London gangster George Thomason and his right-hand man, Ken Pile, an animal lover with a stutter, plan a jewel heist. They bring in two Americans: con artist Wanda Gershwitz and weapons expert Otto West, a mean-spirited Anglophobe. Wanda and Otto are lovers, but they hide this from George and Ken, pretending to be siblings, so Wanda can work her charms on them. The heist is successful, and the gang escapes with a large sum in diamonds that they hide in a safe in an old workshop. Soon after, Wanda and Otto betray George to the police, and he is arrested. They return to collect the diamonds, with Wanda planning to double-cross Otto as well, but find that George has moved them. In Ken's fish tank, Wanda discovers the key to the safe deposit box containing the diamonds and hides it in her pendant. Wanda decides to seduce George's barrister, Archie Leach, so he can persuade George to plead guilty and give up the location of the diamonds. Archie is in a loveless marriage and falls for Wanda; Otto is jealous, and his interference causes Wanda and Archie's liaisons to go disastrously wrong. Wanda accidentally leaves her pendant at Archie's house, and Archie's wife, Wendy, mistakes it as a gift for her. At Wanda's insistence, Archie recovers the pendant by staging a burglary. Eventually, Archie, feeling guilty, ends the affair. George asks Ken to kill Mrs Coady, the Crown 's only eyewitness. To his dismay, Ken accidentally kills her three dogs by means of a series of staged accidents, but ultimately succeeds in his aim when she dies of a heart attack. Wanda and Otto want George to remain in jail, but with no witness, he seems set to get off. At his trial, defence witness Wanda unexpectedly gives evidence against him. When Archie, stunned, flubs his cross-examination and calls her "darling", Wendy realises that Archie has had an affair and decides to divorce him. Otto tries to force Ken to reveal the location of the diamonds by eating his pet fish, leaving Ken's favourite, named Wanda, until last. Ken reveals that the diamonds are at a hotel near Heathrow Airport. With his career and marriage over, Archie resolves to cut his losses, steal the loot, and flee to South America. Promised less jail time, George tells Archie that Ken knows where the diamonds are. Archie sees Wanda fleeing the courthouse, pulls her into his car, and races to Ken's flat. As Archie runs into the building, Otto steals his car, taking Wanda with him. Ken and Archie give chase. Otto and Wanda recover the diamonds, but Wanda double-crosses him and leaves him unconscious in a broom cupboard. Recovering, Otto shoots his way out of the cupboard and is confronted by Archie. Otto is about to kill him, but Archie stalls him by taunting Otto about American failures such as the Vietnam War. Ken arrives driving a steamroller, seeking vengeance for the fish; Otto, who has stepped in wet concrete and cannot move, is run over but survives. Archie and Wanda board the plane, and Otto, clinging to the window outside, curses them until he is blown off during takeoff.

Nick Naylor is a Big Tobacco spokesman using "research" from an institution of which he is vice-president, a tobacco lobby called the "Academy of Tobacco Studies". It claims there is no link between tobacco and lung disease. Naylor and his friends, firearm lobbyist Bobby Jay Bliss and alcohol lobbyist Polly Bailey, meet for lunch every week and jokingly call themselves the "Merchants of Death" or "The MOD Squad". As anti-tobacco campaigns mount and numbers of young smokers decline, Naylor's boss, B.R., sends Naylor to Los Angeles to bargain for cigarette product placement in upcoming movies. Naylor takes along his young son, Joey, in hopes of bonding with him. The next day, Naylor is sent to meet with Lorne Lutch, the cancer -stricken man who once played the Marlboro Man in cigarette ads and is now campaigning against cigarettes. As his son watches, Naylor successfully convinces Lutch to take a suitcase of money for his silence by playing on Lutch's principles and need to provide for his family. Senator Ortolan Finistirre, one of Naylor's most vehement critics, promotes a bill to add a skull and crossbones POISON warning to cigarette packaging. As Naylor is about to appear before a U.S. Senate committee to fight the bill, he is kidnapped by a clandestine group and covered in nicotine patches. Awakening in a hospital, he learns he has survived due to his high nicotine tolerance from heavy smoking, but he is now hypersensitive to nicotine and can never smoke again. Meanwhile, Naylor is seduced by a young reporter named Heather Holloway into revealing secret information about his life and career. She makes it public via an exposé, criticizing his business activities and accusing him of training his son Joey to follow his amoral example. This results in negative PR for Naylor, which costs him his job. After he hides out in his home for a few days, Naylor is visited by Joey who uses some of the debating skills his father taught him, which reminds Naylor of his own principles. Naylor apologizes to his friends in the MOD Squad and is inspired to take a new