depicted in Terry Pratchett's Discworld novels takes two forms: magical and mechanical. Nearly all technology early in the series is at least partially magical, but in more recent books, a form of industrial revolution takes place, with numerous purely mechanical inventions being introduced. In Thud! ancient 'devices' of undisclosed origin and great power were introduced; it is not clear whether these are magical, mechanical, both or neither. Time-travel technology, the exact nature of which is usually unclear, is used by the History Monks. Most Discworld technologies have real-world equivalents, in function if not form.

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πŸ”— Garden path sentence

πŸ”— Linguistics πŸ”— Linguistics/Applied Linguistics

A garden-path sentence is a grammatically correct sentence that starts in such a way that a reader's most likely interpretation will be incorrect; the reader is lured into a parse that turns out to be a dead end or yields a clearly unintended meaning. "Garden path" refers to the saying "to be led down [or up] the garden path", meaning to be deceived, tricked, or seduced. In A Dictionary of Modern English Usage, Fowler describes such sentences as unwittingly laying a "false scent".

Such a sentence leads the reader toward a seemingly familiar meaning that is actually not the one intended. It is a special type of sentence that creates a momentarily ambiguous interpretation because it contains a word or phrase that can be interpreted in multiple ways, causing the reader to begin to believe that a phrase will mean one thing when in reality it means something else. When read, the sentence seems ungrammatical, makes almost no sense, and often requires rereading so that its meaning may be fully understood after careful parsing.

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πŸ”— Climate Change

πŸ”— Climate change πŸ”— Environment πŸ”— Geography πŸ”— Antarctica πŸ”— Arctic πŸ”— Geology πŸ”— Globalization πŸ”— Science Policy πŸ”— Weather πŸ”— Sanitation

Climate change includes both global warming driven by human-induced emissions of greenhouse gases and the resulting large-scale shifts in weather patterns. Though there have been previous periods of climatic change, since the mid-20th century humans have had an unprecedented impact on Earth's climate system and caused change on a global scale.

The largest driver of warming is the emission of gases that create a greenhouse effect, of which more than 90% are carbon dioxide (CO
2
) and methane. Fossil fuel burning (coal, oil, and natural gas) for energy consumption is the main source of these emissions, with additional contributions from agriculture, deforestation, and manufacturing. The human cause of climate change is not disputed by any scientific body of national or international standing. Temperature rise is accelerated or tempered by climate feedbacks, such as loss of sunlight-reflecting snow and ice cover, increased water vapour (a greenhouse gas itself), and changes to land and ocean carbon sinks.

Temperature rise on land is about twice the global average increase, leading to desert expansion and more common heat waves and wildfires. Temperature rise is also amplified in the Arctic, where it has contributed to melting permafrost, glacial retreat and sea ice loss. Warmer temperatures are increasing rates of evaporation, causing more intense storms and weather extremes. Impacts on ecosystems include the relocation or extinction of many species as their environment changes, most immediately in coral reefs, mountains, and the Arctic. Climate change threatens people with food insecurity, water scarcity, flooding, infectious diseases, extreme heat, economic losses, and displacement. These impacts have led the World Health Organization to call climate change the greatest threat to global health in the 21st century. Even if efforts to minimise future warming are successful, some effects will continue for centuries, including rising sea levels, rising ocean temperatures, and ocean acidification.

Many of these impacts are already felt at the current level of warming, which is about 1.2Β Β°C (2.2Β Β°F). The Intergovernmental Panel on Climate Change (IPCC) has issued a series of reports that project significant increases in these impacts as warming continues to 1.5Β Β°C (2.7Β Β°F) and beyond. Additional warming also increases the risk of triggering critical thresholds called tipping points. Responding to climate change involves mitigation and adaptation. Mitigation – limiting climate change – consists of reducing greenhouse gas emissions and removing them from the atmosphere; methods include the development and deployment of low-carbon energy sources such as wind and solar, a phase-out of coal, enhanced energy efficiency, reforestation, and forest preservation. Adaptation consists of adjusting to actual or expected climate, such as through improved coastline protection, better disaster management, assisted colonisation, and the development of more resistant crops. Adaptation alone cannot avert the risk of "severe, widespread and irreversible" impacts.

Under the 2015 Paris Agreement, nations collectively agreed to keep warming "well under 2.0Β Β°C (3.6Β Β°F)" through mitigation efforts. However, with pledges made under the Agreement, global warming would still reach about 2.8Β Β°C (5.0Β Β°F) by the end of the century. Limiting warming to 1.5Β Β°C (2.7Β Β°F) would require halving emissions by 2030 and achieving near-zero emissions by 2050.

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πŸ”— Tom Preston-Werner (this page has been deleted)

πŸ”— Biography πŸ”— Computing πŸ”— Biography/science and academia

Thomas Preston-Werner (born October 28, 1979) is an American billionaire software developer and entrepreneur. He is an active contributor within the open-source development community, most prominently in the San Francisco Bay Area, where he lives.

He is best known as the founder and former CEO of GitHub, a Git repository web-based hosting service, which he co-founded in 2008 with Chris Wanstrath and PJ Hyett. He resigned from GitHub in 2014 when an internal investigation concluded that he and his wife harassed an employee. Preston-Werner is also the creator of the avatar service Gravatar, the TOML configuration file format and the Semantic Versioning Specification (SemVer)

Preston-Werner lives in San Francisco with his wife Theresa and their sons.

His wife is a former graduate student in cultural anthropology known for her involvement in historical research and social subjects.

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πŸ”— Olivia MFSK

πŸ”— Amateur radio

Olivia MFSK is an amateur radioteletype protocol, using multiple frequency-shift keying (MFSK) and designed to work in difficult (low signal-to-noise ratio plus multipath propagation) conditions on shortwave bands. The signal can be accurately received even if the surrounding noise is 10 dB stronger. It is commonly used by amateur radio operators to reliably transmit ASCII characters over noisy channels using the high frequency (3–30Β MHz) spectrum. The effective data rate of the Olivia MFSK protocol is 150 characters/minute.

Olivia modes are commonly referred to as Olivia X / Y (or, alternatively, Olivia Y / X ), where X refers to the number of different audio tones transmitted and Y refers to the bandwidth in hertz over which these signals are spread. Examples of common Olivia modes are 16/500, 32/1000 and 8/250.

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πŸ”— Chess Boxing

πŸ”— Chess πŸ”— Boxing

Chess boxing, or chessboxing, is a hybrid that combines two traditional pastimes: chess, a cerebral board game, and boxing, a physical sport. The competitors fight in alternating rounds of chess and boxing. Chessboxing was invented by French comic book artist Enki Bilal and adapted by Dutch performance artist Iepe Rubingh as an art performance and has subsequently grown into a competitive sport. Chessboxing is particularly popular in Germany, the United Kingdom, India, and Russia.

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