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🔗 Spaceflight 🔗 Military history 🔗 Military history/North American military history 🔗 Military history/United States military history 🔗 Military history/Military science, technology, and theory 🔗 Moon 🔗 Military history/Cold War 🔗 Cold War 🔗 Solar System 🔗 Solar System/Moon

Project A119, also known as A Study of Lunar Research Flights, was a top-secret plan developed in 1958 by the United States Air Force. The aim of the project was to detonate a nuclear bomb on the Moon, which would help in answering some of the mysteries in planetary astronomy and astrogeology. If the explosive device detonated on the surface, not in a lunar crater, the flash of explosive light would have been faintly visible to people on Earth with their naked eye, a show of force resulting in a possible boosting of domestic morale in the capabilities of the United States, a boost that was needed after the Soviet Union took an early lead in the Space Race and was also working on a similar project.

The project was never carried out, being cancelled primarily out of a fear of a negative public reaction, with the potential militarization of space that it would also have signified, and because a Moon landing would undoubtedly be a more popular achievement in the eyes of the American and international public alike. A similar project by the Soviet Union also never came to fruition.

The existence of the US project was revealed in 2000 by a former executive at the National Aeronautics and Space Administration (NASA), Leonard Reiffel, who led the project in 1958. A young Carl Sagan was part of the team responsible for predicting the effects of a nuclear explosion in vacuum and low gravity and in evaluating the scientific value of the project. The project documents remained secret for nearly 45 years, and despite Reiffel's revelations, the United States government has never officially recognized its involvement in the study.

A stick bomb is a (mechanical) spring-loaded device constructed out of flat sticks woven together under a bending moment. Other names for stick bombs include Chinese stick puzzles, Cobra wave, and frame bombs. Stick bombs are created for fun and as art, not for any practical use.

🔗 Color

YInMn Blue (for yttrium, indium, manganese), also known as Oregon Blue, Mas Blue, or Yin Min Blue, is an inorganic blue pigment that was discovered accidentally by Professor Mas Subramanian and his then-graduate student Andrew E. Smith at Oregon State University in 2009. It is the first inorganic blue pigment discovered in 200 years, since cobalt blue was identified in 1802.

The compound has a unique trigonal bipyramidal structure, and further research has discovered it may be modified to create green, purple, and orange pigments.

🔗 History 🔗 Ancient Near East 🔗 Business 🔗 Iraq

The complaint tablet to Ea-nasir is a clay tablet from ancient Babylon written c. 1750 BC. It is a complaint to a merchant named Ea-Nasir from a customer named Nanni. Written in cuneiform, it is considered to be the oldest known written complaint. It is currently kept in the British Museum.

Ea-Nasir travelled to the Persian Gulf to buy copper and return to sell it in Mesopotamia. On one particular occasion, he had agreed to sell copper ingots to Nanni. Nanni sent his servant with the money to complete the transaction. The copper was sub-standard and not accepted. In response, Nanni created the cuneiform letter for delivery to Ea-nasir. Inscribed on it is a complaint to Ea-nasir about a copper ore delivery of the incorrect grade, and issues with another delivery. He also complained that his servant (who handled the transaction) had been treated rudely. He stated that, at the time of writing, he had not accepted the copper but had paid the money.

The tablet is 11.6 centimetres (4.6 in) high, 5 centimetres (2.0 in) wide, 2.6 centimetres (1.0 in) thick, and slightly damaged. Translated from Akkadian, it reads:

Tell Ea-nasir: Nanni sends the following message:

When you came, you said to me as follows : "I will give Gimil-Sin (when he comes) fine quality copper ingots." You left then but you did not do what you promised me. You put ingots which were not good before my messenger (Sit-Sin) and said: "If you want to take them, take them; if you do not want to take them, go away!"

What do you take me for, that you treat somebody like me with such contempt? I have sent as messengers gentlemen like ourselves to collect the bag with my money (deposited with you) but you have treated me with contempt by sending them back to me empty-handed several times, and that through enemy territory. Is there anyone among the merchants who trade with Telmun who has treated me in this way? You alone treat my messenger with contempt! On account of that one (trifling) mina of silver which I owe(?) you, you feel free to speak in such a way, while I have given to the palace on your behalf 1,080 pounds of copper, and Šumi-abum has likewise given 1,080 pounds of copper, apart from what we both have had written on a sealed tablet to be kept in the temple of Shamash.

How have you treated me for that copper? You have withheld my money bag from me in enemy territory; it is now up to you to restore (my money) to me in full.

Take cognizance that (from now on) I will not accept here any copper from you that is not of fine quality. I shall (from now on) select and take the ingots individually in my own yard, and I shall exercise against you my right of rejection because you have treated me with contempt.