tactic. Naylor laments to the press about Holloway's ethics of using his private conversations with him after sex and goads Finistirre into allowing him to testify before the Senate committee. During the hearing, Naylor surprises everyone by admitting to the dangers of smoking but argues that public awareness is already high enough without extra warnings. He emphasizes consumer choice and responsibility and claims that if tobacco companies are guilty of tobacco-related deaths, then perhaps Finistirre's state of Vermont, as a major cheese producer, is likewise guilty of cholesterol -related deaths. When Finistirre attempts to regain control by demanding what Naylor would do when his son was 18 and wanted to smoke, Naylor simply replies that if his son wants to smoke then he'd buy him his first pack. Although B.R. insists in a live interview that Naylor is still their chief spokesman, Naylor rejects the job on camera. It turns out to be a good move as Big Tobacco is settling claims of liability and the Academy of Tobacco Studies shuts down. Naylor also mentions Heather was humiliated upon being terminated by the paper for her article and has been reduced to a cub reporter handling weather on a local news station. Naylor supports his son's newfound interest in debating and opens a private lobbying firm. The MOD Squad continues to meet with new members who represent the fast-food, oil, and biohazard industries. Now Naylor runs an agency called Naylor Strategic Relations and consults for cellphone industry representatives concerned about claims that cellphones cause brain cancer. He narrates: " Michael Jordan plays ball. Charles Manson kills people. I talk. Everyone has a talent."

Max Bialystock is an aging Broadway producer whose career has veered from great success to the depths of near failure. He now ekes out a hand-to-mouth existence while romancing lascivious, wealthy elderly women in exchange for money for a "next play" that may never be produced. Leopold "Leo" Bloom, a neurotic young accountant prone to hysterics, arrives at Max's office to audit his accounts and discovers a $2,000 discrepancy in the accounts of Max's last play. Max persuades Leo to hide the fraud, and Leo realizes that, since a flop is expected to lose money, the IRS will not investigate its finances, and the investors will not expect a large financial return, so a producer could earn more from a flop than from a hit by overselling interests and embezzling the funds. Max decides to make this into a scheme, and use the profits to flee to Rio de Janeiro. He convinces Leo to join him, treating him to lunch and a day out and saying that his drab life in accounting is little different from prison anyway. Leo has an epiphany and agrees to the con. The partners find the ideal play for their scheme: Springtime for Hitler: A Gay Romp with Adolf and Eva at Berchtesgaden, a "love letter to Hitler " written by deranged ex- Nazi soldier Franz Liebkind. Max and Leo bond with Franz over schnapps and tell him they want to show the world a positive representation of Hitler. Now with the stage rights, Max goes to work seducing as many old rich women as possible, selling 25,000% of the play to investors. Right away, he uses some of the money to redecorate the office and hire an attractive Swedish receptionist, Ulla. They sign on Roger De Bris as their director based on his reputation, who immediately demands revisions to the play and a happy ending in which the Nazis win the war. The part of Hitler goes to a hippie actor named Lorenzo St. DuBois (nicknamed " L.S.D. ") who accidentally wandered into the wrong theater during the casting call. At the theater on opening night, Max tries to ensure a harshly negative review by appearing to attempt to bribe a New York Times theatre critic. Despite a promising start, with a distasteful opening number that causes several walk-outs (" Springtime for Hitler and Germany/Winter for Poland and France "), Max, Leo and Franz are horrified to see De Bris's revisions, and L.S.D.'s beatnik -like portrayal of Hitler, have turned the admiring tribute into a campy, comedic satire. Springtime for Hitler is declared a hit. Back at their office, as Max and Leo are fighting after the latter attempts to turn himself in in exchange for a plea bargain, a gun-wielding Franz confronts them, angered by the audience laughing at the depiction of Hitler. He tries first to shoot them, and then himself, but runs out of bullets. The three then decide to blow up the theater to end the production, but they are caught in the explosion and arrested. At the trial, where they are found "incredibly guilty" by the jury, Leo makes an impassioned statement praising Max for being his friend and changing his life for the greater good. Max claims that they have learned their lesson and will never do such misdeeds again. Max, Leo, and Franz are sent to the state penitentiary, where they produce a new musical called Prisoners of Love with their fellow inmates. While Max and Franz supervise rehearsals, Leo is put in charge of the money, overselling shares of the play to interested prisoners and the warden.

Although ostensibly a documentary, My Winnipeg contains a series of fictional episodes and an overall story trajectory concerning the author-narrator-character "Guy Maddin" and his desire to produce the film as a way to finally leave/escape the city of Winnipeg. "Guy Maddin" is played by Darcy Fehr but voiced by Maddin himself (in narration): Fehr appears groggily trying to rouse himself from sleep aboard a jostling train as Maddin wonders aloud "What if?" What if he were able to actually rouse from the sleepy life he lives in Winnipeg and escape? Maddin decides that the only possible escape would be to "film my way out", thus motivating the creation of the "docu-fantasia" already underway. Maddin then describes Winnipeg in general terms, introducing it to the viewer, noting primarily its location at the junction of the Red and Assiniboine rivers, a place known as " the Forks ". Maddin equates this Y-like junction to a woman's groin and associates it with his mother. Maddin also notes the apocryphal aboriginal myth of a secret "Forks beneath the Forks", an underground river system below the aboveground river system –the superimposition of these two sets of rivers has imbued the site and Winnipeg itself with magical/magnetic/sexual energy. Maddin also notes that Winnipeg is the geographical centre of North America, and thus these secret rivers are "the Heart of the Heart" of the continent and of Canada. Maddin regales the viewer with one of the film's many suspect historical "facts" about Winnipeg: "the Canadian Pacific Railway used to sponsor an annual treasure hunt required our citizens to wander our city in a day-long combing of the streets and neighbourhoods. First prize was a one-way ticket on the next train out of town." No winners in a hundred years could bring themselves to leave the city after coming to know the city so closely over the course of the treasure hunt. Maddin then posits an alternative explanation for Winnipeggers never leaving Winnipeg: sleepiness. He notes that Winnipeg is the sleepwalking capital of the world, with ten times the normal rate of sleepwalking, and that everyone in Winnipeg carries around the keys to their former homes in case they return while asleep. Winnipeg by-laws require that sleepwalkers be allowed to sleep in their old homes by the new tenants. Maddin rents his own childhood home at 800 Ellice Avenue for a month, hiring actors to play his family (including Ann Savage as his mother) in order to recreate scenes from his childhood memories, excluding his father and himself. The "family" gathers to watch the television show LedgeMan, a fictional drama in which "the same oversensitive man takes something said the wrong way, climbs out on a window ledge, and threatens to jump." His mother, in the next window, convinces him to live. Maddin's mother is noted as the star of the show. The film recounts the conditions of the 1919 Winnipeg General Strike, a real-world event with international significance, before returning to the family re-enactments, including Mother's suspicion of Janet Maddin, who hit a deer on the highway but is accused of covering up a sexual encounter. Maddin announces that this, like "everything that happens in is a euphemism." The film then recounts the city's history of Spiritualism, including a visit by Sir Arthur Conan Doyle in 1923. The film next examines Winnipeg architectural landmarks, including the Eaton's building and the Winnipeg Arena, both of which are demolished (while the arena is being destroyed, Maddin becomes the last person to urinate in its washroom). Maddin imagines the arena's salvation by the "Black Tuesdays", a fictional team of hockey heroes "in their 70s, 80s, 90s and beyond", then re-enacts a family scene where Mother is harassed to cook a meal. The film recounts a racetrack fire that drove horses to perish in the Red River – the horse heads reappear, ghostly, each winter, frozen in the ice. Further Winnipeg landmarks, including the Golden Boy statue atop the provincial legislative building, the Paddle Wheel restaurant, the Hudson's Bay department store, and the Manitoba Sports Hall of Fame, make appearances in distorted versions of themselves, as does the Sherbrook Pool. The film then recalls If Day (an actual historical event when a faked Nazi invasion of the city was mounted during World War II to promote the sale of war bonds), and a buffalo stampede set off by the mating of two gay bison. Time is now running out for Guy Maddin, who fears he will never leave Winnipeg, since the family re-enactments have failed to free him fully. To accomplish this feat of leaving, Maddin imagines a pinup girl for the 1919 strike's newsletter The Citizen: dreaming up this "Citizen Girl" allows Maddin to leave Winnipeg, guilt-free. The final family re-enactment then involves Maddin's brother Cameron, who in real life committed suicide, rationalizing this death calmly in a discussion with Maddin's "Mother".