The tablet was acquired by the British Museum in 1953. It was originally found in the ruins of Ur.

🔗 Finance & Investment 🔗 Economics 🔗 India 🔗 Arab world

Hawala or hewala (Arabic: حِوالة‎ ḥawāla, meaning transfer or sometimes trust), also known as havaleh in Persian, and xawala or xawilaad in Somali, is a popular and informal value transfer system based not on the movement of cash, or on telegraph or computer network wire transfers between banks, but instead on the performance and honour of a huge network of money brokers (known as hawaladars). While hawaladars are spread throughout the world, they are primarily located in the Middle East, North Africa, the Horn of Africa, and the Indian subcontinent, operating outside of, or parallel to, traditional banking, financial channels, and remittance systems. Hawala follows Islamic traditions but its use is not limited to Muslims.

🔗 United States 🔗 Biography 🔗 Mexico 🔗 Biography/science and academia 🔗 India 🔗 Plants 🔗 United States/Texas 🔗 Science Policy

Norman Ernest Borlaug (; March 25, 1914 – September 12, 2009) was an American agronomist who led initiatives worldwide that contributed to the extensive increases in agricultural production termed the Green Revolution. Borlaug was awarded multiple honors for his work, including the Nobel Peace Prize, the Presidential Medal of Freedom and the Congressional Gold Medal.

Borlaug received his B.S. in forestry in 1937 and Ph.D. in plant pathology and genetics from the University of Minnesota in 1942. He took up an agricultural research position in Mexico, where he developed semi-dwarf, high-yield, disease-resistant wheat varieties. During the mid-20th century, Borlaug led the introduction of these high-yielding varieties combined with modern agricultural production techniques to Mexico, Pakistan, and India. As a result, Mexico became a net exporter of wheat by 1963. Between 1965 and 1970, wheat yields nearly doubled in Pakistan and India, greatly improving the food security in those nations.

Borlaug was often called "the father of the Green Revolution", and is credited with saving over a billion people worldwide from starvation. According to Jan Douglas, executive assistant to the president of the World Food Prize Foundation, the source of this number is Gregg Easterbrook's 1997 article "Forgotten Benefactor of Humanity." The article states that the "form of agriculture that Borlaug preaches may have prevented a billion deaths." He was awarded the Nobel Peace Prize in 1970 in recognition of his contributions to world peace through increasing food supply.

Later in his life, he helped apply these methods of increasing food production in Asia and Africa.

🔗 Video games 🔗 Computing

On personal computers, the turbo button is a button which provides two run states for the computer: normal speed or an enhanced "turbo" speed. It was relatively common on personal computers using the Intel 80286, Intel 80386 and Intel 80486 processors, from the mid 1980s to mid 1990s.

The name is inspired by turbocharger, a turbine-driven forced induction device that increases an engine's power and efficiency.

🔗 Insects

An insect hotel, also known as a bug hotel or insect house, is a manmade structure created to provide shelter for insects. They can come in a variety of shapes and sizes depending on the specific purpose or specific insect it is catered to. Most consist of several different sections that provide insects with nesting facilities – particularly during winter, offering shelter or refuge for many types of insects. Their purposes include hosting pollinators.

🔗 Game theory

Parrondo's paradox, a paradox in game theory, has been described as: A combination of losing strategies becomes a winning strategy. It is named after its creator, Juan Parrondo, who discovered the paradox in 1996. A more explanatory description is:

There exist pairs of games, each with a higher probability of losing than winning, for which it is possible to construct a winning strategy by playing the games alternately.

Parrondo devised the paradox in connection with his analysis of the Brownian ratchet, a thought experiment about a machine that can purportedly extract energy from random heat motions popularized by physicist Richard Feynman. However, the paradox disappears when rigorously analyzed. Winning strategies consisting of a combinations of losing strategies have been explored in biology before Parrondo's paradox was published. More recently, problems in evolutionary biology and ecology have been modeled and explained in terms of the paradox.

🔗 Visual arts

Rhythm 0 was a six-hour work of performance art by Serbian artist Marina Abramović in Naples in 1974. The work involved Abramović standing still while the audience was invited to do to her whatever they wished, using one of 72 objects she had placed on a table. These included a rose, feather, perfume, honey, bread, grapes, wine, scissors, a scalpel, nails, a metal bar, a gun, and a bullet.

There were no separate stages. Abramović and the visitors stood in the same space, making it clear that the latter were part of the work. The purpose of the piece, she said, was to find out how far the public would go: "What is the public about and what are they going to do in this kind of situation?"