Harold Crick is an Internal Revenue Service (IRS) agent living a solitary life of strictly scheduled routine in Chicago. On the day he is assigned to audit an intentionally tax-delinquent baker named Ana Pascal, Harold begins hearing the voice of a woman narrating his life. When his wristwatch stops working and he resets it using the time from a bystander, the voice narrates that this action will eventually result in Harold's death. Harold consults a psychiatrist, who suggests he see a literary expert if he believes there is a narrator. He visits literature professor Jules Hilbert, who initially dismisses him. However, he recognizes omniscient narrative devices in what Harold claims the voice said, and is intrigued. He tries to help Harold identify the author, and determine if his story is a comedy or tragedy. As Harold audits Ana, he develops an attraction to her, but when he obliviously rejects a gift of cookies because it could be considered a bribe, he takes it as a sign that he is in a tragedy. Jules tells Harold to spend the day at home doing nothing, and his living room is destroyed by a demolition crew that went to the wrong building. Jules takes such an improbable occurrence as proof that Harold is no longer in control of his own life, and advises he enjoy the time he has left, accepting whatever destiny the narrator has for him. Harold takes time off from work, learns to play guitar, moves in with his co-worker Dave, and starts dating Ana. When she begins to fall in love with him, he reevaluates his story as a comedy. While meeting with Jules, Harold sees a television interview with author Karen Eiffel, and recognizes her voice as his narrator's. Jules, an admirer of Karen's work, says that all of her books are tragedies: the protagonist always dies. Karen has been struggling with writer's block on her next book because she cannot figure out how to kill Harold Crick, but has had a breakthrough and has begun writing again. Harold telephones Karen and stuns her by accurately recounting her book to her. They meet in person, and she explains she has outlined the conclusion, but has not yet typed it in full. Her assistant, Penny, recommends that Harold read the outline, but he cannot bring himself to do so, and gives it to Jules. Jules deems it Karen's masterpiece to which Harold's death is integral, and he consoles Harold that death is inevitable, but this death will hold a deeper meaning. Harold reads the outline and returns it to Karen, telling her the death she has written for him is beautiful and he accepts it. He takes care of some errands, and spends his last night with Ana. The next morning, Harold goes about his routine again, as Karen writes and narrates. Karen reveals that when Harold reset his wristwatch, the bystander's time was three minutes fast, so he reaches the bus stop early that morning. A boy riding a bicycle falls in front of the bus; Harold runs into the street to save him, and is hit himself. However, Karen, traumatized by the idea that she unwittingly narrated real people to their deaths, cannot bring herself to finish the sentence declaring him dead. She meets Jules and offers him a revised ending. Harold, heavily injured, wakes up in a hospital, and learns that shrapnel from his wristwatch — which was destroyed in the collision — blocked his ulnar artery and saved him from bleeding to death. Jules thinks this new ending weakens the book. Karen replies that the book was about a man who did not know he was going to die, but if Harold knew and accepted his fate, he is the kind of person who deserves to live. Karen's narration closes the film over a montage of Harold's newly invigorated life, ending on the ruined wristwatch that saved his life.

Man-su, an award-winning veteran employee at a papermaking company, lives happily in his beloved childhood home with his wife Mi-ri and their children: Si-one, Mi-ri's teenage son from a previous marriage, and Ri-one, an autistic cello prodigy. The company is bought out and a devastated Man-su is laid off after defending his fellow workers, but assures his family he will resume papermaking within three months. Thirteen months later, Man-su has been unable to find another job in the papermaking industry. His family is forced to minimize their spending, including rehoming their two dogs with Mi-ri's parents, upsetting Ri-one, whose cello teacher recommends her for expensive advanced classes. The family considers selling their home to the parents of Si-one's friend Dong-ho, and Mi-ri takes a part-time job as a dental assistant to suave dentist Jin-ho, while Man-su endures a toothache he cannot afford to treat. Man-su attempts to join the successful Moon Paper company, but is humiliated by manager Seon-chul. Wanting his job, Man-su nearly kills Seon-chul with a potted plant, but realises this will not matter unless he is the best candidate to replace him. Instead, Man-su uses a fake job advertisement to identify his chief competitors: Beom-mo and Si-jo. Retrieving his father's Vietnam War gun, he prepares to kill Seon-chul, Beom-mo, and Si-jo to eliminate his competition. Spying on Beom-mo, an unemployed drunkard, Man-su is bitten by a snake and treated by Beom-mo's dissatisfied wife, A-ra, and is later unable to stop Beom-mo from discovering A-ra's infidelity. A-ra finds Man-su confronting Beom-mo at gunpoint, leading to a struggle for the gun, but A-ra shoots Beom-mo dead and Man-su escapes. He arrives late to a costumed party, where Mi-ri dances with Jin-ho instead. A-ra and her lover bury Beom-mo, but Man-su recovers the gun. Man-su and Mi-ri accuse each other of infidelity, and she reminds him that he was a violent drunk when Si-one was very young, but they reconcile. At the shoe store where Si-jo works, Man-su recognises him as a kindred devoted father, but tricks him into staying late and feigns car trouble; when Si-jo stops to help, Man-su reluctantly shoots him and drives away with his corpse. Si-one and Dong-ho are arrested for stealing iPhones from Dong-ho's father's store, but Man-su and Mi-ri blackmail Dong-ho's father, who used the store for his own infidelity, into having Dong-ho take the blame. Detectives question Man-su about Beom-mo and Si-jo's disappearances, having linked them as unemployed paper men. Smoking on the roof, Si-one witnesses Man-su in his greenhouse trying to dismember Si-jo's corpse with a chainsaw. Unable to do so, Man-su buries the body in his garden, alongside Si-one's stolen iPhones, and plants an apple tree. Plying Seon-chul with alcohol at his remote cabin, Man-su breaks his sobriety and drunkenly extracts his own tooth. Haunted by nightmares about his father and the chainsaw, Si-one informs his mother, who digs up the tree and calls Man-su. Determined to protect his family, Man-su suffocates Seon-chul with meat and stages his death to appear as if he choked on his own vomit. Mi-ri tells Si-one that Man-su dismembered and buried a pig to nourish the apple tree, and she and Man-su come to a tense understanding. Moon Paper hires Man-su to replace Seon-chul, allowing the family to keep their home and reunite with their dogs. Ri-one's antisocial behavior improves, and Mi-ri realises her unusual drawings are actually musical compositions. The detectives reveal that A-ra has implicated Beom-mo as a gun-owner, and conclude that he murdered Si-jo and went on the run, lifting suspicion off Man-su. At his new job, Man-su celebrates alone in a modern paper mill run by machines instead of workers.

In Toronto, Scott Pilgrim, a 22-year-old bassist for unsuccessful indie garage band Sex Bob-Omb, dates Knives Chau, a 17-year-old high-school student, to the disapproval of his friends in the band, his younger sister Stacey, and his roommate Wallace Wells. Scott meets Ramona Flowers, an American Amazon delivery girl, at Julie Powers’ party, after having first seen her in a dream. Scott loses interest in Knives but does not break up with her immediately before pursuing Ramona. When Sex Bob-Omb plays in a battle of the bands sponsored by record executive Gideon Graves, Scott is attacked by Ramona's ex-boyfriend Matthew Patel. Sex Bob-Omb's competition is incinerated by Matthew's fireball attacks, but Scott defeats him and learns he must defeat her remaining six evil exes in order to date Ramona. Scott finally breaks up with Knives, who blames Ramona and swears to win him back by becoming more like Ramona. Scott soon encounters Ramona's second ex, actor and skateboard junkie Lucas Lee. Scott defeats Lucas by tricking him into attempting a grind on a 200-plus step icy railing and crashing explosively. The band is soon asked to open for Clash at Demonhead, whereupon Scott encounters Ramona's third ex, the super-powered vegan bassist Todd Ingram, who is dating Scott's ex, Envy Adams, the lead singer. Scott deceives Todd into drinking half and half, and Todd is confronted by the vegan police and stripped of his powers; Scott then delivers the final blow. Scott then encounters Ramona's fourth ex, bisexual ninja Roxy Richter, and with the help of Ramona, he manages to beat her. Scott's growing frustration soon boils over, and after an outburst regarding Ramona's dating history, she breaks up with him while leaving him a list of her exes. At the next battle of the bands, Sex Bob-Omb defeats Ramona's fifth and sixth exes, techno twins Kyle and Ken Katayanagi, earning Scott an extra life. Despite this, Ramona appears to get back with her seventh and final ex, Gideon. Sex Bob-Omb accepts Gideon's record deal, except Scott, who quits the band in protest, during which their roadie, Young Neil, becomes their new bassist. Gideon invites Scott to his venue, the Chaos Theater, where Sex Bob-Omb is playing. Resolving to win Ramona back, Scott challenges Gideon to a fight for her affection, earning the "Power of Love" sword. Knives interrupts the battle, attacking Ramona, and Scott is forced to reveal that he cheated on both of them. Gideon kills Scott, and Ramona visits him in limbo to reveal that Gideon has implanted her with a mind control device. Scott uses his 1-up to come back to life and re-enters the Chaos Theater. He makes peace with his friends and challenges Gideon, this time for himself, gaining the "Power of Self-Respect" sword. After apologizing to Ramona and Knives for cheating on them and accepting his own faults, Scott joins forces with Knives and they defeat Gideon. Now free from Gideon's control, Ramona prepares to leave. After the fight, Scott is faced by his darker version, Nega-Scott, with whom he hits it off. Knives accepts that her relationship with Scott is over and, at her encouragement, he leaves with Ramona to "try again".

In a bar, a college student affirms that the United States does not have any folktales involving characters who grant wishes. An elderly man then interrupts him, insisting that he is wrong. He mentions O.W. Grant, who carries a pipe in the shape of a monkey's head. Grant travels the country granting wishes to strangers, usually messing with them in the process. However, if he likes you, he will play it straight. Meanwhile, St. Louis -based grocery warehouse worker Neal Oliver aspires to be an artist, despite the lack of support from his father and girlfriend. At a party for his 22nd birthday, O.W. Grant is the waiter who serves the cake. While blowing out the candles, Neal wishes for an answer to his life. His father responds by handing him an admission letter to law school that Neal does not want to attend. The family goes outside to look at the red BMW convertible that Neal's dad bought him as a gift, but Neal notices that the car was clearly meant for his dad and not him. Neal is later struck on the head by a falling bucket. Neal wakes up in the hospital, where a doctor named Ray comes in and does a sight test using playing cards. Neal has to name the suit on the cards. Neal asks if he got it right, and Ray points out that the cards actually had red spades and black hearts, emphasizing that things are not always what they seem. After leaving the hospital, Neal sees a woman that he has been dreaming about in a billboard advertisement, but the billboard company insists that the billboard is blank. After checking the billboard, Neal sees a new picture of her, this time with a framed inscription "Call 555-1300". Neal calls the number, and a recorded message says that he has an appointment at 555 Olive Street, Suite 1300 in the downtown area. At the appointment, Ray gives him a package to deliver to a Robin Fields in Danver, Colorado (not " Denver "). Neal will find Danver by taking Interstate 60. With no Interstate 60 on the roadmap, Neal sets out south to where it should be, (between I-40 and I-70) and encounters O.W. Grant on the roadside. Grant gives Neal directions to Interstate 60. On his journey, Neal meets a man who can consume unnatural quantities of food and drink; a woman looking for perfect sex; a mother looking for her son, who lives in a city where the population is addicted to a government-controlled drug; a dying ex-advertiser on a crusade to punish dishonesty; and Mrs. James, who runs the Museum of Art Fraud that actually contains real masterpieces posing as fakes. At the town of Morlaw, where all citizens are lawyers who spend their days suing each other, Neal finds Lynn, the imprisoned woman he has been dreaming about and painting. Lynn met O.W. Grant and wished to find the right guy. They have sex at a motel. Neal also makes a painting of the motel. Neal leaves to deliver the package in Danver, while Lynn stays behind. On the radio, Neal hears of a reported murderer on the loose, and the description matches his car. He abandons his vehicle to hitchhike. In Danver, Neal meets "Robin Fields", who turns out to be O.W. Grant. After opening the package (which holds a replacement monkey-head pipe for O.W.'s broken one), Grant uses his powers to "warp" Neal back in time, where he wakes up in the hospital before he first encountered Ray. Leaving the hospital, Neal confronts his father and asserts his right to live his life without the latter's interference. His sister takes him to an art gallery where Neal sees his painting of the motel – submitted on his behalf by O.W. Grant after Neal had "left it" there. He is approached by Lynn, who in reality works with Danver Publishing, because she took an interest in his painting. She talks about wanting to commission him to do more paintings on roadside motels and diners.

Six fish in a restaurant's tank greet each other, then see their friend being eaten. This leads them to question the meaning of life. In the first sketch, "The Miracle of Birth", maternity doctors ignore a woman in labour while trying to impress the hospital's administrator. In Yorkshire, a Roman Catholic man is made redundant from his job, and informs his numerous children that he must sell them for scientific experiments. A Protestant man looks on disapprovingly and proudly remarks that Protestants can use contraception and have sex for pleasure (although his wife observes that they never do). In "Growth and Learning", a class of boys learn school etiquette before partaking in a sex education lesson, which involves watching their teacher have sex with his wife. One boy laughs and is forced into a violent rugby match pitting pupils against the school masters as punishment. "Fighting Each Other" features three scenes concerning the British military. First, during the Battle of the Somme in World War I, a British officer tries to rally his men during an attack, but they instead present him with going-away gifts. Second, a modern army RSM bullies his soldiers to say what they would rather be doing than marching drills, then dismisses each in turn. Lastly, in 1879 during the Anglo-Zulu War during the Battle of Rorke's Drift, a soldier finds his leg has been bitten off. Suspecting a tiger, the soldiers hunt for it and find two men in a tiger costume. The hostess introduces "The Middle of the Film," during which bizarre characters challenge the audience in a segment called "Find the Fish." "Middle Age" involves an American couple visiting a Hawaiian restaurant with a medieval torture theme, where, to the interest of the fish, the waiter offers a conversation about philosophy and the meaning of life. The customers are unable to make sense of it and move on to a discussion of live organ transplants. In "Live Organ Transplants", two paramedics visit an organ donor and forcibly remove his liver while he is alive. His wife is reluctant to donate her liver, but she relents after a man steps out of a refrigerator and reminds her of humanity's insignificance in the universe. Executives of an American conglomerate debate the meaning of life before a raid by The Crimson Permanent Assurance briefly interrupts them. "The Autumn Years" starts with a musician in a French restaurant singing about the joys of having a penis. As the song ends, the ill-tempered glutton Mr. Creosote enters the restaurant, causing the fish to scatter and hide. He vomits continually and devours an enormous meal. After the maître d'hôtel persuades him to eat an after-dinner mint, Creosote's gut explodes, splattering the other diners. In "The Meaning of Life", the restaurant's cleaning woman proposes that life is meaningless before revealing that she is a racist. A waiter leads the audience to the house where he was born, recalls his mother's lessons about kindness, and then becomes angry when his point trails off. "Death" features a condemned man choosing the manner of his own execution: being chased off the Cliffs of Dover by topless women in sports gear and falling into his own grave below. In a short animated sequence, despondent leaves commit suicide by throwing themselves from the branches of a tree. The Grim Reaper enters an isolated home and convinces the hosts and dinner guests, with difficulty, that they are all dead. They accompany the Grim Reaper to Heaven, revealed to be the Hawaiian restaurant from earlier. They enter a Las Vegas -style hotel where they meet the characters from the previous sketches, and Tony Bennett -esque singer begins to sing about how amazing life is where it is always Christmas and various commercial items that can be bought in Heaven are there. The song abruptly ends for "The End of the Film", where the hostess from "The Middle of the Film" opens an envelope and blandly reveals the meaning of life: Try and be nice to people, avoid eating fat, read a good book every now and then, get some walking in, and try and live together in peace and harmony with people of all creeds and nations.

Prominent Paris art collector Charles Bonnet forges and sells famous artists' paintings. His disapproving daughter, Nicole, constantly fears his being caught. Late one night at their mansion, Nicole encounters a burglar, Simon Dermott, holding her father's forged " Van Gogh ". She threatens him with an antique gun that accidentally fires, slightly wounding his arm. Wanting to avoid an investigation that would uncover her father's fake masterpieces, Nicole does not contact the police, and instead drives the charming Simon to his lavish hotel in his expensive sports car, then takes a cab home. Charles is lending the Kléber-Lafayette Museum his renowned " Cellini " Venus statuette for an exhibition. The statue was actually sculpted by his father. Charles has never sold it, knowing scientific testing would reveal it as a fake, rendering his entire collection suspect. Charles signs the museum's standard insurance policy, unaware it includes a forensic examination. Withdrawing the Venus from the exhibition would raise suspicions. Desperate to protect her father, Nicole asks Simon to steal the Venus before the examination. He claims it is impossible to steal the Venus, but changes his mind upon realizing he has fallen for Nicole. American tycoon Davis Leland, an avid art collector, is obsessed with owning the Venus. He arranges to meet Nicole solely to purchase the statue, but finds her attractive. At their second meeting, Leland proposes marriage to ensure he can obtain the statue, but Nicole hurriedly accepts his ring as she rushes off to the museum for the "heist". Nicole and Simon hide in the museum's utility closet until closing time. After observing the guards' routine, Simon repeatedly sets off the security alarm using a toy boomerang until the "faulty" system is finally disabled. Simon notices Nicole's resemblance to the Venus, and she admits that her grandmother posed for the statue that her grandfather sculpted; Simon admits knowing that the Venus was fake and only agreed to the heist for her. Simon takes the Venus, and Nicole, disguised as a cleaning woman, hides it in a bucket. When the Venus is discovered missing, they escape in the ensuing chaos. Following the robbery, Leland seeks to acquire the Venus by any means. Simon offers to "sell" it to him on condition that it never be displayed to anyone and that he never contact the Bonnet family again; Simon says Leland will be contacted later for payment. Leland runs from Nicole when she tries to return the engagement ring; Simon later secretly adds the ring to boxed statue before giving it to Leland, who immediately leaves the country with it. Nicole meets Simon at the Ritz Hotel to celebrate their success, though she is stunned when he admits it was his first heist. Simon is actually an expert consultant and investigator hired by major art galleries to enhance security and detect forgeries. He was investigating Charles' art collection when Nicole first encountered him. When Charles unexpectedly arrives, Simon assures him that the statue will soon be safely out of the country. Charles is relieved though momentarily disappointed that there will be no $1 Million insurance payment due to the statue never being authenticated. Simon insists Charles give up forgery, to which he agrees. As Nicole and Simon are on their way to get married, a collector who admired Charles's new "Van Gogh" arrives at the Bonnet residence. Nicole tells Simon that it is his father's "cousin". Simon admires her newfound flair for lying, and they drive off to begin their new life together.

Irene Vail decides to divorce her husband, the rich ship owner Bruce Vail. However, Bruce learns that he can prevent the divorce if he can provide evidence that she has been involved with another man. He pays his driver Michael to visit Irene's hotel room in Paris and pretend to be her lover so that a private detective can catch them in a compromising position. However, a man overhears Irene's startled cry upon finding Michael in her room, and a struggle ensues when the man defends Irene, leaving Michael on the floor, unconscious. When Bruce and the detective burst into the room, the man threatens them with a gun, demands Irene's jewelry and takes Irene hostage. Once they are away, the intruder, Paul Dumond, returns Irene's jewelry and invites her to dine with him at the Château Bleu restaurant, where he works as a waiter. They dance and Irene falls in love with him. In the morning, Irene returns to find Vail and the police in her room, as Michael is dead. Vail leads her to believe that Paul is responsible for the murder and blackmails her into coming back to the United States with him in exchange for Paul's freedom. Distraught that he is unable to find Irene, Paul learns that Irene has reunited with her husband and left for the U.S. Sensing something is wrong, he embarks for the U.S. to find her, accompanied by Cesare, his good friend and head chef of Château Bleu. In Manhattan, Paul and Cesare rehabilitate a restaurant, hoping that it will attract Irene. The reunion takes place at last, but Paul learns that Michael is dead and that a man has been arrested in Paris for the murder. Unwilling to let an innocent man pay for what he thinks is his crime, Paul embarks for Paris, and Irene joins him. They travel on the liner Princess Irene, which is owned by Vail and named after her. Vail learns that they are on the ship. In a rage, he orders the captain to travel at full speed, despite the danger of collision with an iceberg, claiming a desire to break the record for fastest crossing. Vail actually hopes that the ship will sink, killing Paul and Irene. The ship does strike an iceberg, and premature news reports state that the ship has sunk with tremendous loss of life. Consumed by guilt, Vail commits suicide and confesses to killing Michael in a note. However, the ship's bulkhead doors contain the water and prevent the ship from sinking. Paul, Irene and the other passengers rejoice when they hear that they are to be rescued.

The movie deals with the main character, Elling, a man in his 40s with generalized anxiety, and his struggle to function normally in society. He has anxiety, dizziness, and neurotic tendencies, which prevent him from living on his own. Elling has lived with his mother his entire life, and when she dies, the authorities take him from the house where he has always lived and send him to an institution. His roommate is the simple-minded, sex-obsessed Kjell Bjarne. The Norwegian government pays for the two to move into an apartment in Oslo, where every day is a challenge as they must prove they can get out into the real world and lead relatively normal lives. With the help of social worker Frank and a few new friends, they learn to break free from their respective conditions. Elling eventually discovers a new vocation as a rebel poet, while Kjell befriends a pregnant woman with a drinking problem, which eventually turns into a romance. The film ends with both men as firm friends, embarking on new lives filled with hope.